Eight Classic Albums

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

▼ CD 1: Sophisticated Swing / Things Are Getting Better
#TitleRatingLength
1Another Kind of Soul
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
3:39
2Miss Jackie's Delight
alto saxophone:
Cannonball Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
6:12
3Spring is Here
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
recording of:
Spring Is Here (on 1957-02-11)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
instrumental recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:46
4Tribute to Brownie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
3:28
5Spectacular
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
3:53
6Jeanie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-08)
piano:
Junior Mance (on 1957-02-08)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
3:26
7Stella by Starlight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-11)
instrumental recording of:
Stella by Starlight (on 1957-02-11)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
8Edie McLin
alto saxophone:
Cannonball Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Gralin Music (in 2012)
5:17
9Cobbweb
alto saxophone:
Cannonball Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
2:41
10Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
4:57
11Thing Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon and Julian Adderley
7:10
12Serves Me Right
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
composer:
Buddy Johnson
4:42
13Groovin' High
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) and Kendal (in 2014)
recording of:
Groovin’ High (on 1958-10-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
5:19
14The Sidewalks of New York (Take 5)
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (on 1958-10-28)
lyricist:
James W. Blake
composer:
Charles B. Lawlor
6:56
15Sounds For Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
6:23
16Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:44
▶ CD 2: Portrait of Cannonball / Sharpshooters
▶ CD 3: Cannonball Takes Charge / Them Dirty Blues
▶ CD 4: Cannonball & Coltrane / Cannonball Adderley and the Poll Winners