Grandes Vozes: Colecção

~ Release by Frank Sinatra / Maria Callas / Nat King Cole / Billie Holiday / Édith Piaf (see all versions of this release, 1 available)

Tracklist

▶ CD 1: CD 1: Frank Sinatra
▼ CD 2: CD 2: Maria Callas
#TitleArtistRatingLength
1Gianni Schicchi: “O mio babbino caro”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Maria Callas2:37
2Tosca: “Vissi d'arte”
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Maria Callas3:18
3Tosca: “Com'e lunga l'atesa” ... “Presto! Su, Mario”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Maria Callas3:32
4Tosca: “Amaro sol... Trionfo”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Maria Callas5:56
5Madama Butterfly: “Un bel dì vedremo”
baritone vocals:
Mario Borrelli
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Maria Callas4:44
6Madama Butterfly: “Che tua madre”
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Herbert von Karajan (conductor) (in 1953)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Maria Callas3:26
7Madama Butterfly: “Con onor muore”
producer:
Walter Legge (British classical producer)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals [B.F. Pinkerton]:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Maria Callas5:21
8La Bohème: “Si, mi chiamano Mimì”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom and Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-15 until 1954-09-18)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-20 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Maria Callas4:51
9La Bohème: “Donde lieta usci”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-15 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-21)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (from 1954-09-15 until 1954-09-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Maria Callas3:20
10Suor Angelica: “Senza mamma”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Maria Callas5:29
11Manon Lescaut: “In quelle trine morbide”
soprano vocals:
Maria Callas (soprano) (in 1954)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Maria Callas2:50
12Manon Lescaut: “Sola, perduta, abbandonata”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (on 1954-09-17)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-09-17)
conductor:
Tullio Serafin (conductor) (on 1954-09-17)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-17)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux) (on 1954-09-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Maria Callas5:49
13Turandot: “Signore, ascolta”
soprano vocals:
Maria Callas (soprano)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Maria Callas2:29
14Turandot: “Tu che di gel sei cinta”
soprano vocals [Liù]:
Maria Callas (soprano)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Maria Callas2:45
15Turandot: “In questa regia”
soprano vocals:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1954)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Maria Callas6:24
16Lucia di Lammermoor: Mad scene [Part I]
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Maria Callas5:00
17Lucia di Lammermoor: Mad scene [Part II]
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Maria Callas2:13
18Lucia di Lammermoor: Mad scene [Part III]
soprano vocals:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Maria Callas5:38
▶ CD 3: CD 3: Nat King Cole
▶ CD 4: CD 4: Billie Holiday
▶ CD 5: CD 5: Edith Piaf