The Ultimate Eighties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Power of Love
Huey Lewis & the News3:54
2Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
3Young Guns
produttore:
Steve Brown (engineer/music producer) e George Michael
video musicali:
Young Guns (Go for It!) di Wham! (British pop-duo)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
Wham!5:12
4Automatic
edit di:
Automatic di Pointer Sisters
registrazione di:
Automatic
compositore:
Brock Patrick Walsh (singer, producer, songwriter) e Mark Goldenberg
The Pointer Sisters44:01
5Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1982)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 9) e VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs
Kajagoogoo3.853:43
6Caribbean Queen
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1984)
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean44:04
7Living in a Box
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International e Empire Music Ltd.
Living in a Box3.353:04
8Respectable
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Gilbey e Mushroom Music (Mushroom label's publishing company)
Mel & Kim2.53:20
9Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman) e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka "Mixmaster")
batteria [drums] :
A Linn (Linn 9000)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis, Shirley Lewis, Mae McKenna (vocalist) e Suzanne Rhatigan
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
Pete Waterman Ltd. (copyrights holder) (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Terrace Music (nel 1987)
Rick Astley4.453:33
10Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:27
11Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:27
12We Close Our Eyes
produttore:
Gary Stevenson
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:50
1319
produttore:
Paul Hardcastle
video musicali:
19 (music video) di Paul Hardcastle
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 73)
registrazione di:
19
paroliere:
Bill Couturié, Paul Hardcastle e Jonas McCord
compositore:
Paul Hardcastle
Paul Hardcastle3.63:39
14If I Was
registrazione di:
If I Was
autore:
Danny Mitchell (Scottish songwriter and member of Messengers) e Midge Ure
Midge Ure4:52
15Waiting for a Train
registrazione di:
Waiting for a Train
paroliere e compositore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
Flash and the Pan3:44
16Our Lips Are Sealed
produttore:
David Byrne (Talking Heads)
remixer:
Fun Boy Three e Jeremy Green
registrazione cover di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
Fun Boy Three3.22:52
17Love Plus One
produttore:
Bob Sargeant
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982)
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:37
18Atomic
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Atomic (dal 1979-05 al 1979-06)
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie3.74:36
▼ CD 2
#TitoloArtistaValutazioneDurata
1U Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e Mushroom Music (Mushroom label's publishing company)
si basa su:
Super Freak
MC Hammer4.24:15
2Come Back and Stay
produttore:
Laurie Latham
chitarra :
Paul Young (English pop singer and musician)
chitarra basso :
Pino Palladino
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione cover di:
Come Back and Stay
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)) e Chrysalis Songs
Paul Young4.54:22
3Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.43:31
4The Model
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione di:
The Model (Kraftwerk)
paroliere:
Ralf Hütter e Emil Schult
compositore:
Karl Bartos e Ralf Hütter
traduttore aggiunto:
Ralf Hütter e Emil Schult
editore:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
versione tradotta di:
Das Modell
Kraftwerk4.153:39
5Kiss
produttore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
voce principale:
Tom Jones (Welsh pop singer)
esecutore:
Art of Noise
arrangiatore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
diritti fonografici (℗) detenuti da:
China Records (UK label founded by Derek Green) (nel 1988)
campionamenti:
Close (to the Edit) di Art of Noise, Dragnet di Art of Noise, Moments in Love di Art of Noise, Paranoimia (7″ mix) di The Art of Noise with Max Headroom (titular character from "Max Headroom") e Peter Gunn di The Art of Noise featuring Duane Eddy
registrazione cover di:
Kiss
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Art of Noise feat. Tom Jones33:30
6French Kissin’ in the USA
registrazione di:
French Kissin’ in the USA
paroliere e compositore:
Chuck Lorre (US TV director, writer, producer & composer)
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) e Theodello Profunct Publishers
Deborah Harry5:08
7Killer
registrazione di:
Killer
paroliere:
Seal (English‐born singer and songwriter)
autore:
Seal (English‐born singer and songwriter) e Adam Paul Tinley
editore:
EMI Virgin Music Publishing Germany GmbH & Co. KG (conclusa), Virgin Music (Publishers) Ltd. (conclusa), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing GmbH
Adamski4:09
8My Prerogative
registrazione di:
My Prerogative
autore:
Bobby Brown (R&B singer, New Edition member), Gene Griffin e Teddy Riley (US R&B singer & producer)
editore:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–Z Tunes LLC
Bobby Brown4:49
9Could It Be I’m Falling in Love
registrazione cover di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
David Grant & Jaki Graham4:20
10The Tide Is High
assistente tecnico:
Gary Boatner (Engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt
autore aggiunto:
Howard Barrett e Tyrone Evans
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:33
11Bette Davis Eyes
tecnico di registrazione e produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1981), EMI America Records, Inc. (holding - file NO releases here!) (nel 1981), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:41
12Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use!)
The Specials3.93:39
13War Baby
registrazione di:
War Baby
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson4:12
14Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:21
15Hold Me Now
tecnico e tecnico di missaggio:
Phil Thornalley
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
diritti fonografici (℗) detenuti da:
BMG Arista Records Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc. e Point Music (publisher)
Thompson Twins4.554:45
16Vienna
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox4:37
17Wouldn’t It Be Good
registrazione di:
Wouldn’t It Be Good
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw4:28
18Is Vic There?
Department S3:04

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