Mozart-Variationen, op. 132 / Böcklin-Suite, op. 128

~ Release by Max Reger; Staatskapelle Dresden, Dresdner Philharmonie, Heinz Bongartz (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Variationen und Fuge über ein Thema von Mozart, op. 132: Thema (Andante grazioso)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Andante grazioso
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger2:25
2Variationen und Fuge über ein Thema von Mozart, op. 132: Variation I (L’istesso tempo)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation I
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger2:33
3Variationen und Fuge über ein Thema von Mozart, op. 132: Variation II (Poco agitato)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation II
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger2:03
4Variationen und Fuge über ein Thema von Mozart, op. 132: Variation III (Con moto)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation III
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger1:30
5Variationen und Fuge über ein Thema von Mozart, op. 132: Variation IV (Vivace)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation IV
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger0:44
6Variationen und Fuge über ein Thema von Mozart, op. 132: Variation V (Quasi presto)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation V
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger1:43
7Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VI (Sostenuto)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VI
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger2:11
8Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VII (Andante grazioso)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VII
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger2:33
9Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VIII (Molto sostenuto)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Variation VIII
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger6:54
10Variationen und Fuge über ein Thema von Mozart, op. 132: Fuge (Allegretto grazioso)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso)
composer:
Max Reger (composer) (in 1914)
part of:
Variations and Fugue for Orchestra on a Theme by Mozart, op. 132
Max Reger9:56
11Vier Tondichtungen nach Arnold Böcklin, op. 128: Der geigende Eremit
violin:
Walter Hartwich
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Four Tone Poems after A. Böcklin, op. 128: I. Der geigende Eremit
composer:
Max Reger (composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger9:46
12Vier Tondichtungen nach Arnold Böcklin, op. 128: Im Spiel der Wellen
violin:
Walter Hartwich
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Four Tone Poems after A. Böcklin, op. 128: II. Im Spiel der Wellen
composer:
Max Reger (composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger4:35
13Vier Tondichtungen nach Arnold Böcklin, op. 128: Die Totentinsel
violin:
Walter Hartwich
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Four Tone Poems after A. Böcklin, op. 128: III. Die Toteninsel
composer:
Max Reger (composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger9:36
14Vier Tondichtungen nach Arnold Böcklin, op. 128: Bacchanal
violin:
Walter Hartwich
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Heinz Bongartz (German conductor)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH
recording of:
Four Tone Poems after A. Böcklin, op. 128: IV. Bacchanal
composer:
Max Reger (composer) (from 1913-05 until 1913-07)
part of:
Four Tone Poems after A. Böcklin, op. 128
Max Reger5:00

Credits

Release

manufactured in:Germany
printed in:Germany
copyrighted (©) by:Berlin Classics (in 1994)
Discogs:https://www.discogs.com/release/14277791 [info]
ASIN:DE: B0000035QM [info]