The Ultimate Jazz Archive, Set 40: Vocalists

~ Release by Anita O’Day, Billy Eckstine, Peggy Lee, Nat King Cole (see all versions of this release, 44 available)

Tracklist

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▼ CD 1: Anita O’Day
#TitleArtistRatingLength
1Deep in the Blues
Gene Krupa and His Orchestra3:20
2Let Me Off Uptown
recording of:
Let Me Off Uptown
lyricist:
Redd Evans
composer:
Earl Bostic (saxophonist)
Gene Krupa and His Orchestra3:03
3Just a Little Bit South of North Carolina
Gene Krupa and His Orchestra2:42
4Slow Down
recording of:
Slow Down
lyricist and composer:
Redd Evans
Gene Krupa and His Orchestra3:12
5Georgia of My Mind
instrumental recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Gene Krupa and His Orchestra2:56
6Green Eyes
recording of:
Green Eyes (version of Spanish song “Aquellos ojos verdes”)
composer:
Nilo Menéndez
translator:
Eddie Rivera (lyricist, "Green Eyes") and Eddie Woods (songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
Aquellos ojos verdes
Gene Krupa and His Orchestra2:37
7Kick It
Gene Krupa and His Orchestra2:26
8Bolero at the Savoy
double bass:
Ed Mihelich (on 1941-11-25)
drums (drum set):
Gene Krupa (on 1941-11-25)
guitar:
Ray Biondi (on 1941-11-25)
tenor saxophone:
Walter Bates (on 1941-11-25) and Jimmy Migliore (on 1941-11-25)
trombone:
John Grassi (on 1941-11-25), Jay Kelliher (on 1941-11-25) and Babe Wagner (on 1941-11-25)
trumpet:
Roy Eldridge (on 1941-11-25), Torg Halten (on 1941-11-25), Norman Murphy (on 1941-11-25) and Graham Young (trumpeter) (on 1941-11-25)
vocals:
Anita O’Day
phonographic copyright (℗) by:
Proper Records Ltd. (company credits only; do NOT use as release label)
recording of:
Bolero at the Savoy (on 1941-11-25)
writer:
Remo Biondi, Charles Carpenter, Gene Krupa and Jimmy Mundy
Gene Krupa and His Orchestra2:52
9The Walls Keep Talking
Gene Krupa and His Orchestra3:13
10Stop! The Red Light’s On
recording of:
Stop! The Red Light's On
writer:
Taps Miller
Gene Krupa and His Orchestra3:20
11That’s What You Think
Anita O’Day3:13
12Massachusetts
Anita O’Day3:18
13I’m Going Mad for a Pad
Stan Kenton and His Orchestra3:07
14“Murder” He Says
Anita O’Day3:21
15Gotta Be Gettin’
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-05-20) and New York, New York, United States (on 1944-09-26)
alto saxophone:
Bob Lively and Boots Mussulli (Italian-American jazz saxophonist)
baritone saxophone:
Bob Gioga
bass:
Bob Kesterson
bass trombone:
Bart Varsalona
drums (drum set):
Johnny Bock
guitar:
Bob Ahern
piano:
Stan Kenton
tenor saxophone:
Emmett Carls and Stan Getz
trombone:
Harry Forbes (jazz trombonist), Freddie Zito and Milt Kabak
trumpet:
John Carroll (jazz trumpeter), Buddy Childers (American jazz trumpeter & composer), Karl George (US jazz trumpeter), Mel Green (trumpeter) and Gene Roland
vocals:
Anita O’Day (on 1944-09-26)
orchestra:
Stan Kenton and His Orchestra
Stan Kenton and His Orchestra2:47
16And Her Tears Flowed Like Wine
recording of:
And Her Tears Flowed Like Wine
lyricist:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
composer:
Stan Kenton and Charles Lawrence
Stan Kenton and His Orchestra3:08
17Are You Livin’ Old Man?
recording of:
Are You Livin’, Old Man?
writer:
Redd Evans, Irene Higginbotham and Abner Silver
Stan Kenton and His Orchestra2:39
18Travelin’ Man
recording of:
Travelin' Man
writer:
DE VOL (BEMANI) and Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
Stan Kenton and His Orchestra2:56
19I Want a Grown‐Up Man
Stan Kenton and His Orchestra2:48
20Boogie Blues
recording of:
Boogie Blues
writer:
Ray Biondi and Gene Krupa
Gene Krupa and His Orchestra3:23
21Chickery Chick
recording of:
Chickery Chick
lyricist:
Sylvia Dee (American lyricist) (in 1945)
composer:
Sidney Lippman (American songwriter) (in 1945)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Gene Krupa and His Orchestra2:56
22Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Anita O’Day2:26
23Opus 1
Anita O’Day2:55
▼ CD 2: Billy Eckstine
#TitleArtistRatingLength
1I’ve Got a Date With Rhythm
DeLuxe All Star Band feat. Billy Eckstine2:58
2I Stay in the Mood for You
DeLuxe All Star Band feat. Billy Eckstine3:00
3Good Jelly Blues
DeLuxe All Star Band feat. Billy Eckstine2:54
4I Want to Talk About You
Billy Eckstine and His Orchestra2:39
5The Real Thing Happened to Me
Billy Eckstine and His Orchestra2:44
6Blowing the Blues Away
recording of:
Blowing the Blues Away
lyricist:
Billy Eckstine
composer:
Jerry Valentine (trombone, aka Jerry Valentine)
Billy Eckstine and His Orchestra3:13
7If That’s the Way You Feel
Billy Eckstine and His Orchestra2:42
8I Love the Rhythm in a Riff
Billy Eckstine2:51
9Last Night
Billy Eckstine3:02
10Oo Bop Sh’Bam
Billy Eckstine and His Orchestra3:04
11I Love the Loveliness of You
Billy Eckstine and His Orchestra2:42
12In the Still of the Night
Billy Eckstine and His Orchestra2:54
13Jelly Jelly
Billy Eckstine and His Orchestra3:18
14My Silent Love
recording of:
My Silent Love
lyricist:
Edward Heyman
composer:
Dana Suesse
Billy Eckstine and His Orchestra2:51
15Time on My Hands
Billy Eckstine and His Orchestra2:54
16All the Things You Are
Billy Eckstine and His Orchestra2:38
17In a Sentimental Mood
Billy Eckstine and His Orchestra2:37
18All of Me
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Billy Eckstine2:41
19Where Are You
Billy Eckstine2:45
20Prelude to a Kiss
cover recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Billy Eckstine2:55
21She’s Got the Blues for Sale
Billy Eckstine3:00
▼ CD 3: Peggy Lee
#TitleArtistRatingLength
1How Deep Is the Ocean
recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman and His Orchestra2:47
2Blues in the Night
vocals:
Peggy Lee (jazz vocalist) (on 1941-12-24)
The Benny Goodman Sextet3:16
3You’re Easy to Dance With
recording of:
You’re Easy to Dance With (from “Holiday Inn”)
lyricist and composer:
Irving Berlin
Benny Goodman and His Orchestra3:16
4Ain’t Goin’ No Place
vocals:
Peggy Lee (jazz vocalist) (on 1944-01-07)
performer:
The Capitol Jazzmen (on 1944-01-07)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-07)
recording of:
Ain’t Goin’ No Place (on 1944-01-07)
writer:
Richard "Dick" Larkin
Peggy Lee3:03
5Somebody Loves Me
cover recording of:
Somebody Loves Me
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
Peggy Lee with Dave Barbour and His Orchestra2:05
6The Freedom Train
Paul Weston & His Orchestra3:13
7Swing Low, Sweet Chariot
vocals:
Peggy Lee (jazz vocalist) (on 1947-01-20)
orchestra:
Dave Barbour and His Orchestra (on 1947-01-20)
conductor:
Dave Barbour (on 1947-01-20)
arranger:
Peggy Lee (jazz vocalist)
recording of:
Swing Low, Sweet Chariot (on 1947-01-20)
lyricist and composer:
Wallace Willis (in 1862)
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Roud Folk Song Index (number: 5435)
Peggy Lee with Dave Barbour and His Orchestra2:24
8Somebody Loves Me (2)
cover recording of:
Somebody Loves Me
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
Peggy Lee with Dave Barbour and His Orchestra2:58
9There’ll Be Some Changes Made
cover recording of:
There’ll Be Some Changes Made
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Peggy Lee3:09
10Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP)
Peggy Lee with Dave Barbour and His Orchestra2:31
11I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Peggy Lee with Dave Barbour and His Orchestra2:34
12Happiness Is a Thing Called Joe
cover recording of:
Happiness Is a Thing Called Joe
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Peggy Lee with Dave Barbour and His Orchestra3:07
13Them There Eyes
cover recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
Peggy Lee2:58
14Bye Bye Blues
Peggy Lee with Dave Barbour and His Orchestra2:50
15I Let a Song Go Out of My Heart
cover recording of:
I Let a Song Go Out of My Heart
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
Peggy Lee2:54
16You’re Driving Me Crazy
Peggy Lee2:25
17They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Peggy Lee2:31
18Lover Come Back to Me
Peggy Lee2:51
19(When I Dance With You) I Get Ideas
cover recording of:
I Get Ideas
lyricist:
Dorcas Cochran (in 1951)
composer:
Julio César Sanders (Lenny Sanders) (in 1927)
version of:
Adiós, muchachos (tango)
Peggy Lee2:12
20Whee Baby
Peggy Lee2:27
21I Didn’t Know What Time It Was
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (on 1953-04-30)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1953-04-30)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Peggy Lee2:18
22A Woman Alone With the Blues
cover recording of:
A Woman Alone With the Blues
lyricist and composer:
Willard Robison
Peggy Lee2:44
▼ CD 4: Nat King Cole
#TitleArtistRatingLength
1Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Nat King Cole3:09
2Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Nat King Cole3:24
3It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole2:56
4I Just Can’t See for Looking
double bass:
Red Callender (on 1943-12-15) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (on 1943-12-15)
writer:
Nadine Robinson and Dok Stanford
Nat King Cole3:08
5I Realize Now
Nat King Cole3:10
6I’d Love to Make Love to You
Nat King Cole3:10
7Katusha
Nat King Cole2:31
8You’re Nobody Till Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole2:51
9Don’t Blame Me
recording of:
Don’t Blame Me
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
Nat King Cole3:24
10I’m Thru With You
Nat King Cole2:56
11I’m in the Mood for Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
I’m in the Mood for Love (on 1946-03-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Nat King Cole3:12
12I Don’t Know Why
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano and lead vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
cover recording of:
I Don’t Know Why (on 1946-03-15)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
Nat King Cole3:11
13Route 66
recording of:
(Get Your Kicks on) Route 66
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
Nat King Cole3:01
14Everyone Is Sayin’ Hello Again
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole (on 1946-03-15)
vocals:
Nat King Cole (on 1946-03-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (on 1946-03-15)
writer:
Jerry Marlowe and Jack Segal (US songwriter)
Nat King Cole2:39
15What Can I Say After I Say I’m Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano and lead vocals:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-05)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
Nat King Cole3:03
16Could‐’Ja
Nat King Cole3:01
17Baby, Baby All the Time
cover recording of:
Baby Baby All the Time
lyricist and composer:
Bobby Troup
Nat King Cole3:02
18You Call It Madness
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-05-01)
guitar:
Oscar Moore (on 1946-05-01)
piano:
Nat King Cole (on 1946-05-01)
vocals:
Nat King Cole (on 1946-05-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (on 1946-05-01)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad, Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
Nat King Cole3:05
19Look What You Have Done to Me
Nat King Cole3:03
20It Only Happens Once
Nat King Cole2:55