Cole Porter

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1: The Vocal Sides
#TitleArtistRatingLength
1Love for Sale
recording of:
Love for Sale (in 1952)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Anita O’Day3:36
2Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1947-10-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
conductor:
Axel Stordahl (on 1947-10-22)
arranger:
Don Costa (US pop music arranger & producer) and Axel Stordahl
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1947-10-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1961-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frank Sinatra53:40
3Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday3:13
4Get Out of Town
recording of:
Get Out of Town
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Mel Tormé3:16
5I Concentrate on You
cover recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Dinah Washington3:05
6You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Matt Dennis2:49
7Why Shouldn’t I?
recording of:
Why Shouldn’t I?
lyricist and composer:
Cole Porter (composer) (in 1935)
Lee Wiley1:39
8My Heart Belongs to Daddy
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (on 1953-05-01)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Peggy Lee2:08
9Cherry Pies Ought to Be You
guest vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Axel Stordahl
performer:
Rosemary Clooney (on 1950-12-11)
arranger:
Axel Stordahl
recording of:
Cherry Pies Ought to Be You (Out of This World musical) (on 1950-12-11)
lyricist and composer:
Cole Porter (composer) (in 1950)
publisher:
Buxton Hill Music Corp.
Rosemary Clooney & Frank Sinatra2:22
10Ev’rything I Love
recording of:
Everything I Love (Let’s Face It! musical)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
Morgana King3:18
11In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Jo Stafford2:41
12Let’s Do It, Let’s Fall in Love
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Tina Louise2:54
13Why Shouldn’t I?
cover recording of:
Why Shouldn’t I?
lyricist and composer:
Cole Porter (composer) (in 1935)
Margaret Whiting3:17
14From This Moment On
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Chris Connor2:32
15Looking at You
recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
Lucy Ann Polk2:40
16All of You
recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
Mel Tormé2:52
17I Concentrate on You
recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Fred Astaire2:45
18Down in the Depths, on the Ninetieth Floor
recorded in:
Los Angeles, California, United States (on 1955-01-05)
engineer:
Hal Valentin
alto saxophone:
Charlie Mariano (on 1955-01-05)
bass and bass guitar:
Max Bennett (US jazz bassist and session musician) (on 1955-01-05)
drums (drum set):
Stan Levy (on 1955-01-05)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (on 1955-01-05)
trumpet:
Don Fagerquist (on 1955-01-05)
vocals:
Helen Carr (40s jazz singer) (on 1955-01-05)
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (on 1955-01-05)
lyricist and composer:
Cole Porter (composer) (in 1936)
Helen Carr3:12
19You’d Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:20
20Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Carmen McRae2:39
▶ CD 2: The Instrumental Sides