Cole Porter

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: The Vocal Sides
#	Title	Artist	Rating	Length
1	Love for Sale recording of: Love for Sale (in 1952) lyricist and composer: Cole Porter (composer) (in 1930) publisher: Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)	Anita O’Day		3:36
2	Night and Day recorded in: Hollywood, Los Angeles, California, United States (on 1961-11-22) lead vocals: Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1947-10-22) vocals: Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22) conductor: Axel Stordahl (on 1947-10-22) arranger: Don Costa (US pop music arranger & producer) and Axel Stordahl cover recording of: Night and Day (Cole Porter; from “The Gay Divorce”) (on 1947-10-22) lyricist and composer: Cole Porter (composer) (in 1932) publisher: Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18) part of: Gay Divorce cover recording of: Night and Day (Cole Porter; from “The Gay Divorce”) (on 1961-11-22) lyricist and composer: Cole Porter (composer) (in 1932) publisher: Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18) part of: Gay Divorce	Frank Sinatra	5	3:40
3	Easy to Love recording of: Easy to Love lyricist and composer: Cole Porter (composer) (in 1936) publisher: Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: Anything Goes part of: Born to Dance	Billie Holiday		3:13
4	Get Out of Town recording of: Get Out of Town lyricist and composer: Cole Porter (composer) (in 1938) part of: Leave It to Me!	Mel Tormé		3:16
5	I Concentrate on You cover recording of: I Concentrate on You lyricist and composer: Cole Porter (composer) (in 1939) publisher: Chappell & Co., Inc. (USA)	Dinah Washington		3:05
6	You’d Be So Nice to Come Home To recording of: You’d Be So Nice to Come Home To lyricist and composer: Cole Porter (composer) (in 1943) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: The 16th Academy Award for Best Original Song (number: 2)	Matt Dennis		2:49
7	Why Shouldn’t I? recording of: Why Shouldn’t I? lyricist and composer: Cole Porter (composer) (in 1935)	Lee Wiley		1:39
8	My Heart Belongs to Daddy double bass: Max Wayne (on 1953-05-01) drums (drum set): Ed Shaughnessy (on 1953-05-01) piano: Jimmy Rowles (on 1953-05-01) trumpet: Pete Candoli (on 1953-05-01) vocals: Peggy Lee (jazz vocalist) (on 1953-05-01) cover recording of: My Heart Belongs to Daddy (on 1953-05-01) lyricist and composer: Cole Porter (composer) (in 1938) publisher: Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.	Peggy Lee		2:08
9	Cherry Pies Ought to Be You guest vocals: Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) conductor: Axel Stordahl performer: Rosemary Clooney (on 1950-12-11) arranger: Axel Stordahl recording of: Cherry Pies Ought to Be You (Out of This World musical) (on 1950-12-11) lyricist and composer: Cole Porter (composer) (in 1950) publisher: Buxton Hill Music Corp.	Rosemary Clooney & Frank Sinatra		2:22
10	Ev’rything I Love recording of: Everything I Love (Let’s Face It! musical) lyricist and composer: Cole Porter (composer) (in 1941) publisher: Chappell & Co. and Chappell & Co., Inc. (USA)	Morgana King		3:18
11	In the Still of the Night recording of: In the Still of the Night (Cole Porter song) lyricist and composer: Cole Porter (composer) (in 1937) publisher: Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)	Jo Stafford		2:41
12	Let’s Do It, Let’s Fall in Love recording of: Let’s Do It (Let’s Fall in Love) (Paris musical) lyricist and composer: Cole Porter (composer) (in 1928) part of: Can‐Can (1960 musical film) part of: Paris (1928 musical)	Tina Louise		2:54
13	Why Shouldn’t I? cover recording of: Why Shouldn’t I? lyricist and composer: Cole Porter (composer) (in 1935)	Margaret Whiting		3:17
14	From This Moment On cover recording of: From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) lyricist and composer: Cole Porter (composer) (in 1950) part of: Kiss Me, Kate (musical)	Chris Connor		2:32
15	Looking at You recording of: Looking at You (Wake Up and Dream musical revue) lyricist and composer: Cole Porter (composer) (in 1929)	Lucy Ann Polk		2:40
16	All of You recording of: All of You (Silk Stockings musical) lyricist and composer: Cole Porter (composer) (in 1954) publisher: Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK) part of: Silk Stockings (1957 musical film)	Mel Tormé		2:52
17	I Concentrate on You recording of: I Concentrate on You lyricist and composer: Cole Porter (composer) (in 1939) publisher: Chappell & Co., Inc. (USA)	Fred Astaire		2:45
18	Down in the Depths, on the Ninetieth Floor recorded in: Los Angeles, California, United States (on 1955-01-05) engineer: Hal Valentin alto saxophone: Charlie Mariano (on 1955-01-05) bass and bass guitar: Max Bennett (US jazz bassist and session musician) (on 1955-01-05) drums (drum set): Stan Levy (on 1955-01-05) piano: Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (on 1955-01-05) trumpet: Don Fagerquist (on 1955-01-05) vocals: Helen Carr (40s jazz singer) (on 1955-01-05) recording of: Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (on 1955-01-05) lyricist and composer: Cole Porter (composer) (in 1936)	Helen Carr		3:12
19	You’d Be So Nice to Come Home To cover recording of: You’d Be So Nice to Come Home To lyricist and composer: Cole Porter (composer) (in 1943) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: The 16th Academy Award for Best Original Song (number: 2)	Helen Merrill		4:20
20	Just One of Those Things recording of: Just One of Those Things lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929) part of: Can‐Can (1960 musical film) part of: High Society (stage musical) part of: Jubilee part of: Panama Hattie (1942 film)	Carmen McRae		2:39

▼ CD 2: The Instrumental Sides
#	Title	Artist	Rating	Length
1	I Love You recording of: I Love You (Mexican Hayride musical) lyricist and composer: Cole Porter (composer) (in 1944) publisher: Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)	Chet Baker		2:48
2	I Love Paris recording of: I Love Paris (Can-Can [Pistache, Company]) lyricist and composer: Cole Porter (composer) (in 1953) publisher: Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: Can‐Can (1960 musical film) part of: Can‐Can part of: High Society (stage musical)	Charlie Parker		5:10
3	Night and Day cover recording of: Night and Day (Cole Porter; from “The Gay Divorce”) lyricist and composer: Cole Porter (composer) (in 1932) publisher: Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18) part of: Gay Divorce	Oscar Peterson		3:41
4	It’s De-Lovely	Charlie Shavers & Urbie Green		4:07
5	Begin the Beguine recording of: Begin the Beguine lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: Jubilee	Stan Kenton and His Orchestra		2:37
6	Love for Sale recording of: Love for Sale lyricist and composer: Cole Porter (composer) (in 1930) publisher: Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)	Oscar Moore		1:52
7	All Through the Night recorded in: New York, New York, United States (on 1954-11-07) cornet: Bobby Hackett (on 1954-11-07) conductor: Glenn Osser (on 1954-11-07) recording of: All Through the Night (on 1954-11-07) lyricist and composer: Cole Porter (composer) (in 1934) publisher: WB Music Corp. (1929–2019) part of: Anything Goes	Bobby Hackett		3:50
8	Just One of Those Things recording of: Just One of Those Things lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929) part of: Can‐Can (1960 musical film) part of: High Society (stage musical) part of: Jubilee part of: Panama Hattie (1942 film)	Bud Powell		3:51
9	Get Out of Town recording of: Get Out of Town lyricist and composer: Cole Porter (composer) (in 1938) part of: Leave It to Me!	Jack Sheldon		2:32
10	Anything Goes recording of: Anything Goes lyricist and composer: Cole Porter (composer) (in 1934) publisher: Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!) part of: Anything Goes	Tal Farlow		5:10
11	You’d Be So Nice to Come Home To recording of: You’d Be So Nice to Come Home To lyricist and composer: Cole Porter (composer) (in 1943) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: The 16th Academy Award for Best Original Song (number: 2)	Ben Webster & Coleman Hawkins		4:18
12	All of You recording of: All of You (Silk Stockings musical) lyricist and composer: Cole Porter (composer) (in 1954) publisher: Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK) part of: Silk Stockings (1957 musical film)	Ralph Burns Orchestra		2:35
13	I Get a Kick Out of You recording of: I Get a Kick Out of You lyricist and composer: Cole Porter (composer) (in 1934) publisher: Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974) part of: Anything Goes	Clifford Brown		7:40
14	I Love You recording of: I Love You (Mexican Hayride musical) lyricist and composer: Cole Porter (composer) (in 1944) publisher: Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)	Thad Jones/Mel Lewis Orchestra		5:59
15	What Is This Thing Called Love recording of: What Is This Thing Called Love? (Wake Up and Dream musical revue) lyricist and composer: Cole Porter (composer) (in 1929) publisher: Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.) part of: Wake Up and Dream (1929 revue)	Oscar Peterson		3:10
16	I’ve Got You Under My Skin recording of: I’ve Got You Under My Skin lyricist and composer: Cole Porter (composer) (in 1936) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: The 9th Academy Award for Best Original Song (number: 2) part of: Born to Dance	Charlie Parker		3:35
17	Begin the Beguine recording of: Begin the Beguine lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: Jubilee	Art Tatum		2:45
18	Night and Day recording of: Night and Day (Cole Porter; from “The Gay Divorce”) lyricist and composer: Cole Porter (composer) (in 1932) publisher: Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18) part of: Gay Divorce	Don Byas		2:36
19	It’s All Right With Me recording of: It’s All Right with Me (Can‐Can musical) lyricist and composer: Cole Porter (composer) (in 1953) publisher: Chappell & Co., Inc. (USA) part of: Can‐Can (1960 musical film) part of: High Society (stage musical)	Les Brown and His Orchestra		2:43
20	Just One of Those Things recording of: Just One of Those Things lyricist and composer: Cole Porter (composer) (in 1935) publisher: Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929) part of: Can‐Can (1960 musical film) part of: High Society (stage musical) part of: Jubilee part of: Panama Hattie (1942 film)	Bill Evans		7:32

Cole Porter

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