Fidelio

~ Release by Ludwig van Beethoven; Helga Dernesch, Jon Vickers, Karl Ridderbusch, Zoltán Kelemen, Horst R. Laubenthal, José van Dam, Helen Donath, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 4 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Beethoven "Fidelio" 1. Overture: Overture
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven7:01
A2Beethoven "Fidelio" 2. Act I: No. 1: Duet: Jetzt, Schätzchen
producer:
Michel Glotz
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
A3Beethoven "Fidelio" 2. Act I: No. 2: Aria: O Wär Ich Schon
producer:
Michel Glotz
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:59
B1Beethoven "Fidelio" 2. Act I: No. 3: Quartet: Mir Ist So Wunderbar
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
B2Beethoven "Fidelio" 2. Act I: No. 4: Aria: Hat Man Nicht
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:40
B3Beethoven "Fidelio" 2. Act I: No. 5: Trio: Gut, Söhnchen, Gut
producer:
Michel Glotz
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (austrian soprano and mezzo-soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:18
▶ 12" Vinyl 2
▶ 12" Vinyl 3