Eight Classic Albums

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Sophisticated Swing / Things Are Getting Better
#TitleRatingLength
1Another Kind of Soul
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
3:39
2Miss Jackie's Delight
alto saxophone:
Cannonball Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
6:12
3Spring is Here
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
recording of:
Spring Is Here (on 1957-02-11)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
instrumental recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:46
4Tribute to Brownie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
3:28
5Spectacular
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
3:53
6Jeanie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-08)
piano:
Junior Mance (on 1957-02-08)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
3:26
7Stella by Starlight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-11)
instrumental recording of:
Stella by Starlight (on 1957-02-11)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
8Edie McLin
alto saxophone:
Cannonball Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Gralin Music (in 2012)
5:17
9Cobbweb
alto saxophone:
Cannonball Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
2:41
10Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
4:57
11Thing Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon and Julian Adderley
7:10
12Serves Me Right
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
composer:
Buddy Johnson
4:42
13Groovin' High
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) and Kendal (in 2014)
recording of:
Groovin’ High (on 1958-10-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
5:19
14The Sidewalks of New York (Take 5)
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (on 1958-10-28)
lyricist:
James W. Blake
composer:
Charles B. Lawlor
6:56
15Sounds For Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
6:23
16Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:44
▼ CD 2: Portrait of Cannonball / Sharpshooters
#TitleRatingLength
1Minority
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:00
2Straight Life
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Straight Life (on 1958-07-01)
composer:
Art Pepper
5:26
3Blue Funk
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Blue Funk (on 1958-07-01)
composer:
Sam Jones (US jazz bassist)
5:28
4A Little Taste
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
A Little Taste (on 1958-07-01)
composer:
Julian “Cannonball” Adderley
4:36
5People Will Say We're in Love
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
instrumental recording of:
People Will Say We’re in Love (on 1958-07-01)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
9:33
6Nardis
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Nardis (on 1958-07-01)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music, Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:29
7Our Delight
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Our Delight (on 1958-03-04)
composer:
Tadd Dameron
4:39
8Jubilation
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
recording of:
Jubilation (on 1958-03-04)
composer:
Cannonball Adderley
5:29
9What's New
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011)
instrumental recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
5:05
10Straight, No Chaser
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Straight, No Chaser (on 1958-03-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
8:30
11If I Love Again
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
If I Love Again (on 1958-03-06)
lyricist:
Jack Murray (US songwriter)
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
5:28
12Fuller Bop Man
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Fuller Bop Man (on 1958-03-06)
writer:
Walter “Gil” Fuller (jazz composer & arranger)
3:45
13Stay On It
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Stay on It (on 1958-03-06)
composer:
Tadd Dameron and Dizzy Gillespie
4:39
▼ CD 3: Cannonball Takes Charge / Them Dirty Blues
#TitleRatingLength
1If This Isn't Love
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
If This Isn’t Love (from “Finian’s Rainbow”) (on 1959-04-12)
lyricist:
Yip Harburg
composer:
Burton Lane
part of:
Finian’s Rainbow (1947 Broadway musical)
5:32
2I Guess I'll Hang Tears Out To Dry
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
Guess I’ll Hang My Tears Out to Dry (on 1959-04-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
5:34
3Serenata
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002) and Swanley (in 2014)
instrumental recording of:
Serenata (on 1959-04-12)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (Instrumental)
4:15
4I've Told Ev'ry Little Star
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (on 1959-04-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Music in the Air
3:38
5Barfoot Sunday Blues
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
recording of:
Barefoot Sunday Blues
composer:
Cannonball Adderley
7:01
6Poor Butterfly
recorded in:
New York, New York, United States (on 1959-05-12)
alto saxophone:
Cannonball Adderley (on 1959-05-12)
double bass:
Percy Heath (on 1959-05-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-05-12)
piano:
Wynton Kelly (on 1959-05-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002) and Swanley (in 2014)
instrumental recording of:
Poor Butterfly (on 1959-05-12)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
5:10
7I Remember You
recorded in:
New York, New York, United States (on 1959-05-12)
alto saxophone:
Cannonball Adderley (on 1959-05-12)
double bass:
Percy Heath (on 1959-05-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-05-12)
piano:
Wynton Kelly (on 1959-05-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I Remember You (on 1959-05-12)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
6:55
8Work Song
alto saxophone:
Cannonball Adderley (on 1960-03-29)
cornet:
Nat Adderley (on 1960-03-29)
double bass:
Sam Jones (US jazz bassist) (on 1960-03-29)
drums (drum set):
Louis Hayes (on 1960-03-29)
piano:
Barry Harris (Jazz pianist) (on 1960-03-29)
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011)
recording of:
Work Song (lyrics added by Oscar Brown Jr.) (on 1960-03-29)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
5:07
9Dat Dere
recorded in:
New York, New York, United States (on 1960-02-01)
alto saxophone:
Cannonball Adderley (on 1960-02-01)
cornet:
Nat Adderley (on 1960-02-01)
double bass:
Sam Jones (US jazz bassist) (on 1960-02-01)
drums (drum set):
Louis Hayes (on 1960-02-01)
piano:
Bobby Timmons (on 1960-02-01)
recording of:
Dat Dere
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Bobby Timmons
5:31
10Easy Living
recorded in:
Chicago, Illinois, United States (on 1960-03-29)
alto saxophone:
Cannonball Adderley (on 1960-03-29)
bass and double bass:
Sam Jones (US jazz bassist) (on 1960-03-29)
cornet:
Nat Adderley (on 1960-03-29)
drums (drum set):
Louis Hayes (on 1960-03-29)
piano:
Barry Harris (Jazz pianist) (on 1960-03-29) and Bobby Timmons (on 1960-03-29)
instrumental recording of:
Easy Living (on 1960-03-29)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
4:22
11Del Sasser
recorded in:
New York, New York, United States (on 1960-02-01)
alto saxophone:
Cannonball Adderley (on 1960-02-01)
cornet:
Nat Adderley (on 1960-02-01)
double bass:
Sam Jones (US jazz bassist) (on 1960-02-01)
drums (drum set):
Louis Hayes (on 1960-02-01)
piano:
Bobby Timmons (on 1960-02-01)
4:42
12Jeannine
recorded in:
Chicago, Illinois, United States (on 1960-03-29)
alto saxophone:
Cannonball Adderley (on 1960-03-29)
cornet:
Nat Adderley (on 1960-03-29)
double bass:
Sam Jones (US jazz bassist) (on 1960-03-29)
drums (drum set):
Louis Hayes (on 1960-03-29)
piano:
Barry Harris (Jazz pianist) (on 1960-03-29)
instrumental recording of:
Jeannine (on 1960-03-29)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) and Duke Pearson
7:17
13Soon
recorded in:
New York, New York, United States (on 1960-02-01)
alto saxophone:
Cannonball Adderley (on 1960-02-01)
cornet:
Nat Adderley (on 1960-02-01)
double bass:
Sam Jones (US jazz bassist) (on 1960-02-01)
drums (drum set):
Louis Hayes (on 1960-02-01)
piano:
Bobby Timmons (on 1960-02-01)
instrumental recording of:
Soon (on 1960-02-01)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
5:37
14Them Dirty Blues
recorded in:
Chicago, Illinois, United States (on 1960-03-29)
alto saxophone:
Cannonball Adderley (on 1960-03-29)
cornet:
Nat Adderley (on 1960-03-29)
double bass:
Sam Jones (US jazz bassist) (on 1960-03-29)
drums (drum set):
Louis Hayes (on 1960-03-29)
piano:
Barry Harris (Jazz pianist) (on 1960-03-29)
7:10
▼ CD 4: Cannonball & Coltrane / Cannonball Adderley and the Poll Winners
#TitleRatingLength
1Limehouse Blues
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
Limehouse Blues (on 1959-02-03)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
4:40
2Stars Fell on Alabama
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
Stars Fell on Alabama (on 1959-02-03)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
6:15
3Wabash
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
recording of:
Wabash (on 1959-02-03)
composer:
Cannonball Adderley
5:45
4Grand Central
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
recording of:
Grand Central (on 1959-02-03)
composer:
John Coltrane
publisher:
Jowcol Music
4:32
5You're a Weaver of Dreams
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
A Weaver of Dreams (on 1959-02-03)
lyricist:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
composer:
Victor Young (American composer, arranger, violinist & conductor)
5:34
6The Sleeper
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
recording of:
The Sleeper (on 1959-02-03)
composer:
John Coltrane
publisher:
Jowcol Music
7:14
7The Chant
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1960-05-21)
double bass:
Ray Brown (jazz bassist) (on 1960-05-21)
drums (drum set):
Louis Hayes (on 1960-05-21)
guitar:
Wes Montgomery (on 1960-05-21)
piano and vibraphone:
Victor Feldman (jazz musician) (on 1960-05-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1960-05-21)
recording of:
The Chant (on 1960-05-21)
writer:
Victor Feldman (jazz musician)
6:36
8Lolita
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1960-05-21)
double bass:
Ray Brown (jazz bassist) (on 1960-05-21)
drums (drum set):
Louis Hayes (on 1960-05-21)
guitar:
Wes Montgomery (on 1960-05-21)
piano and vibraphone:
Victor Feldman (jazz musician) (on 1960-05-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1960-05-21)
recording of:
Lolita (on 1960-05-21)
composer:
Barry Harris (Jazz pianist)
8:06
9Azule Serape
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1960-05-21)
double bass:
Ray Brown (jazz bassist) (on 1960-05-21)
drums (drum set):
Louis Hayes (on 1960-05-21)
guitar:
Wes Montgomery (on 1960-05-21)
piano and vibraphone:
Victor Feldman (jazz musician) (on 1960-05-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1960-05-21)
6:28
10Au Privave
recorded in:
Los Angeles, California, United States (on 1960-06-05)
producer:
Cannonball Adderley
alto saxophone:
Cannonball Adderley (on 1960-06-05)
bass:
Ray Brown (jazz bassist) (on 1960-06-05)
drums (drum set):
Louis Hayes (on 1960-06-05)
guitar:
Wes Montgomery (on 1960-06-05)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1997)
recording of:
Au Privave (on 1960-06-05)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Liberation Music (BMI, publisher for Charlie Haden)
3:54
11Yours Is My Heart Alone
recorded in:
Los Angeles, California, United States (on 1960-06-05)
producer:
Cannonball Adderley
alto saxophone:
Cannonball Adderley (on 1960-06-05)
double bass:
Ray Brown (jazz bassist) (on 1960-06-05)
drums (drum set):
Louis Hayes (on 1960-06-05)
guitar:
Wes Montgomery (on 1960-06-05)
piano and vibraphone:
Victor Feldman (jazz musician) (on 1960-06-05)
instrumental recording of:
Yours Is My Heart Alone (from “The Land of Smiles”, Harry B. Smith translation, 1940) (on 1960-06-05)
composer:
Franz Lehár (composer)
librettist:
Ludwig Herzer and Fritz Löhner-Beda
translator:
Harry B. Smith
publisher:
Glocken Verlag Ltd.
translated version of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
part of:
The Land of Smiles
6:02
12Never Will I Marry
recorded in:
Los Angeles, California, United States (on 1960-06-05)
producer:
Cannonball Adderley
alto saxophone:
Cannonball Adderley (on 1960-06-05)
double bass:
Ray Brown (jazz bassist) (on 1960-06-05)
drums (drum set):
Louis Hayes (on 1960-06-05)
guitar:
Wes Montgomery (on 1960-06-05)
piano and vibraphone:
Victor Feldman (jazz musician) (on 1960-06-05)
instrumental recording of:
Never Will I Marry (from “Green Willow”) (on 1960-06-05)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
8:29