Complete Recordings on Deutsche Grammophon

~ Release by Carlos Kleiber (see all versions of this release, 3 available)

Tracklist

▶ Digital Media 1: Beethoven: Symphonies nos. 5 & 7
▶ Digital Media 2: Brahms: Symphony no. 4
▶ Digital Media 3: Schubert: Symphonies nos. 3 & 8 "Unfinished"
▶ Digital Media 4: J. Strauss: Die Fledermaus (Act I)
▼ Digital Media 5: J. Strauss: Die Fledermaus (Acts II & III)
#TitleArtistRatingLength
1Die Fledermaus: Akt II. Nr. 6 Introduktion: “Ein Souper heut uns winkt” (Chor)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:21
2Die Fledermaus: Akt II. “Adele, wer hat denn dich hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Ivan)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
spoken vocals [Ivan, Orlofskys Kammerdiener]:
Nikolai Lugowoi (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Amüsement! Amüsement!“ … „Adele, wer hat dich denn hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:53
3Die Fledermaus: Akt II. Nr. 7 Couplet: “Ich lade gern mir Gäste ein” (Orlofsky, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:03
4Die Fledermaus: Akt II. “Durchlaucht, hier ist Ihre Brieftasche wieder” (Adele, Orlofsky, Eisenstein, Falke)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Das sind allerdings … Aber heute möchte ich herzlich lachen“ … „Durchlaucht, hier ist ihre Brieftasche wieder” … „Das ist ja Adele” (Eisenstein, Orlofsky, Ida, Adele, Falke) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:46
5Die Fledermaus: Akt II. Nr. 8 Ensemble und Couplet: “Ach, meine Herr'n und Damen” (Orlofsky, Falke, Chor, Adele, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
partial recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:03
6Die Fledermaus: Akt II. “Mein Herr Marquis” (Adele, Chor)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:24
7Die Fledermaus: Akt II. [Russisch: “Hoheit, ein Chevalier Chagrin ist da”] (Ivan, Orlofsky, Falke, Eisenstein, Frank, Ida, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Ivan, Orlofskys Kammerdiener]:
Nikolai Lugowoi (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Hoheit, ein Chevalier Chagrin ist da” … „Na, Herr Marquis“ (Ivan, Ida, Falke, Orlofsky, Frank, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:04
8Die Fledermaus: Akt II. Nr. 9 Duett: “Dieser Anstand, so manierlich” (Eisenstein, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:44
9Die Fledermaus: Akt II. “Ah, da ist ja die schöne Unbekannte!” (Frank, Adele, Chor, Orlofsky, Ida, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Haha, lieber Marquis“ … „Ah, da ist ja die schöne Unbekannte” (Frank, Adele, Orlofsky, Rosalinde, alle) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:36
10Die Fledermaus: Akt II. Nr. 10 Csárdás: “Klänge der Heimat” (Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:02
11Die Fledermaus: Akt II. “Bravo! Bravissimo!” (Chor, Ida, Rosalinde, Orlofsky, Falke, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog: „Ausgezeichnet, bravo!“ (Ida, Rosalinde, Orlofsky, Falke, Eisenstein, alle) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:12
12Die Fledermaus: Akt II. Nr. 11 Finale II: “Im Feuerstrom der Reben” (Orlofsky, Chor, Adele, Ida, Eisenstein, Frank, Falke, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:13
13Die Fledermaus: Akt II. “Herr Chevalier, ich grüße Sie!” ... “Brüderlein und Schwesterlein” (Eisenstein, Frank, Falke, Rosalinde, Adele, Ida, Chor, Orlofsky)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss5:21
14Die Fledermaus: Akt II. “Wir werden jetzt sehen das Ballett” (Orlofsky)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog: „Wir werden jetzt sehen das Ballett“ (Orlofsky) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:10
15Die Fledermaus: Akt II. Unter Donner und Blitz, Polka op. 324
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss2:56
16Die Fledermaus: Akt II. “Genug damit, genug!” (Orlofsky, Chor, Eisenstein, Frank, Rosalinde, Adele, Ida, Falke)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 11c Finale „Genug, damit, genug!“ (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:10
17Die Fledermaus: Akt III. Nr. 12 Entr'acte
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 12 Entreakt (in 1975-10)
lyricist:
Howard Dietz (librettist)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus: Akt III
Johann Strauss0:57
18Die Fledermaus: Akt III. “Täubchen, das entflattert ist” (Alfred, Frosch)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog: „Täubchen, das entflattert ist” … „Hallo, also das ist ein fideles Gefängnis“ (Alfred, Frosch) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss1:08
19Die Fledermaus: Akt III. Nr. 13 Melodram: “So, da wär'n wir ja zu Hause im Vogelhaus” (Frank)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 13. Melodram „So, da wär’n wir ja zuhause im Vogelhaus“ … „Olga komm her, Ida auch“ (Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss3:47
20Die Fledermaus: Akt III. “Ah, der Herr Direktor ist entschlafen” (Frosch, Frank, Adele, Ida)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss1:33
21Die Fledermaus: Akt III. Nr. 14 Couplet: “Spiel' ich die Unschuld vom Lande” (Adele, Ida, Frank)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss4:13
22Die Fledermaus: Akt III. “Herr Direktor!” (Frosch, Adele, Frank, Eisenstein, Blind, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Dr. Blind, Advokat]:
Ferry Gruber (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
recording of:
Die Fledermaus: Akt III. Dialog „Bravo, ganz entzückend!“ … „Herr Direktor!” (Frank, Frosch, Adele, Eisenstein)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss3:26
23Die Fledermaus: Akt III. Nr. 15 Terzett: “Ich stehe voll Zagen” (Rosalinde, Alfred, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 15 Terzett „Ich steh’ voll Zagen“ (Rosalinde, Alfred, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss7:01
24Die Fledermaus: Akt III. “Also, du willst mir Vorwürfe machen?” (Rosalinde, Eisenstein, Frank, Alfred, Frosch)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Du wagst es mir Vorwürfe zu machen“ (Rosalinde, Eisenstein, Alfred, Frank, Frosch) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss0:41
25Die Fledermaus: Akt III. Nr. 16 Finale III: “O Fledermaus, o Fledermaus” (Rosalinde, Adele, Ida, Frank, Chor, Eisenstein, Falke, Orlofsky, Alfred)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss2:39
▶ Digital Media 6: Verdi: La traviata (Act I & Act II, Scene 1)
▶ Digital Media 7: Verdi: La traviata (Act II, Scene 2 & Act III)
▶ Digital Media 8: Wagner: Tristan und Isolde (Act I)
▶ Digital Media 9: Wagner: Tristan und Isolde (Act II)
▶ Digital Media 10: Wagner: Tristan und Isolde (Act III)
▶ Digital Media 11: Weber: Der Freischütz (Act I & Act II, Scene 1)
▶ Digital Media 12: Weber: Der Freischütz (Act II, Scene 2 & Act III)