Secular Cantatas, BWV 210–211

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: I. Recitativo (Sopran) “O holder Tag, erwünschte Zeit”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:01
2Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: II. Aria (Sopran) “Spielet, ihr beseelten Lieder”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:21
3Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: III. Recitativo (Sopran) “Doch, haltet ein, ihr muntern Saiten”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:07
4Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: IV. Aria (Sopran) “Ruhet hie, matte Töne”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach5:32
5Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: V. Recitativo (Sopran) “So glaubt man denn, daß die Musik verführe”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:07
6Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: VI. Aria (Sopran) “Schweigt, ihr Flöten, schweigt, ihr Töne”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:53
7Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: VII. Recitativo (Sopran) “Was Luft? was Grab?”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:38
8Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: VIII. Aria (Sopran) “Großer Gönner, dein Vergnügen”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:47
9Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: IX. Recitativo (Sopran) “Hochteurer Mann, so fahre ferner fort”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:22
10Kantate, BWV 210 “O holder Tag, erwünschte Zeit”: X. Aria (Sopran) “Seid beglückt, edle beide”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach5:56
11Kantate, BWV 211 “Schweigt stille, plaudert nicht”: I. Recitativo (Tenor) “Schweigt stille, plaudert nicht”
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:39
12Kantate, BWV 211 “Schweigt stille, plaudert nicht”: II. Aria (Bass) “Hat man nicht mit seinen Kindern”
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:46
13Kantate, BWV 211 “Schweigt stille, plaudert nicht”: III. Recitativo (Bass, Sopran) “Du böses Kind, du loses Mädchen”
bass vocals:
Thomas Quasthoff (bass-baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:39
14Kantate, BWV 211 “Schweigt stille, plaudert nicht”: IV. Aria (Sopran) “Ei, wie schmeckt der Coffee süße”
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:32
15Kantate, BWV 211 “Schweigt stille, plaudert nicht”: V. Recitativo (Bass, Sopran) “Wenn du mir nicht den Coffee läßt”
bass vocals:
Thomas Quasthoff (bass-baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:29
16Kantate, BWV 211 “Schweigt stille, plaudert nicht”: VI. Aria (Bass) “Mädchen, die von harten Sinnen”
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:42
17Kantate, BWV 211 “Schweigt stille, plaudert nicht”: VII. Recitativo (Bass, Sopran) “Nun folge, was dein Vater spricht”
bass vocals:
Thomas Quasthoff (bass-baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:04
18Kantate, BWV 211 “Schweigt stille, plaudert nicht”: VIII. Aria (Sopran) “Heute noch, lieber Vater, tut es doch”
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:47
19Kantate, BWV 211 “Schweigt stille, plaudert nicht”: IX. Recitativo (Tenor) “Nun geht und sucht der alte Schlendrian”
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:45
20Kantate, BWV 211 “Schweigt stille, plaudert nicht”: X. Chorus (Sopran, Tenor, Bass) “Die Katze läßt das Mausen nicht”
bass vocals:
Thomas Quasthoff (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Christine Schäfer (soprano)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:35

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 66) (order: 66)