| # | Title | Artist | Rating | Length |
|---|
| 1 | Fidelio: Overture | Ludwig van Beethoven | | 6:31 |
| 2 | Fidelio: no. 1, Duet - Jetzt, Schätzchen, jetzt sind wir allein (Jaquino, Marzelline)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo soprano vocals [Marzelline]:
- Christina Landshamer (from 2020-06 until 2020-11)
- solo tenor vocals [Jaquino]:
- Cornel Frey (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 4:26 |
| 3 | Fidelio: Dialogue - Jaquino Jaquino (Rocco, Marzelline, Jaquino) | Ludwig van Beethoven | | 0:28 |
| 4 | Fidelio: no. 2, Aria - O war' ich schon mit dir vereint (Marzelline) | Ludwig van Beethoven | | 3:40 |
| 5 | Fidelio: Dialogue - Die Stunde naht (Rocco, Marzelline, Leonore) | Ludwig van Beethoven | | 0:42 |
| 6 | Fidelio: no. 3, Quartet - Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- solo soprano vocals [Marzelline]:
- Christina Landshamer (from 2020-06 until 2020-11)
- solo tenor vocals [Jaquino]:
- Cornel Frey (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1805)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- revised by:
- Ludwig van Beethoven (in 1814)
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 4:47 |
| 7 | Fidelio: Dialogue - Hare, Fidelio (Rocco, Marzelline, Leonore) | Ludwig van Beethoven | | 0:25 |
| 8 | Fidelio: no. 4, Aria - Hat man nicht auch Gold beineben (Rocco) | Ludwig van Beethoven | | 2:27 |
| 9 | Fidelio: Dialogue - Es ware mir so lieb (Leonore, Rocco, Marzelline) | Ludwig van Beethoven | | 0:59 |
| 10 | Fidelio: no. 5, Trio - Gut, Sahnchen, gut (Rocco, Leonore, Marzelline)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- solo soprano vocals [Marzelline]:
- Christina Landshamer (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 6:06 |
| 11 | Fidelio: no. 6, March | Ludwig van Beethoven | | 2:04 |
| 12 | Fidelio: Dialogue - Wo sind die Depeschen (Pizarro, Rocco) | Ludwig van Beethoven | | 0:39 |
| 13 | Fidelio: no. 7, Aria with chorus - Ha Ha Ha! Welch ein Augenblick (Pizarro, Chorus) | Ludwig van Beethoven | | 3:05 |
| 14 | Fidelio: Dialogue - Hauptmann (Pizarro, Rocco) | Ludwig van Beethoven | | 0:17 |
| 15 | Fidelio: no. 8, Duet - Jetzt, Alter, jetzt hat es Eile (Pizarro, Rocco)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo baritone vocals [Pizarro]:
- Johannes Martin Kränzle (from 2020-06 until 2020-11)
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 4:38 |
| 16 | Fidelio: no. 9, Recitative and Aria - Abscheulicher Wo eilst du hin (Leonore) | Ludwig van Beethoven | | 7:04 |
| 17 | Fidelio: Dialogue - Rocco, ich ersuchte Euch (Leonore, Marzelline, Rocco) | Ludwig van Beethoven | | 0:30 |
| 18 | Fidelio: no. 10, Finale Act 1 - Prisoner's Chorus - Oh welche Lust- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- choir vocals:
- Sächsischer Staatsopernchor Dresden (from 2020-06 until 2020-11)
- solo bass vocals [2nd Prisoner]:
- Chao Deng (from 2020-06 until 2020-11)
- solo tenor vocals [1st Prisoner]:
- Aaron Pegram (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 6:22 |
| 19 | Fidelio: Recitative and Duet - Nun sprecht, wie ging's (Leonore, Rocco) | Ludwig van Beethoven | | 4:38 |
| 20 | Fidelio: Recitative - Ach, Vater, Vater eilt (Marzelline, Rocco, Jaquino, Leonore)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- solo soprano vocals [Marzelline]:
- Christina Landshamer (from 2020-06 until 2020-11)
- solo tenor vocals [Jaquino]:
- Cornel Frey (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 0:40 |
| 21 | Fidelio: Verweg'ner Alter (Pizarro) | Ludwig van Beethoven | | 1:43 |
| 22 | Fidelio: Leb' wohl, du warmes Sonnenlicht (the prisoners)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
| Ludwig van Beethoven | | 3:47 |
| 23 | Fidelio: no. 11, Introduction, Recitative and Aria - Gott Welch Dunkel hier (Florestan) | Ludwig van Beethoven | | 8:59 |
| 24 | Fidelio: no. 12, Melodrama - Wie kalt ist es (Leonore, Rocco) | Ludwig van Beethoven | | 1:39 |
| 25 | Fidelio: Duet - Nur hurtig fort, nur frisch gegraben (Rocco, Leonore) | Ludwig van Beethoven | | 3:40 |
| 26 | Fidelio: Dialogue - Er erwacht (Leonore, Florestan, Rocco) | Ludwig van Beethoven | | 1:02 |
| 27 | Fidelio: no. 13, Trio - Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore) | Ludwig van Beethoven | | 5:35 |
| 28 | Fidelio: Dialogue - Ist alles bereit (Pizarro, Rocco)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo baritone vocals [Pizarro]:
- Johannes Martin Kränzle (from 2020-06 until 2020-11)
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 2020-06 until 2020-11)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 0:04 |
| 29 | Fidelio: no. 14, Quartet - Er sterbe (Pizarro, Florestan, Leonore, Rocco)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo baritone vocals [Pizarro]:
- Johannes Martin Kränzle (from 2020-06 until 2020-11)
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- solo tenor vocals [Florestan]:
- Christian Elsner (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 3:26 |
| 30 | Fidelio: Dialogue - Vater Rocco Der Minister kommt an (Jaquino, Rocco) | Ludwig van Beethoven | | 0:05 |
| 31 | Fidelio: Es schlägt der Rache Stunde (Leonore, Florestan, Pizarro, Rocco)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo baritone vocals [Pizarro]:
- Johannes Martin Kränzle (from 2020-06 until 2020-11)
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- solo tenor vocals [Florestan]:
- Christian Elsner (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 1:15 |
| 32 | Fidelio: Dialogue - Meine Leonore (Florestan, Leonore) | Ludwig van Beethoven | | 0:35 |
| 33 | Fidelio: no.15, Duet - O namenlose Freude (Leonore, Florestan) | Ludwig van Beethoven | | 2:51 |
| 34 | Fidelio: Dialogue - Gute Botschaft (Rocco) | Ludwig van Beethoven | | 0:26 |
| 35 | Fidelio: no. 16, Finale - Heil sei dem Tag (Chorus)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- choir vocals:
- Sächsischer Staatsopernchor Dresden (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 1:58 |
| 36 | Fidelio: Des besten Königs Wink und Wille (Fernando)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- solo bass-baritone vocals [Don Fernando]:
- Günther Groissböck (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- partial recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 1:17 |
| 37 | Fidelio: Wohlan, so helfet (Rocco, Pizarro, Fernando, Leonore)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- choir vocals:
- Sächsischer Staatsopernchor Dresden (from 2020-06 until 2020-11)
- solo baritone vocals [Pizarro]:
- Johannes Martin Kränzle (from 2020-06 until 2020-11)
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo bass-baritone vocals [Don Fernando]:
- Günther Groissböck (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- partial recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 3:00 |
| 38 | Fidelio: O Gott, O Gott (Leonore, Florestan, Fernando, Marzelline, Rocco) | Ludwig van Beethoven | | 3:19 |
| 39 | Fidelio: Wer ein holdes Weib errungen (Chorus, Florestan, Leonore, Rocco, Marzelline, Jaquino, Fernando)- recording engineer:
- Rob Strolenberg , Anne Taegert and Andreas Wolf
- producer:
- Job Maarse
- choir vocals:
- Sächsischer Staatsopernchor Dresden (from 2020-06 until 2020-11)
- solo bass vocals [Rocco]:
- Georg Zeppenfeld (from 2020-06 until 2020-11)
- solo bass-baritone vocals [Don Fernando]:
- Günther Groissböck (from 2020-06 until 2020-11)
- solo soprano vocals [Leonore]:
- Lise Davidsen (from 2020-06 until 2020-11)
- solo soprano vocals [Marzelline]:
- Christina Landshamer (from 2020-06 until 2020-11)
- solo tenor vocals [Florestan]:
- Christian Elsner (from 2020-06 until 2020-11)
- solo tenor vocals [Jaquino]:
- Cornel Frey (from 2020-06 until 2020-11)
- orchestra:
- Dresdner Philharmonie (from 2020-06 until 2020-11)
- conductor:
- Marek Janowski (from 2020-06 until 2020-11)
- balance engineer:
- Jean‐Marie Geijsen
- recorded at:
- Kulturpalast in Dresden, Sachsen , Germany (from 2020-06 until 2020-11)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 2020-06 until 2020-11)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 3:48 |
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