The Great Opera Collection

~ Release by Giacomo Puccini (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Manon Lescaut 1
▶ CD 2: Manon Lescaut 2
▶ CD 3: La bohème 1
▶ CD 4: La bohème 2
▶ CD 5: Tosca 1
▼ CD 6: Tosca 2
#TitleRatingLength
1Tosca, opera: Act 2. Tosca è un buon falco!
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:01
2Tosca, opera: Act 2. Ha più forte sapore
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
1:24
3Tosca, opera: Act 2. O galantuomo, come andò la caccia?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:32
4Tosca, opera: Act 2. Ov'è Angelotti?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
compilation of:
Tosca: Atto II. "Ov'è Angelotti" (Scarpia) (Act II, Scene III) by George London (bass-baritone), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Francesco Molinari‐Pradelli (conductor) and Tosca: Atto II. "Mario, tu qui" (Tosca) (start of Act II, Scene IV) by Renata Tebaldi (soprano), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Francesco Molinari‐Pradelli (conductor)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
4:02
5Tosca, opera: Act 2. Sciarrone, che dice il Cavalier?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
2:50
6Tosca, opera: Act 2. Orsù, Tosca, parlate
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:49
7Tosca, opera: Act 2. Floria... Amore
solo soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
solo tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
1:29
8Tosca, opera: Act 2. Vittoria! Vittoria!
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
2:40
9Tosca, opera: Act 2. Quanto?... Quanto?... Il prezzo
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
4:58
10Tosca, opera: Act 2. Vissi d'arte
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
4:19
11Tosca, opera: Act 2. Chi è là?
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
1:55
12Tosca, opera: Act 2. Io tenni la promessa
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
6:38
13Tosca, opera: Act 3. Io de' sospiri
treble vocals [Un pastore]:
Ernesto Palmerini (boy soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
6:33
14Tosca, opera: Act 3. Mario Cavaradossi? A voi
bass vocals [Carceriere]:
Giovanni Morese (Italian bass-baritone) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:59
15Tosca, opera: Act 3. E lucevan le stelle
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
3:36
16Tosca, opera: Act 3. Ah! Franchigia a Floria Tosca
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:02
17Tosca, opera: Act 3. O dolci mani
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
7:59
18Tosca, opera: Act 3. Come è lunga l'attesa!
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:28
19Tosca, opera: Act 3. Presto, su! Mario! Mario!
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:33
▶ CD 7: Madama Butterfly (Madame Butterfly) 1
▶ CD 8: Madama Butterfly (Madame Butterfly) 2
▶ CD 9: La fanciulla del West (The Girl of the Golden West) 1
▶ CD 10: La fanciulla del West (The Girl of the Golden West) 2
▶ CD 11: Turandot 1
▶ CD 12: Turandot 2
▶ CD 13: Il tabarro (The Cloak)
▶ CD 14: Suor Angelica
▶ CD 15: Gianni Schicchi