BTHVN 2020: The New Complete Edition (lieder & partsongs, folksong settings, vocal works with orchestra)

~ Release by Ludwig van Beethoven (see all versions of this release, 8 available)

Tracklist

▶ CD 1: Lieder (I)
▶ CD 2: Lieder (II)
▶ CD 3: Lieder (III)
▶ CD 4: Partsongs: WoO 95, 88 & 102-106 / Canons & Musical Jokes
▶ CD 5: Folksong Settings op. 108
▶ CD 6: Folksong Settings WoO 152
▶ CD 7: Folksong Settings WoO 152 nos. 20, 23, & 24 / WoO 153
▶ CD 8: Folksong Settings WoO 154 & 157
▶ CD 9: Folksong Settings WoO 155
▼ CD 10: Folksong Settings WoO 156 & 158bc
#TitleRatingLength
112 Scottish Songs, WoO 156: 4. “Ye shepherds of this pleasant vale” [WoO 156/13 Low down in the broom]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 4, "Ye Shepherds of This Pleasant Vale" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:48
212 Scottish Songs, WoO 156: 3. “Up! quit thy bower” [WoO 156/17]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 3, "Up! Quit Thy Bower" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
3:34
312 Scottish Songs, WoO 156: 7. Polly Stewart [WoO 156/15]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 7, "Polly Stewart" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:31
412 Scottish Songs, WoO 156: 10. Glencoe [WoO 156/18]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 10, "Glencoe" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
3:38
512 Scottish Songs, WoO 156: 2. “Duncan Gray” [WoO 156/9]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 2, "Duncan Cray" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:41
612 Scottish Songs, WoO 156: 8. Womankind [WoO 156/10 She's fair and fause]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 8, "Womankind" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:15
712 Scottish Songs, WoO 156: 1. The Banner of Buccleuch [WoO 156/19]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 1, "The Banner of Buccleuch" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:53
812 Scottish Songs, WoO 156: 6. Highland Harry [WoO 156/4]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 6, "Highland Harry" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
2:02
912 Scottish Songs, WoO 156: 12. The Quaker's Wife [Dark was the morn]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 12, "The Quaker's Wife" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:58
1012 Scottish Songs, WoO 156: 9. Lochnagar [WoO 156/8 Sweet Annie]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 9, "Lochnagar" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
4:01
1112 Scottish Songs, WoO 156: 5. “Cease your funning” [WoO 157/2]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-07)
piano:
Malcolm Martineau (pianist) (in 1996-07)
violin:
Marieke Blankestijn (violinist) (in 1996-07)
soprano vocals:
Felicity Lott (soprano) (in 1996-07)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 5, "Cease Your Funning" (in 1996-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:09
1212 Scottish Songs, WoO 156: 11. Auld Lang Syne
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Felicity Lott (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 11, "Auld Lang Syne" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns)
part of:
Twelve Scottish Folksongs, WoO 156
2:17
137 British Songs, WoO 158b: 1. “Adieu my lov'd harp” [WoO 154/61]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
2:25
147 British Songs, WoO 158b: 7. Lament for Owen Roe O'Neill [WoO 154/60] (piano trio)
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Seven British Folksongs, WoO 158/b, "Lament for Owen Roe O'Neill" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
The Lament for Owen Roe O'Neill (Original instrumental)
part of:
Seven British Folksongs, WoO 158b
1:40
157 British Songs, WoO 158b: 5. Erin, oh Erin [WoO 156/2]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Erin! O Erin!" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
3:24
167 British Songs, WoO 158b: 4. “Red gleams the sun on yon hill tap” [WoO 156/6]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
1:57
177 British Songs, WoO 158b: 2. Castle O'Neill [WoO 154/62] (piano trio)
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Seven British Folksongs, WoO 158/b, "Castle O'Neill" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
1:26
187 British Songs, WoO 158b: 6. “O Mary, ye's be clad in silk” [WoO ]156/3
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
tenor vocals:
Timothy Robinson (tenor) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
2:41
197 British Songs, WoO 158b: 3. “O was I not a weary wight!” (Oh onochri) [WoO 156/5]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven British Folksongs, WoO 158b
4:25
206 Songs of Various Nationalities, WoO 158c: 3. “Mark yonder pomp of costly fashion” [WoO 156/21]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
3:29
216 Songs of Various Nationalities, WoO 158c: 1. “When my hero in court appears” [WoO 157/1]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1997-03)
piano:
Malcolm Martineau (pianist) (in 1997-03)
violin:
Krysia Osostowicz (violinist) (in 1997-03)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano) (in 1997-03)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears" (in 1997-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
2:53
226 Songs of Various Nationalities, WoO 158c: 4. “Bonnie wee thing” [WoO 156/22]
producer:
Lennart Dehn
piano:
Malcolm Martineau (pianist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
2:03
236 Songs of Various Nationalities, WoO 158c: 5. “From thee, Eliza, I must go” [WoO 156/14]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-08)
piano:
Malcolm Martineau (pianist) (in 1996-08)
violin:
Elizabeth Layton (violinist) (in 1996-08)
baritone vocals:
Sir Thomas Allen (baritone) (in 1996-08)
soprano vocals:
Catrin Wyn Davies (soprano) (in 1996-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1996-08)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go" (in 1996-08)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
2:44
246 Songs of Various Nationalities, WoO 158c: 6. Untitled [WoO 156/1] (piano trio)
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Six Assorted Folksongs, WoO 158/c, "untitled" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
1:43
256 Songs of Various Nationalities, WoO 158c: 2. “Non, non, Colette, n'est point trompeuse” [WoO 158/24]
producer:
Lennart Dehn
cello:
Ursula Smith (classical cellist) (in 1996-11)
piano:
Malcolm Martineau (pianist) (in 1996-11)
violin:
Krysia Osostowicz (violinist) (in 1996-11)
tenor vocals:
Toby Spence (tenor) (in 1996-11)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-11)
recording of:
Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)" (in 1996-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Assorted Folk Songs, WoO 158c
1:39
▶ CD 11: Folksong Settings WoO 158a
▶ CD 12: Works for Solo Voices with Orchestra opp. 65, 116, 118, 121b, 122 / WoO 89, 90, 92, 92a, 93
▶ CD 13: Emperor Cantatas WoO 87 & 88
▶ CD 14: Der glorreiche Augenblick / Meeresstille und Glückliche Fahrt / Mass in C
▶ CD 15: Missa solemnis (Period Instruments)
▶ CD 16: Missa solemnis (Modern Instruments)
▶ CD 17: Christus am Ölberge

Credits

Release group

includes:The Late String Quartets, opp. 95, 127, 130–133 & 135 by Beethoven (Ludwig van Beethoven, German composer); Takács Quartet