Music Through the Ages 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Mass - Sine Nomine: Kyrie
choir vocals:
The Choir of the Carmelite Priory
conductor:
John McCarthy (British choral conductor, scholar, composer and arranger)
Giovanni Pierluigi da Palestrina2:05
2Fantasia
organ:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
William Byrd2:20
3The Damnation of Faust: Marche hongroiseHector Berlioz4:47
4Traumerei
piano:
Ilana Vered (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann3:30
5Lohengrin Act 3: Prelude
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Horst Stein (conductor)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:37
6Rigoletto: Gaultier Malde... Caro Nome
engineer:
Kenneth Wilkinson (engineer) (in 1960-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1960-08)
soprano vocals:
Joan Sutherland (soprano) (in 1960-08)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1960-08)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1960-08)
recording of:
Rigoletto: Atto I, scena 2. "È là..." - "Miratela" (Gilda, Borsa, Ceprano, Marullo, Coro) (in 1960-08)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1960-08)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:15
7Fledermaus Waltz: Du und Du
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Willi Boskovsky (violinist and conductor)
recording of:
Du und du, op. 367
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 367)
Johann Strauss7:23
8Hungarian Dance no.1 in G minor
sound engineer:
Kenneth Wilkinson (engineer) (from 1974-02 until 1974-03)
producer:
Christopher Raeburn (producer) (from 1974-02 until 1974-03)
orchestra:
London Symphony Orchestra (from 1974-02 until 1974-03)
conductor:
Willi Boskovsky (violinist and conductor) (from 1974-02 until 1974-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-02 until 1974-03)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) (from 1974-02 until 1974-03)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) (catch-all for unknown and one-off orchestrations)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms3:06
9Pictures at an Exhibition: Promenade
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Pictures at an Exhibition: Promenade (unspecified promenade)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
is based on:
Pictures at an Exhibition (original piano version)
Modest Mussorgsky1:35
10The Mikado: As Some Day It Might Happen
choir vocals:
The D’Oyly Carte Opera Company
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
The Mikado: Act I, no. 5a “As someday it may happen” (Ko-Ko and Men) (I’ve got a little list)
lyricist:
W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Mikado: Act I
Sir Arthur Sullivan, Sir William Gilbert2:24
11Peer Gynt: Morning
producer:
John Culshaw
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09, from 1961-09-05 until 1961-09-22)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1961-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:01
12Pelléas et Mélisande, Incidental: Sicilienne
orchestra:
Suisse Romande Orchestra (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:46
13Enigma Variations: Nimrod
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic (in 1972-05)
conductor:
Zubin Mehta (conductor) (in 1972-05)
performer:
Gordon Parry (engineer)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973) and Karussell UK Ltd (company credits only; do NOT use as release label!) (in 1993)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1972-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1972-05)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:52
14Gianni Schicchi: O mio babbino caro
soprano vocals:
Leona Mitchell (soprano)
conductor:
Kurt Herbert Adler (conductor)
performer:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:40
15Also Sprach Zarathustra: Beginning
orchestra:
Los Angeles Philharmonic (in 1968-05)
conductor:
Zubin Mehta (conductor) (in 1968-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1968)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1968-05)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Thus Spake Zoroaster, op. 30: Introduction, Sonnenaufgang) (in 1968-05)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra (Thus Spake Zoroaster, op. 30, op 30; TrV 176)
Richard Strauss2:02
16Karelia Suite: Beginning
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1963-03-27 until 1963-03-28)
conductor:
Lorin Maazel (conductor) (from 1963-03-27 until 1963-03-28)
balance engineer:
Gordon Parry (engineer) (from 1963-03-27 until 1963-03-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1963-03-27 until 1963-03-28)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (from 1963-03-27 until 1963-03-28)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius3:40
17Pines of Rome: The Pines of the Villa Borghese
orchestra:
London Symphony Orchestra
conductor:
István Kertész (conductor)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:38
18Gayaneh Suite: Sabre Dance
recording engineer:
Arthur Bannister (on 1972-06-17)
assistant producer:
Tim McDonald (producer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
London Symphony Orchestra (on 1972-06-17)
conductor:
Stanley Black (on 1972-06-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-06-17)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (on 1972-06-17)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aam Khachaturian2:30