Titanic: Music From the Motion Picture

~ Release by James Horner (see all versions of this release, 31 available)

Annotation

Contains the "Titanic: Music From the Motion Picture" (SK 63213 and 01-063213-10 on booklet and CD) and "Back to Titanic" soundtracks by James Horner.

Annotation last modified on 2017-03-16 13:36 UTC.

Tracklist

▶ CD 1: Titanic: Music From the Motion Picture
▼ CD 2: Back to Titianic
#TitleArtistRatingLength
1Titanic Suite
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Titanic Incidental Music
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
London Symphony Orchestra and the Choristers of King’s College, Cambridge19:05
2An Irish Party in Third Class
producer:
Randy Gerston
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
arranger:
Gaelic Storm
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
medley including a recording of:
Ryan’s Polka
composer:
[traditional] (special purpose artist)
medley including a recording of:
The Blarney Pilgrim
composer:
[traditional] (special purpose artist)
Gaelic Storm3:49
3Alexander's Ragtime Band
producer:
John Altman
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
arranger:
John Altman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
instrumental recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:31
4The Portrait
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
solo piano:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Portrait
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:43
5Jack Dawson's Luck
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Jack Dawson’s Luck
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
medley of:
The Bucks of Oranmore (reel)
medley of:
Humours of Caledon
medley of:
The Red Haired Lass
medley of:
The Boys on the Hilltop
James Horner5:39
6A Building Panic
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
A Building Panic
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner8:09
7Nearer My God to Thee
producer:
Lorenz Hasler (Swiss violinist)
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
spoken vocals:
Jonathan Evans‐Jones (violinist)
arranger:
Jonathan Evans‐Jones (violinist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) and Skyhill Music (in 1971)
part of:
Roud Folk Song Index (number: 28881)
I Salonisti2:50
8Come Josephine, in My Flying Machine
engineer:
Ray Pyle
producer:
Randy Gerston
spoken vocals:
Ioan Gruffudd and Kate Winslet
vocals:
Máire Brennan (formerly known as Máire Brennan)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recording of:
Come Josephine, in My Flying Machine
lyricist:
Alfred Bryan (US songwriter)
composer:
Fred Fisher
publisher:
Bienstock Publishing Co. (ASCAP affiliated) and Shapiro & Bernstein Co., Inc.
Máire Brennan3:33
9Lament
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Lament
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
is based on:
A spailpín a rún
James Horner4:36
10A Shore Never Reached
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
A Shore Never Reached
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
London Symphony Orchestra4:27
11My Heart Will Go On (with dialogue from the film)
producer:
Walter Afanasieff and James Horner (American score composer)
spoken vocals:
Leonardo DiCaprio and Kate Winslet
vocals:
Céline Dion (Celine Dion)
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
Celine Dion4:43
12Nearer My God to Thee
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
engineer:
Steve Hardy (engineer)
editor:
Jim Henrikson
violin:
Eileen Ivers
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) and Skyhill Music (in 1971)
part of:
Roud Folk Song Index (number: 28881)
Eileen Ivers2:22
13Epilogue - The Deep and Timeless Sea
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Epilogue - The Deep and Timeless Sea
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
London Symphony Orchestra and the Choristers of King’s College, Cambridge12:38