Unforgettable

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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CD 1
CD 2
#TitoloArtistaValutazioneDurata
1Green, Green Grass of Home
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (for copyrights use only!) (nel 1966)
registrazione cover di:
Green, Green Grass of Home
paroliere e compositore:
Claude “Curly” Putman, Jr.
editore:
Burlington Music Ltd. e Tree Music
versione tradotta di:
Ik ben weer in m’n dorpje
registrazione di:
Green, Green Grass of Home
paroliere e compositore:
Claude “Curly” Putman, Jr.
editore:
Burlington Music Ltd. e Tree Music
versione tradotta di:
Ik ben weer in m’n dorpje
Tom Jones43:06
2Can’t Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Andy Williams43:10
3(I Left My Heart) In San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:53
4Pennies From Heaven
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1936-07-24)
voce:
Bing Crosby (il 1936-07-24)
orchestra:
Georgie Stoll and His Orchestra (il 1936-07-24)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e MCA Music Ltd. (nel 1936)
registrazione di:
Pennies From Heaven (il 1936-07-24)
paroliere:
Johnny Burke (American lyricist, 1908-1964) (nel 1936)
compositore:
Arthur Johnston (American composer and songwriter) (nel 1936)
editore:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) e Joy Music Inc.
parte di:
The 9th Academy Award for Best Original Song (numero: 2)
Bing Crosby3:09
5Walk Away
registrazione di:
Walk Away (based on Warum nur, warum)
paroliere:
Don Black (English lyricist) e Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
compositore:
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
editore:
Hollis Music, Inc. e Montana GMBH-Co Musikverlagsgesellschaft Edit
Matt Monro3:08
6Avenues and Alleyways
registrazione di:
Avenues and Alleyways (The Protectors)
paroliere e compositore:
Peter Callander e Mitch Murray
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Tony Christie3:20
7King of the Road
registrata a:
Tennessee, Stati Uniti
produttore:
Jerry Kennedy
voce:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964-11)
diritti fonografici (℗) detenuti da:
Smash (nel 1965)
registrazione di:
King of the Road (il 1964-11-03)
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller4.652:28
8Feeling Good
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Feeling Good (il 1965-01-15)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd e Musical Comedy Prods.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
parte di:
Zoey’s Extraordinary Playlist (2020–21 musical TV show)
Nina Simone4.152:54
9Downtown
voce:
Petula Clark (English singer & actor) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.353:09
10Girl From Ipanema
tecnico di registrazione:
Phil Ramone
produttore:
Creed Taylor
batteria :
Milton Banana (dal 1963-03-18 al 1963-03-19)
batteria [drums] :
Milton Banana (nel 1963-03)
chitarra :
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (nel 1963-03, dal 1963-03-18 al 1963-03-19)
chitarra basso :
Tommy Williams (jazz bassist) (dal 1963-03-18 al 1963-03-19)
contrabbasso [bass] :
Tommy Williams (jazz bassist) (nel 1963-03)
pianoforte :
Antonio Carlos Jobim (nel 1963-03) e Antônio Carlos Jobim (dal 1963-03-18 al 1963-03-19)
pianoforte ospite :
Antônio Carlos Jobim (dal 1963-03-18 al 1963-03-19)
sassofono tenore :
Stan Getz (nel 1963-03, dal 1963-03-18 al 1963-03-19)
voce:
Astrud Gilberto (nel 1963-03, dal 1963-03-18 al 1963-03-19) e João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (nel 1963-03, dal 1963-03-18 al 1963-03-19)
esecutore:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) e Antônio Carlos Jobim
registrata presso:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (nel 1963-03) e A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (dal 1963-03-18 al 1963-03-19)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 461)
registrazione di:
The Girl From Ipanema (dal 1963-03-18 al 1963-03-19)
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, Volume I)
registrazione di:
Garota de Ipanema
orchestratore:
Alexandre Desplat (French score composer)
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Alexandre Desplat (French score composer), Antônio Carlos Jobim e Vinicius de Moraes (O poetinha)
editore:
Universal Duchess Music Corp.
Stan Getz feat. Astrud Gilberto3.655:23
11Fever (live)Peggy Lee2:25
12Passing Strangers
registrazione di:
Passing Strangers
autore:
Rita Mann (songwriter) (nel 1957) e Mel Mitchell (songwriter) (nel 1957)
Billy Eckstine feat. Sarah Vaughan32:40
13Why
registrazione cover di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
registrazione di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Anthony Newley2:28
14Whatever Will Be, Will Be (Que será, será)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., St. Angelo Music e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 29)
Doris Day2:05
15I Only Have Eyes for You
Sacha Distel2:55
16Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
17On the Sunny Side of the StreetJudy Garland2:39
18Let’s Do It (Let’s Fall in Love)
Eartha Kitt2:40
19Mr. Bojangles
produttore:
Don Costa (US pop music arranger & producer) e Mike Curb
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (nel 1971)
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sammy Davis Jr.5:45
20Rescue Me
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (Songwriter and producer)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass2:54
21Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1961)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131)
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) e Unichappell Music
Ben E. King4.652:59
22Wives and Lovers
registrazione di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
Jack Jones2:30
23Who’s Sorry Now?
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis42:19
24What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. e Range Road Music Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.92:19
CD 3: Bonus Christmas Disc

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