Sacred Music In The Renaissance Volume 1 - The Tallis Scholars Finest Recordings 1980-1989

~ Release by The Tallis Scholars (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Miserere
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1980)
solo treble vocals:
Alison Stamp (Treble, Soprano) (in 1980)
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor) (in 1980)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom (in 1980)
compilation of:
Miserere: 01. Miserere mei, Deus by The Tallis Scholars, Miserere: 02. Amplius lava me by The Tallis Scholars, Miserere: 03. Tibi soli peccavi by The Tallis Scholars, Miserere: 04. Ecce enim veritatem by The Tallis Scholars, Miserere: 05. Auditui meo dabis by The Tallis Scholars, Miserere: 06. Cor mundum crea in me by The Tallis Scholars, Miserere: 07. Redde mihi laetitiam by The Tallis Scholars, Miserere: 08. Libera me by The Tallis Scholars, Miserere: 09. Quoniam si voluisses by The Tallis Scholars, Miserere: 10. Benigne fac, Domine by The Tallis Scholars and Miserere: 11. Tunc acceptabis by The Tallis Scholars
recording of:
Miserere mei, Deus (in 1980)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri12:32
2Mass for five voices, i. Kyrie
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 5 Voices: I. Kyrie eleison (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
partial recording of:
Mass for 5 Voices
composer:
William Byrd (English composer)
William Byrd1:27
3Mass for five voices, ii. Gloria
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 02. Gloria in excelsis by The Tallis Scholars, Mass for Five Voices: 03. Domine Deus, Agnus Dei by The Tallis Scholars and Mass for Five Voices: 04. Quoniam tu solus Sanctus by The Tallis Scholars
recording of:
Mass for 5 Voices: II. Gloria in excelsis Deo (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd4:57
4Mass for five voices, iii. Credo
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 05. Credo in unum Deum by The Tallis Scholars, Mass for Five Voices: 06. Qui propter nos homines by The Tallis Scholars, Mass for Five Voices: 07. Crucifixus by The Tallis Scholars, Mass for Five Voices: 08. Et resurrexit by The Tallis Scholars, Mass for Five Voices: 09. Et in Spiritum Sanctum by The Tallis Scholars and Mass for Five Voices: 10. Et unam sanctam by The Tallis Scholars
recording of:
Mass for 5 Voices: III. Credo in unum Deum (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd8:43
5Mass for five voices, iv. Sanctus & Benedictus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 11. Sanctus by The Tallis Scholars, Mass for Five Voices: 12. Pleni sunt caeli by The Tallis Scholars and Mass for Five Voices: 13. Benedictus by The Tallis Scholars
recording of:
Mass for 5 Voices: IV. Sanctus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
recording of:
Mass for 5 Voices: V. Benedictus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd3:48
6Mass for five voices, v. Agnus Dei
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 14. Agnus Dei 1 & 2 by The Tallis Scholars and Mass for Five Voices: 15. Agnus Dei 3 by The Tallis Scholars
recording of:
Mass for 5 Voices: VI. Agnus Dei (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd3:33
7Ave verum corpus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Ave verum corpus (in 1984)
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
Gradualia ac cantiones sacrae, Liber 1 (A collection of 63 graduals and sacred songs dated 1605)
William Byrd4:16
8Requiem, i. Introitus
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria6:14
9Requiem, ii. Kyrie
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Kyrie (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:35
10Requiem, iii. Graduale
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Graduale: Requiem aeternam (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:08
11Requiem, iv. Offertorium
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:36
12Requiem, v. Sanctus & Benedictus
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Benedictus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
recording of:
Requiem Officium Defunctorem: Sanctus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria2:55
13Requiem, vi. Agnus Dei
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Agnus Dei (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:52
14Requiem, vii. Communio
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Communio: Lux aeterna (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:47
15Requiem, viii. Responsorium
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Absolutio: Libera me, Domine (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria9:14
16Versa est in luctum
Tomás Luis de Victoria3:57
▶ CD 2
▶ CD 3
▶ CD 4