Rocktober

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

CD 1
CD 2
#TitoloArtistaValutazioneDurata
1You Took the Words Right Out of My Mouth
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
famiglia delle chitarre e percussione :
Todd Rundgren
membranofono :
Max Weinberg
percussione :
Marvin Lee
sassofono :
Edgar Winter
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e percussione :
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Ellen Foley e Todd Rundgren
voce principale:
Meat Loaf
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1977)
raccolta di:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) di Meat Loaf e You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) di Meat Loaf
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf45:02
2What About Me
basso :
Ian Lees (Australian bassist)
batteria :
Paul Freeland
chitarra :
Garry Frost
ottoni e tastiera :
Charlie Cole (Australian keyboards)
voce:
Alex Smith (Australian artist ex. Moving Pictures)
diritti fonografici (℗) detenuti da:
WBE Records (label founded by Glenn Wheatley) (nel 1981)
registrazione di:
What About Me (Moving Pictures song)
autore:
Garry Frost e Frances Swan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chapell e Warner Chappell Music (publisher as Warner/Chappell Music)
Moving Pictures3:31
3History Never Repeats
produttore:
David Tickle
registrazione di:
History Never Repeats
paroliere e compositore:
Neil Finn
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 57)
Split Enz2:57
4The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.354:22
5Hit Me With Your Best Shot
tecnico:
Chris Minto (engineer) e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer)
basso :
Roger Capps
batteria :
Myron Grombacher
chitarra :
Scott St. Clair Sheets
chitarra e tastiera :
Neil Giraldo
voce di accompagnamento:
Roger Capps e Neil Giraldo
voce di accompagnamento e voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1980, nel 2002) e Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1980)
registrazione di:
Hit Me With Your Best Shot
paroliere e compositore:
Eddie Schwartz
editore:
Round Hill Songs e Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:50
6Bad Boy for Love
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
basso :
Ian Riland
batteria :
Dallas Royal
chitarra :
Michael Cocks e Peter Wells (Rose Tattoo guitarist)
voce:
Angry Anderson
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978) e J. Albert & Son Pty. Ltd. (nel 1977)
registrazione di:
Bad Boy for Love
paroliere e compositore:
Ian Rilen
editore:
J. Albert & Son e J. Albert & Son Pty. Ltd.
Rose Tattoo3:02
7Be Good Johnny
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1996)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
registrazione di:
Be Good Johnny
paroliere:
Colin Hay
compositore:
Greg Ham (member of Men at Work) e Colin Hay
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher) e EMI Songs Australia Pty. Ltd.
Men at Work3.653:34
8The Break Up Song (They Don’t Write ’em)
registrazione di:
The Breakup Song (They Don’t Write ’Em)
autore:
Greg Kihn e Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band2:46
92-4-6-8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:15
10Who Listens to the Radio
produttore:
Pete Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1978), Mushroom Records (nel 1979, nel 1996) e Stiff Records (nel 1979)
registrazione di:
Who Listens to the Radio?
paroliere e compositore:
Stephen Cummings e Andrew Pendlebury
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label's publishing company), Mushroom Music Pty. Ltd., Warner/Chappell Pty. Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher) (nel 1979) e Street Music Ltd. (nel 1979)
The Sports3:13
1148 Crash
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1973)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
48 Crash
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music
Suzi Quatro4.53:52
12No Secrets
basso :
Chris Bailey (Australian bassist for The Angels)
batteria :
Graham (Buzz) Bidstrup
chitarra :
John Brewster e Rick Brewster
voce:
Doc Neeson
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) e Tutankhamen Nominees Pty. Ltd. (nel 1980)
registrazione di:
No Secrets
autore:
Graham "Buzz" Bidstrup e Doc Neeson
editore:
J. Albert & Son e J. Albert & Son Pty. Ltd.
The Angels4:17
13Hanging On the Telephone
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione cover di:
Hanging On the Telephone (dal 1978-06 al 1978-07)
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) e Rare Blue Music Inc (nel 1978)
Blondie4.22:19
14Department of Youth
assistente produttore:
Michael Sherman (producer)
produttore:
Bob Ezrin
batteria :
Whitey Glan
chitarra :
Steve Hunter (rock guitarist) e Dick Wagner
chitarra basso :
Prakash John
clavinet :
Jozef Chirowski
tastiera :
Jozef Chirowski e Bob Ezrin
cori:
The Summerhill Children’s Choir
voce di accompagnamento:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir e Dick Wagner
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
direttore d'orchestra:
David Ezrin
arrangiatore:
Bob Ezrin e Allan MacMillan
diritti fonografici (℗) detenuti da:
Anchor Records Ltd. (nel 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1975), Atlantic Records (do not use as release label, use “Atlantic” instead) (nel 1975) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1975)
è stato produttore per:
My Own Production Company Ltd.
registrazione di:
Department of Youth
autore:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Bob Ezrin e Dick Wagner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (conclusa), All by Myself Publishing Company, Early Frost Music Corp., Ezra Music, Ezra Music Corp., Irving Music of Canada, Irving Music, Inc., Primary Wave Music Publishing, Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group (Universal Music Publishing Group Corporation) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Alice Cooper43:14
15Isn’t It Time
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1977)
registrazione di:
Isn’t It Time
autore:
Jack Conrad e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. e X‐Ray Music
The Babys4.53:58
16I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd. e Zomba Enterprises, Inc.
The Boomtown Rats44:16
17Diamonds
tecnico:
Stuart Epps
produttore:
Gus Dudgeon
percussione :
Morris Pert
voce principale:
Chris Rea
arrangiatore archi e arrangiatore ottoni :
Bruce Baxter
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979)
registrazione di:
Diamonds
paroliere e compositore:
Chris Rea
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Magnet Music Ltd. (publisher)
Chris Rea4:49
18Cool World
basso :
Paul Christie
batteria :
Gil Matthews
chitarra :
James Black (Australian guitarist and keyboard), Eric McCusker e Ross Wilson (Australian singer-songwriter, guitarist and producer)
tastiera :
James Black (Australian guitarist and keyboard)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Fable Records (nel 1980, nel 1981) e Avenue Records (Australian record label) (nel 1981)
registrazione di:
Cool World
compositore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Mushroom Music (Mushroom label's publishing company), Mushroom Music Pty. Ltd. e Mushroom Music Publishing
Mondo Rock3:32
19You Just Like Me ’Cos I’m Good in Bed
tecnico:
John French (Australian producer/engineer)
produttore:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
batteria :
Fred Strauks
chitarra :
Bob “Bongo” Starkie e Redmond Symons
chitarra basso :
Greg Macainsh
voce:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie e Redmond Symons
voce principale:
Graeme 'Shirley' Strachan
registrata presso:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (nel 1974)
medley che comprende una registrazione di:
Hooked on Hooks (megamix)
autore:
Gregory John Macainsh
editore:
Mushroom Music (Mushroom label's publishing company)
registrazione di:
You Just Like Me 'Cos I'm Good in Bed
paroliere e compositore:
Greg Macainsh
Skyhooks3:42
20If You Leave Me, Can I Come Too?
tecnico:
Bruce Brown (Australia producer & engineer; bass player) e Russel Dunlop (Australian drummer, singer, composer, producer, engineer)
registrata presso:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
registrazione di:
If You Leave Me Can I Come Too
paroliere e compositore:
Martin Plaza (Australian musician)
Mental as Anything32:51
21Magazine Madonna
Sherbet4:08
22One Perfect Day
basso :
Peter Leslie (bassist)
batteria :
Alan "Clutch" Robertson
tastiera :
Martin Fisher (keyboards, in Dear Enemy)
voce:
Roger Hart (Australian guitarist, vocalist, songwriter)
diritti fonografici (℗) detenuti da:
EMI Music Australia (Electric & Musical Industries Music Australia, not for release label use!) (nel 1982) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1982)
registrazione di:
One Perfect Day (Little Heroes song)
autore:
Roger Wells (Roger Garfield Ferrier)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Orient Pacific Music Pty. Ltd.
The Little Heroes3:49