Complete Recordings on Deutsche Grammophon

~ Release by Carlos Kleiber (see all versions of this release, 3 available)

Tracklist

▶ Digital Media 1: Beethoven: Symphonies nos. 5 & 7
▶ Digital Media 2: Brahms: Symphony no. 4
▶ Digital Media 3: Schubert: Symphonies nos. 3 & 8 "Unfinished"
▶ Digital Media 4: J. Strauss: Die Fledermaus (Act I)
▶ Digital Media 5: J. Strauss: Die Fledermaus (Acts II & III)
▶ Digital Media 6: Verdi: La traviata (Act I & Act II, Scene 1)
▶ Digital Media 7: Verdi: La traviata (Act II, Scene 2 & Act III)
▶ Digital Media 8: Wagner: Tristan und Isolde (Act I)
▶ Digital Media 9: Wagner: Tristan und Isolde (Act II)
▼ Digital Media 10: Wagner: Tristan und Isolde (Act III)
#TitleArtistRatingLength
1Tristan und Isolde: Akt III. Einleitung
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner4:31
2Tristan und Isolde: Akt III. [Man hört einen Hirtenreigen]
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner3:01
3Tristan und Isolde: Akt III. “Kurwenal! He! Sag, Kurwenal!” (Hirt, Kurwenal, Tristan)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
tenor vocals [Ein Hirt]:
Anton Dermota (tenor) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner8:33
4Tristan und Isolde: Akt III. “Hei nun! Wie du kamst?” (Kurwenal, Tristan)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner9:27
5Tristan und Isolde: Akt III. “Noch losch das Licht nicht aus” (Tristan, Kurwenal)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner5:10
6Tristan und Isolde: Akt III. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner11:49
7Tristan und Isolde: Akt III. “Bist du nun tot? Lebst du noch?” (Kurwenal, Tristan)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner9:02
8Tristan und Isolde: Akt III. “O diese Sonne! Ha, dieser Tag!” (Tristan, Isolde)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
tenor vocals [Tristan]:
René Kollo (tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene II. "O diese Sonne! Ha, dieser Tag!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner3:22
9Tristan und Isolde: Akt III. “Ich bin's, ich bin's, süßester Freund!” (Isolde)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene II. "O diese Sonne! Ha, dieser Tag!" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner5:58
10Tristan und Isolde: Akt III. “Kurwenal! Hör! Ein zweites Schiff” (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
baritone vocals [Ein Steuermann]:
Wolfgang Hellmich (operatic baritone) (from 1980-08 until 1982-04)
baritone vocals [Kurwenal]:
Dietrich Fischer‐Dieskau (baritone) (from 1980-08 until 1982-04)
bass vocals [König Marke]:
Kurt Moll (operatic bass) (from 1980-08 until 1982-04)
mezzo-soprano vocals [Brangäne]:
Brigitte Fassbaender (mezzo-soprano) (from 1980-08 until 1982-04)
tenor vocals [Ein Hirt]:
Anton Dermota (tenor) (from 1980-08 until 1982-04)
tenor vocals [Melot]:
Werner Götz (operatic tenor) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff" (from 1980-08 until 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III
Richard Wagner7:47
11Tristan und Isolde: Akt III. “Mild und leise wie er lächelt” (Isolde)
recording engineer:
Karl-August Naegler (balance engineer)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Joost Haase (recording engineer) and Gerald Junge (sound engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
soprano vocals [Isolde]:
Margaret Price (soprano) (from 1980-08 until 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1980-08 until 1982-04)
conductor:
Carlos Kleiber (conductor) (from 1980-08 until 1982-04)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1980-08 until 1982-04)
partial recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (in 1982-04)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:26
▶ Digital Media 11: Weber: Der Freischütz (Act I & Act II, Scene 1)
▶ Digital Media 12: Weber: Der Freischütz (Act II, Scene 2 & Act III)