Haynes: Ultimate Guide to the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

CD 1
CD 2
Nr.TitelKünstlerBewertungLänge
1In the Name of Love
recording of:
In the Name of Love
Verfasser(in):
Tom Bailey (Thompson Twins), Chris Bell (drummer (Thompson Twins)), Alannah Currie, Joe Leeway, Peter Dodd, John Roog und Matthew Seligman
Thompson Twins3:47
2Wishing Well
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
baritone saxophone, Keyboard und Perkussion und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Bass:
Phil Spalding
Gitarre:
Pete Glenister
Hi-Hat [Wicked Hi-Hat]:
Clive Mngaza
Schlagzeug:
Preston Heyman
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Sean Oliver
publisher:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:31
3Digging Your Scene
recording of:
Digging Your Scene
Texter und Komponist(in):
Robert Howard (pop songwriter)
publisher:
RCA Music Ltd. (publisher) (in 1986) und Trashsongs (publisher) (in 1986)
The Blow Monkeys4:15
4Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.254:29
5Hazy Shade of Winter
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987) und Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1987)
Musikvideos:
Hazy Shade of Winter von The Bangles
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 3)
cover recording of:
A Hazy Shade of Winter
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
The Bangles4.62:47
6European Female
Produzent(in):
Steve Churchyard
Mix:
Tony Visconti
Musikvideos:
European Female von The Stranglers
recording of:
European Female (In Celebration Of)
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Plugshaft Ltd.
The Stranglers34:03
7Wages Day
recording engineer:
Felix Kendall (UK recording engineer)
Produzent(in):
Warne Livesey
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1989)
recording of:
Wages Day
Texter und Komponist(in):
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music
Deacon Blue43:11
8Crash
Mix:
Mark Wallis (in 1988)
Bassgitarre:
Steve Dullaghan
Gitarre:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
recording of:
Crash
Verfasser(in):
Tracy Cattell, Paul Court (of "The Primitives") und Steve Dullaghan
The Primitives4.652:32
9Burst
recording of:
Burst
Verfasser(in):
Harley Farr (Darling Buds) und Andrea Lewis (member of The Darling Buds)
The Darling Buds2:52
10Bridge to Your Heart
recording of:
Bridge to Your Heart
Verfasser(in):
Andrew Gold und Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Sluggogsongs
Wax4:13
11State of Shock
drum machine [Linn LM-1]-Programmierung:
Michael Jackson (“King of Pop”)
Produzent(in):
Michael Jackson (“King of Pop”)
Bass und Gitarre:
David Williams (session guitarist and songwriter)
Händeklatschen und Sologesang:
Michael Jackson (“King of Pop”)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Gast Sologesang:
Mick Jagger
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson, Michael Jackson (“King of Pop”) und Johnny Ray Nelson
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984)
recording of:
State of Shock
Texter:
Randy Hansen und Michael Jackson (“King of Pop”)
Komponist(in):
Michael Jackson (“King of Pop”)
The Jacksons34:31
12The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1986) und RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
Bob‐a‐Lew Songs (ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.154:57
13Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet), CBS Songs Ltd., Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Rella Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.453:58
14Cross My Heart
Produzent(in):
Pete Hammond (UK producer aka "Mixmaster")
recording of:
Cross My Heart (Eighth Wonder song)
Texter und Komponist(in):
Michael Jay (producer/engineer)
Eighth Wonder3:27
15Waltz Darling
Malcolm McLaren and the Bootzilla Orchestra4:28
16Riding on a TrainThe Pasadenas4:16
17Oye Mi Canto (Hear My Voice)
Gloria Estefan3:47
18Toy Soldiers
remixer:
Humberto Gatica
Musikvideos:
Toy Soldiers von Martika (American singer‐songwriter and actress)
Teil von:
VH1's 100 Greatest One-Hit Wonders of the '80s (Nummer: 67)
recording of:
Toy Soldiers
Verfasser(in):
Martika (American singer‐songwriter and actress) und Michael Jay (producer/engineer)
Martika54:48
19Keeping the Dream Alive
recording of:
Keeping the Dream Alive
Texter:
Curtis Briggs und Timothy Touchton
Komponist(in):
Aron Strobel und Stefan Zauner
publisher:
Sony/ATV Music Publishing LLC (1995–2020) (in 1988)
übersetzte Version von:
Solang’ man Träume noch leben kann
Freiheit24:15
20Brilliant Mind
Techniker(in):
John Brough, Renny Hill (engineer) und Seb (Engineer)
Produzent(in):
Mick Glossop (producer & engineer)
Bass:
Sally Still
Gitarre und Hintergrundgesang:
Tim Whelan
Keyboard:
Maya Gilder (Keyboardist)
Perkussion und Schlagzeug:
Hamilton Lee
Saiteninstrumente:
Tim Beaton und Charlie Buchannon
Saxophon:
Larry Whelan (Saxophonist)
Sologesang:
Jim Irvin
aufgenommen bei:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 86)
recording of:
Brilliant Mind
Verfasser(in):
Jim Irvin, Hamilton Lee, Sally Still und Tim Whelan
Furniture3.353:43

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