Tracklist

CD 1: Lieder (I)
CD 2: Lieder (II)
CD 3: Lieder (III)
CD 4: Partsongs: WoO 95, 88 & 102-106 / Canons & Musical Jokes
CD 5: Folksong Settings op. 108
CD 6: Folksong Settings WoO 152
CD 7: Folksong Settings WoO 152 nos. 20, 23, & 24 / WoO 153
CD 8: Folksong Settings WoO 154 & 157
CD 9: Folksong Settings WoO 155
CD 10: Folksong Settings WoO 156 & 158bc
CD 11: Folksong Settings WoO 158a
CD 12: Works for Solo Voices with Orchestra opp. 65, 116, 118, 121b, 122 / WoO 89, 90, 92, 92a, 93
CD 13: Emperor Cantatas WoO 87 & 88
CD 14: Der glorreiche Augenblick / Meeresstille und Glückliche Fahrt / Mass in C
CD 15: Missa solemnis (Period Instruments)
CD 16: Missa solemnis (Modern Instruments)
CD 17: Christus am Ölberge
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1Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 1 Introduction. Grave - Adagio
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ia. Introduction. Grave - Adagio (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I
6:53
2Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 1 Recitative: “Jehova, du mein Vater!” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I
4:23
3Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I
5:12
4Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 2 Recitative: “Erzittre, Erde, Jehovas Sohn liegt hier!” (Seraph)
producer:
Werner Mayer (classical producer)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
1:49
5Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 2 Aria: “Priest des Erlösers Güte” (Seraph) / Chorus of Angels: “O Heil euch, ihr Erlösten Seraph” (chorus)
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
8:45
6Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 3 Recitative: “Verkündet, Seraph, mir dein Mund Erbarmen” (Jesus, Seraph)
producer:
Werner Mayer (classical producer)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III
1:21
7Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)
producer:
Werner Mayer (classical producer)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III
6:07
8Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 4 Recitative: “Willkommen, Tod” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVa. Recitative "Willkommen, Tod" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV
1:00
9Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 4 Chorus of Soldiers: “Wir haben ihn gesehen”
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV
2:40
10Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 5 Recitative: “Die mich zu gangen ausgezogen sind” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
1:52
11Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 5 Chorus of Soldiers: “Hier ist er, der Verbannte” / No. 5 Chorus of Disciples: “Was soll der Lärm bedeuten?”
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vc. Choir of Children "Was soll der Lärm bedeuten?" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
2:13
12Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Recitative: “Nicht ungestraft soll der Verweg'nen Schar” (Petrus, Jesus)
producer:
Werner Mayer (classical producer)
bass vocals:
Franz Crass (operatic bass) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
1:24
13Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Trio: “In meinen Adern wühlen gerechter Zorn und Wut” (Petrus, Jesus, Seraph)
producer:
Werner Mayer (classical producer)
bass vocals:
Franz Crass (operatic bass) (from 1970-05 until 1970-07)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
5:12
14Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Chorus of Soldiers: “Auf, auf! Ergreifet den Verräter” / Chorus of Disciples: “Ach! wir werden seinetwegen auch gehasst Meine Qual ist bald verschwunden” (Jesus)
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
2:43
15Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Chorus of Angels: “Welten singen Dank und Ehre”
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
4:42

Credits

Release group

includes:The Late String Quartets, opp. 95, 127, 130–133 & 135 by Beethoven (Ludwig van Beethoven, German composer); Takács Quartet