The Ultimate Eighties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▶ CD 1
▼ CD 2
#TitoloArtistaValutazioneDurata
1U Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e Mushroom Music (Mushroom label's publishing company)
si basa su:
Super Freak
MC Hammer4.24:15
2Come Back and Stay
produttore:
Laurie Latham
chitarra :
Paul Young (English pop singer and musician)
chitarra basso :
Pino Palladino
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione cover di:
Come Back and Stay
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)) e Chrysalis Songs
Paul Young4.54:22
3Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.43:31
4The Model
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione di:
The Model (Kraftwerk)
paroliere:
Ralf Hütter e Emil Schult
compositore:
Karl Bartos e Ralf Hütter
traduttore aggiunto:
Ralf Hütter e Emil Schult
editore:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
versione tradotta di:
Das Modell
Kraftwerk4.153:39
5Kiss
produttore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
voce principale:
Tom Jones (Welsh pop singer)
esecutore:
Art of Noise
arrangiatore:
Art of Noise, Anne Dudley (English score composer) e J.J. Jeczalik
diritti fonografici (℗) detenuti da:
China Records (UK label founded by Derek Green) (nel 1988)
campionamenti:
Close (to the Edit) di Art of Noise, Dragnet di Art of Noise, Moments in Love di Art of Noise, Paranoimia (7″ mix) di The Art of Noise with Max Headroom (titular character from "Max Headroom") e Peter Gunn di The Art of Noise featuring Duane Eddy
registrazione cover di:
Kiss
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Art of Noise feat. Tom Jones33:30
6French Kissin’ in the USA
registrazione di:
French Kissin’ in the USA
paroliere e compositore:
Chuck Lorre (US TV director, writer, producer & composer)
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) e Theodello Profunct Publishers
Deborah Harry5:08
7Killer
registrazione di:
Killer
paroliere:
Seal (English‐born singer and songwriter)
autore:
Seal (English‐born singer and songwriter) e Adam Paul Tinley
editore:
EMI Virgin Music Publishing Germany GmbH & Co. KG (conclusa), Virgin Music (Publishers) Ltd. (conclusa), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing GmbH
Adamski4:09
8My Prerogative
registrazione di:
My Prerogative
autore:
Bobby Brown (R&B singer, New Edition member), Gene Griffin e Teddy Riley (US R&B singer & producer)
editore:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–Z Tunes LLC
Bobby Brown4:49
9Could It Be I’m Falling in Love
registrazione cover di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
David Grant & Jaki Graham4:20
10The Tide Is High
assistente tecnico:
Gary Boatner (Engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt
autore aggiunto:
Howard Barrett e Tyrone Evans
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:33
11Bette Davis Eyes
tecnico di registrazione e produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1981), EMI America Records, Inc. (holding - file NO releases here!) (nel 1981), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:41
12Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use!)
The Specials3.93:39
13War Baby
registrazione di:
War Baby
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson4:12
14Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:21
15Hold Me Now
tecnico e tecnico di missaggio:
Phil Thornalley
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
diritti fonografici (℗) detenuti da:
BMG Arista Records Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc. e Point Music (publisher)
Thompson Twins4.554:45
16Vienna
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox4:37
17Wouldn’t It Be Good
registrazione di:
Wouldn’t It Be Good
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw4:28
18Is Vic There?
Department S3:04

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