1960's Classic Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Good Vibrations
tecnico di registrazione:
Bruce Botnick, Chuck Britz e Larry Levine
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti, Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
2The Letter
produttore:
Dan Penn
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
3Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:40
4Spooky
produttore:
Buddy Buie
registrazione di:
Spooky
paroliere:
Buddy Buie e J. R. Cobb
compositore:
Harry Middlebrooks e Mike Shapiro (saxophonist, composer of Spooky)
editore:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
si basa su:
Spooky (instrumental)
Classics IV52:53
5Happy Together
esecutore:
The Turtles (late 60s US rock band)
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
editore:
Alley Music Corp., The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.552:55
6Walk Away Renee
tecnico:
Steve Jerome (US songwriter & producer, member of Hot Butter)
produttore:
Bill Jerome, Steve Jerome (US songwriter & producer, member of Hot Butter) e Harry Lookofsky
archi :
Harry Lookofsky (nel 1966)
basso :
John Abbott (member of Hot Butter) (nel 1966)
batteria :
Al Rogers (drummer) (nel 1966)
chitarra :
George "Fluffer" Hirsh (nel 1966)
clavicembalo :
Michael Brown (American singer-songwriter) (nel 1966)
flauto [flute solo played in the middle by] solista :
Jackie Kelso
voce di accompagnamento [harmony vocal]:
George Cameron (nel 1966) e Tom Finn (nel 1966)
voce principale:
Steve Martin-Caro (US singer, member of Left Banke) (nel 1966)
arrangiatore:
John Abbott (member of Hot Butter)
registrata presso:
World United Studios in Manhattan, New York, New York, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 220)
registrazione di:
Walk Away Renée (nel 1966)
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
The Left Banke42:44
7Gimme Some Lovin'
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.62:58
8Tuesday Afternoon
tecnico:
Derek Varnals
produttore:
Tony Clarke (UK producer/guitarist) (incarico: realisation) e Michael Dacre-Barclay (British producer) (incarico: realisation)
produttore esecutivo:
Hugh Mendl
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
direttore d'orchestra:
Peter Knight (British arranger, conductor and composer)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Tuesday Afternoon
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music International, Inc., The Richmond Organization e TRO Essex Music International, Inc.
The Moody Blues44:50
9Green Tambourine
diritti fonografici (℗) detenuti da:
Buddha Records (1998–2002, formerly known as Buddah Records) (nel 1967)
registrazione di:
Green Tambourine
autore:
Paul Leka e Shelley Pinz
editore:
BMG Music Publishing Ltd. e Dominion Music Co. Ltd.
The Lemon Pipers3.652:27
10You've Made Me So Very Happy
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears)
batteria e percussione :
Bobby Colomby
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears)
flauto dolce e trombone :
Jerry Hyman (trombone player)
flauto, organo, pianoforte e trombone :
Dick Halligan
flicorno soprano e tromba :
Lew Soloff e Chuck Winfield
sassofono contralto e pianoforte :
Fred Lipsius
voce:
Bobby Colomby, Dick Halligan e Steve Katz (guitarist for Blood, Sweat & Tears)
voce principale:
David Clayton‐Thomas
arrangiatore:
Blood, Sweat & Tears, Al Kooper e Fred Lipsius
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1969)
registrazione cover di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
registrazione di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
Blood, Sweat & Tears54:16
11Magic Carpet Ride
produttore:
Gabriel Mekler
registrazione di:
Magic Carpet Ride
autore:
John Kay (lead singer of Steppenwolf) e Rushton Moreve
editore:
Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.44:21
12Abraham, Martin & John
registrazione cover di:
Abraham, Martin and John
paroliere e arrangiatore:
Dick Holler
compositore:
Dick Holler (nel 1968)
editore:
Regent Music (BMI) e TJ Musicservice GmbH
Dion3:20