Tosca

~ Release by Giacomo Puccini; Renata Tebaldi, Mario del Monaco, George London, Orchestra e Coro dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli (see all versions of this release, 5 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Tosca: Atto I. “Ah! Finalmente”
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:54
2Tosca: Atto I. “E sempre lava!”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:33
3Tosca: Atto I. “Dammi i colori… Recondita armonia”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1959)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:34
4Tosca: Atto I. “Voi! Cavaradossi!”
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:06
5Tosca: Atto I. “Mario! Mario! Mario!”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini12:42
6Tosca: Atto I. “È buona la mia Tosca”
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
partial recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:44
7Tosca: Atto I. “Sommo giubilo, Eccellenza!”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:39
8Tosca: Atto I. “Un tal baccano in chiesa!”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:54
9Tosca: Atto I. “Or tutto è chiaro”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini7:21
10Tosca: Atto I. “Tre sbirri, una carrozza”
baritone vocals:
George London (bass-baritone)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
choir vocals:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:40
▼ CD 2
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:01
2Tosca: Atto II. “Ha più forte sapore”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:24
3Tosca: Atto II. “O galantuomo, come andò la caccia?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:32
4Tosca: Atto II. “Ov’è Angelotti?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
compilation of:
Tosca: Atto II. "Ov'è Angelotti" (Scarpia) (Act II, Scene III) by George London (bass-baritone), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Francesco Molinari‐Pradelli (conductor) and Tosca: Atto II. "Mario, tu qui" (Tosca) (start of Act II, Scene IV) by Renata Tebaldi (soprano), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Francesco Molinari‐Pradelli (conductor)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:02
5Tosca: Atto II. “Sciarrone, che dice il Cavalier?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:50
6Tosca: Atto II. “Orsù, Tosca, parlate”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:49
7Tosca: Atto II. “Floria… Amore”
solo soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
solo tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:29
8Tosca: Atto II. “Vittoria! Vittoria!”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:40
9Tosca: Atto II. “Quanto?… Quanto?… Il prezzo!”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:58
10Tosca: Atto II. “Vissi d’arte”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:19
11Tosca: Atto II. “Chi è là?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:55
12Tosca: Atto II. “Io tenni la promessa”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:48
13Tosca: Atto III. “Io de’ sospiri”
treble vocals [Un pastore]:
Ernesto Palmerini (boy soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini6:33
14Tosca: Atto III. “Mario Cavaradossi? A voi”
bass vocals [Carceriere]:
Giovanni Morese (Italian bass-baritone) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:59
15Tosca: Atto III. “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:36
16Tosca: Atto III. “Ah! Franchigia a Floria Tosca…”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:02
17Tosca: Atto III. “O dolci mani”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:59
18Tosca: Atto III. “Come è lunga l’attesa!”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:28
19Tosca: Atto III. “Presto, su! Mario! Mario!”
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:33