Tracklist

CD 1
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11. Akt: Mit ist so wunderbar
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:46
21. Akt: Ha! Welch' ein Augenblick!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
Ludwig van Beethoven3:15
31. Akt: Abscheulicher! Wo eilst Du hin?
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:02
41. Akt: O welche Lust in freier Luft
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo bass vocals [Second Prisoner]:
Günther Adam (German bass) (in 1964-03)
solo tenor vocals [First Prisoner]:
Kurt Equiluz (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:07
52. Akt: Gott! Welch' Dunkel hier!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven6:48
62. Akt: Nur hurtig fort, nur frisch gegraben
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:49
72. Akt: Euch werde Lohn in bessern Welten
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:04
82. Akt: Er sterbe! Doch er soll erst wissen... Oh namenlose Freude
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven8:11
92. Akt: Des besten Konigs Wink und Wille
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo baritone vocals [Don Fernando]:
Hermann Prey (baritone) (in 1964-03)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven11:36

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excerpt from:Fidelio
Discogs:https://www.discogs.com/master/510782 [info]