Tracklist

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CD 1
#TitleArtistRatingLength
1MiserereGregorio Allegri12:32
2Mass for five voices, i. Kyrie
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Mass for 5 Voices: I. Kyrie eleison (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
partial recording of:
Mass for 5 Voices
composer:
William Byrd (English composer)
William Byrd1:27
3Mass for five voices, ii. Gloria
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 02. Gloria in excelsis by The Tallis Scholars, Mass for Five Voices: 03. Domine Deus, Agnus Dei by The Tallis Scholars and Mass for Five Voices: 04. Quoniam tu solus Sanctus by The Tallis Scholars
recording of:
Mass for 5 Voices: II. Gloria in excelsis Deo (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd4:57
4Mass for five voices, iii. Credo
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 05. Credo in unum Deum by The Tallis Scholars, Mass for Five Voices: 06. Qui propter nos homines by The Tallis Scholars, Mass for Five Voices: 07. Crucifixus by The Tallis Scholars, Mass for Five Voices: 08. Et resurrexit by The Tallis Scholars, Mass for Five Voices: 09. Et in Spiritum Sanctum by The Tallis Scholars and Mass for Five Voices: 10. Et unam sanctam by The Tallis Scholars
recording of:
Mass for 5 Voices: III. Credo in unum Deum (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd8:43
5Mass for five voices, iv. Sanctus & Benedictus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 11. Sanctus by The Tallis Scholars, Mass for Five Voices: 12. Pleni sunt caeli by The Tallis Scholars and Mass for Five Voices: 13. Benedictus by The Tallis Scholars
recording of:
Mass for 5 Voices: IV. Sanctus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
recording of:
Mass for 5 Voices: V. Benedictus (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd3:48
6Mass for five voices, v. Agnus Dei
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
compilation of:
Mass for Five Voices: 14. Agnus Dei 1 & 2 by The Tallis Scholars and Mass for Five Voices: 15. Agnus Dei 3 by The Tallis Scholars
recording of:
Mass for 5 Voices: VI. Agnus Dei (in 1984)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd3:33
7Ave verum corpus
engineer:
Tony Faulkner (recording engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
alto vocals:
Michael Chance (British countertenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
bass vocals:
Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
choir vocals:
The Tallis Scholars
meane vocals:
Sally Dunkley (soprano) (in 1984) and Alison Gough (Soprano) (in 1984)
tenor vocals:
Rufus Müller (tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
vocals:
The Tallis Scholars (in 1984)
conductor:
Peter Phillips (British conductor) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Ave verum corpus (in 1984)
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
Gradualia ac cantiones sacrae, Liber 1 (A collection of 63 graduals and sacred songs dated 1605)
William Byrd4:16
8Requiem, i. Introitus
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria6:14
9Requiem, ii. Kyrie
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Kyrie (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:35
10Requiem, iii. Graduale
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Graduale: Requiem aeternam (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:08
11Requiem, iv. Offertorium
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:36
12Requiem, v. Sanctus & Benedictus
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Benedictus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
recording of:
Requiem Officium Defunctorem: Sanctus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria2:55
13Requiem, vi. Agnus Dei
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Agnus Dei (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:52
14Requiem, vii. Communio
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Communio: Lux aeterna (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:47
15Requiem, viii. Responsorium
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney, London (Greater London), England, United Kingdom (in 1987)
recording of:
Requiem Officium Defunctorem: Absolutio: Libera me, Domine (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria9:14
16Versa est in luctum
Tomás Luis de Victoria3:57
CD 2
#TitleArtistRatingLength
1Spem in alium
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis9:59
2Sancte Deus
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Sancte Deus (motet (antiphon) for 4 voices, P. 98) (in 1985)
composer:
Thomas Tallis (composer)
Thomas Tallis5:17
3Salvator mundi, salva nos I
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Salvator mundi (I) (in 1985)
composer:
Thomas Tallis (composer)
Thomas Tallis2:20
4Salvator mundi, salva nos II
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Salvator mundi (II) (in 1985)
composer:
Thomas Tallis (composer)
version of:
When Jesus Went Into Simon the Pharisee's House
Thomas Tallis2:35
5Gaude gloriosa
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Gaude gloriosa (motet (antiphon) for 6 voices, P. 123) (in 1985)
composer:
Thomas Tallis (composer)
Thomas Tallis16:45
6Mirerere nostri
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Miserere Nostri (in 1985)
lyricist:
[anonymous] (special purpose artist)
composer:
Thomas Tallis (composer)
Thomas Tallis2:30
7Loquebantur varies linguistic
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Loquebantur variis linguis (motet for 7 voices, P. 272) (in 1985)
lyricist:
[anonymous] (special purpose artist)
composer:
Thomas Tallis (composer)
Thomas Tallis3:44
8If ye love me
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1986)
vocals:
Graeme Curry (alto) (in 1986), Sally Dunkley (soprano) (in 1986), Alison Gough (Soprano) (in 1986), Donald Greig (baritone) (in 1986), Robert Harre-Jones (countertenor) (in 1986), Adrian Hill (in 1986), Rufus Müller (tenor) (in 1986), Nicolas Robertson (Tenor) (in 1986), Francis Steele (operatic bass) (in 1986) and Timothy Wilson (Countertenor) (in 1986)
conductor:
Peter Phillips (British conductor) (in 1986)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom (in 1986)
recording of:
If Ye Love Me (anthem for 4 voices) (in 1986)
lyricist:
[anonymous] (special purpose artist)
composer:
Thomas Tallis (composer) (from 1546 until 1548)
Thomas Tallis2:04
9Hear the voice and prayer
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Hear the voice and prayer (anthem for 4 voices)
composer:
Thomas Tallis (composer) (from 1546 until 1548)
Thomas Tallis3:02
10A new commandment
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
A new commandment (anthem for 4 voices)
composer:
Thomas Tallis (composer)
Thomas Tallis2:42
11O Lord, give thy holy spirit
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
O Lord, Give Thy Holy Spirit
composer:
Thomas Tallis (composer)
Thomas Tallis2:17
12Purge me, O Lord
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Purge me, O Lord
composer:
Thomas Tallis (composer)
Thomas Tallis1:42
13Verily, verily I say unto you
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Verily, verily I say unto you
composer:
Thomas Tallis (composer)
Thomas Tallis1:41
14Remember not, O Lord God
choir vocals:
The Tallis Scholars
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Remember not, O Lord God
composer:
Thomas Tallis (composer) (from 1546 until 1548)
Thomas Tallis3:44
15Tunes for archbishop Parker's Psalter
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
Nine Psalm Tunes for Archbishop Parker’s Psalter
composer:
Thomas Tallis (composer)
Thomas Tallis7:53
16O Lord, in thee is all my trust
vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recording of:
O Lord in Thee Is All My Trust
composer:
Thomas Tallis (composer)
Thomas Tallis2:55
17Christ rising again
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1986)
vocals:
Graeme Curry (alto) (in 1986), Sally Dunkley (soprano) (in 1986), Alison Gough (Soprano) (in 1986), Donald Greig (baritone) (in 1986), Robert Harre-Jones (countertenor) (in 1986), Adrian Hill (in 1986), Rufus Müller (tenor) (in 1986), Nicolas Robertson (Tenor) (in 1986), Francis Steele (operatic bass) (in 1986) and Timothy Wilson (Countertenor) (in 1986)
conductor:
Peter Phillips (British conductor) (in 1986)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom (in 1986)
recording of:
Christ rising again (anthem for 5 voices) (in 1986)
composer:
Thomas Tallis (composer)
Thomas Tallis4:35
18Blessed are those that be undefiled
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1986)
vocals:
Tessa Bonner (soprano) (in 1986), Graeme Curry (alto) (in 1986), Sally Dunkley (soprano) (in 1986), Alison Gough (Soprano) (in 1986), Donald Greig (baritone) (in 1986), Robert Harre-Jones (countertenor) (in 1986), Adrian Hill (in 1986), Rufus Müller (tenor) (in 1986), Deborah Roberts (soprano) (in 1986), Nicolas Robertson (Tenor) (in 1986), Francis Steele (operatic bass) (in 1986) and Timothy Wilson (Countertenor) (in 1986)
conductor:
Peter Phillips (British conductor) (in 1986)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom (in 1986)
recording of:
Blessed are those that be undefiled (in 1986)
composer:
Thomas Tallis (composer)
Thomas Tallis3:45
CD 3
#TitleArtistRatingLength
1Missa La so fa re mi, i. Kyrie
Josquin des Prez2:43
2Missa La so fa re mi, ii. Gloria
Josquin des Prez4:56
3Missa La so fa re mi, iii. Credo
Josquin des Prez9:11
4Missa La so fa re mi, iv. Sanctus & Benedictus
Josquin des Prez6:44
5Missa La so fa re mi, v. Agnus Dei
Josquin des Prez5:24
6Missa Pastores quidnam vidistis, i. Kyrie
recording of:
Missa Pastores quidnam vidistis: Kyrie
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
part of:
Missa Pastores quidnam vidistis
Jacob Clemens non Papa4:32
7Missa Pastores quidnam vidistis, ii. Gloria
recording of:
Missa Pastores quidnam vidistis: Gloria
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
part of:
Missa Pastores quidnam vidistis
Jacob Clemens non Papa7:31
8Missa Pastores quidnam vidistis, iii. Credo
recording of:
Missa Pastores quidnam vidistis: Credo
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
part of:
Missa Pastores quidnam vidistis
Jacob Clemens non Papa9:15
9Missa Pastores quidnam vidistis, iv. Sanctus & Benedictus
recording of:
Missa Pastores quidnam vidistis: Sanctus & Benedictus
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
part of:
Missa Pastores quidnam vidistis
Jacob Clemens non Papa6:40
10Missa Pastores quidnam vidistis, v. Agnus Dei
recording of:
Missa Pastores quidnam vidistis: Agnus Dei
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
part of:
Missa Pastores quidnam vidistis
Jacob Clemens non Papa3:17
11Tribulationes civitatum
recording of:
Clemens: Tribulationes civitatum
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
Jacob Clemens non Papa5:20
12Pater peccavi
Thomas Crecquillon8:39
13Ego flos campi
recording engineer:
Mike Clements (engineer) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1987)
recording of:
Ego flos campi (in 1987)
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer)
Jacob Clemens non Papa44:16
CD 4
#TitleArtistRatingLength
1Media vita
John Sheppard21:45
2Salve regina
recording engineer:
Mr Bear (engineer) (in 1988)
producer:
Peter Phillips (British conductor) (ended) and Steve C. Smith (engineer/producer) (ended)
vocals:
The Tallis Scholars (in 1988)
conductor:
Peter Phillips (British conductor) (in 1988)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1988)
William Cornysh13:53
3Gaude virgo mater Christi
recording engineer:
Mr Bear (engineer) (in 1988)
producer:
Peter Phillips (British conductor) (ended) and Steve C. Smith (engineer/producer) (ended)
vocals:
The Tallis Scholars (in 1988)
conductor:
Peter Phillips (British conductor) (in 1988)
recorded at:
Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1988)
William Cornysh5:27
4Assumpta est Maria
[anonymous]0:24
5Assumpta est Maria
Giovanni Pierluigi da Palestrina7:13
6Missa Assumpta est Maria, i. KyrieGiovanni Pierluigi da Palestrina4:41
7Missa Assumpta est Maria, ii. GloriaGiovanni Pierluigi da Palestrina5:40
8Missa Assumpta est Maria, iii. CredoGiovanni Pierluigi da Palestrina8:06
9Missa Assumpta est Maria, iv. Sanctus & BenedictusGiovanni Pierluigi da Palestrina5:30
10Missa Assumpta est Maria, v. Agnus DeiGiovanni Pierluigi da Palestrina5:51