Complete Recordings on Deutsche Grammophon

~ Release by Carlos Kleiber (see all versions of this release, 3 available)

Tracklist

Digital Media 1: Beethoven: Symphonies nos. 5 & 7
Digital Media 2: Brahms: Symphony no. 4
Digital Media 3: Schubert: Symphonies nos. 3 & 8 "Unfinished"
Digital Media 4: J. Strauss: Die Fledermaus (Act I)
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1Die Fledermaus: Ouvertüre
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus
part of:
Die Fledermaus (english; unknown version)
Johann Strauss7:40
2Die Fledermaus: Akt I. Nr. 1 Introduktion: “Täubchen, das entflattert ist” (Alfred, Adele)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Ha-ha-ha-ha! Da schreibt meine Ida“ (Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
partial recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:14
3Die Fledermaus: Akt I. “Täubchen, das entflattert ist” (Alfred, Adele, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
partial recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:47
4Die Fledermaus: Akt I. Nr. 1a “Ach, ich darf nicht hin zu dir!” (Adele, Rosalinde)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1b Duett „Ach, ich darf nicht hin zu dir!…Du darfst heut' nicht zu ihr“ (Adele, Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss0:56
5Die Fledermaus: Akt I. “Die arme Tante” (Rosalinde, Alfred)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Wie glücklich die alte Tante ist…“ (Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:08
6Die Fledermaus: Akt I. Nr. 2 Terzett: “Nein, mit solchen Advokaten” (Eisenstein, Rosalinde, Blind)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Dr. Blind, Advokat]:
Ferry Gruber (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 2 Terzett „Nein, mit solchen Advokaten“ (Eisenstein, Rosalinde, Blind) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 2b „Rekurrieren - Appellieren“ (Eisenstein, Rosalinde, Blind) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:47
7Die Fledermaus: Akt I. “Sag mal, also statt fünf musst du acht Tage sitzen?” (Rosalinde, Eisenstein, Adele, Falke)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Also, noch verschärft die Strafe?“ (Rosalinde, Eisenstein, Adele, Falke) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:51
8Die Fledermaus: Akt I. Nr. 3 Duett: “Komm mit mir zum Souper” (Falke, Eisenstein)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals:
Júlia Várady (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:14
9Die Fledermaus: Akt I. “Seid ihr verrückt geworden?” (Rosalinde, Eisenstein, Falke, Adele)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Ja, was ist denn los? Ihr tanzt und singt“ / „Seid ihr verrückt geworden?“ (Rosalinde, Eisenstein, Falke) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:19
10Die Fledermaus: Akt I. Nr. 4 Terzett: “So muss allein ich bleiben” (Rosalinde, Eisenstein, Adele)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:47
11Die Fledermaus: Akt I. “Ach, diese Männer” (Rosalinde, Alfred)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Ach… Diese Männer“ / „Er weint und tanzt zugleich“ (Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:01
12Die Fledermaus: Akt I. Nr. 5 Finale I: “Trinke, Liebchen, trinke schnell” ... “Mein Herr, was dächten Sie von mir” ... “Mein schönes, großes Vogelhaus” (Alfred, Rosalinde, Frank)
recording engineer:
Klaus Behrens (engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 5c Terzett „Nein, nein, ich zweifle gar nicht mehr“ … „Mein schönes, grosses Vogelhaus” (Frank, Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss10:38
Digital Media 5: J. Strauss: Die Fledermaus (Acts II & III)
Digital Media 6: Verdi: La traviata (Act I & Act II, Scene 1)
Digital Media 7: Verdi: La traviata (Act II, Scene 2 & Act III)
Digital Media 8: Wagner: Tristan und Isolde (Act I)
Digital Media 9: Wagner: Tristan und Isolde (Act II)
Digital Media 10: Wagner: Tristan und Isolde (Act III)
Digital Media 11: Weber: Der Freischütz (Act I & Act II, Scene 1)
Digital Media 12: Weber: Der Freischütz (Act II, Scene 2 & Act III)