| # | Title | Artist | Rating | Length |
|---|
| 1 | Andrea Chénier: “La mamma morta”- producer:
- Walter Legge
- soprano vocals [Maddalena]:
- Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
- orchestra:
- Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
- conductor:
- Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
- balance engineer:
- Robert Beckett
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1955)
- recorded at:
- Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18) and Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-20 until 1954-09-21)
- recording of:
- Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
- composer:
- Umberto Giordano
- librettist:
- Luigi Illica
- publisher:
- Edoardo Sonzogno Ltd. and MCPS
- part of:
- Andrea Chénier: Atto III
- recording of:
- Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
- composer:
- Umberto Giordano
- librettist:
- Luigi Illica
- publisher:
- Edoardo Sonzogno Ltd. and MCPS
- part of:
- Andrea Chénier: Atto III
| Umberto Giordano | | 4:58 |
| 2 | Rigoletto: “Caro nome“- recorded in:
- Milano , Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
- producer:
- Walter Legge
- baritone vocals [Marullo]:
- William Dickie (from 1955-09-03 until 1955-09-16)
- bass vocals [Il conte di Ceprano]:
- Carlo Forti (from 1955-09-03 until 1955-09-16)
- choir vocals:
- Coro del Teatro alla Scala di Milano (in 1955, from 1955-09-03 until 1955-09-16)
- soprano vocals [Gilda]:
- Maria Callas (from 1955-09-03 until 1955-09-16)
- tenor vocals [Borsa]:
- Renato Ercolani (from 1955-09-03 until 1955-09-16)
- orchestra:
- Orchestra del Teatro alla Scala di Milano (from 1955-09-03 until 1955-09-16)
- conductor:
- Tullio Serafin (from 1955-09-03 until 1955-09-16)
- chorus master:
- Norberto Mola (from 1955-09-03 until 1955-09-16)
- balance engineer:
- Robert Beckett
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1956)
- recorded at:
- Teatro alla Scala in Milano , Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
- recording of:
- Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
- lyricist and librettist:
- Francesco Maria Piave
- composer:
- Giuseppe Verdi
- part of:
- Rigoletto: Atto I
| Giuseppe Verdi | | 7:36 |
| 3 | Il barbiere di Siviglia: “Una voce poco fa” | Gioachino Rossini | | 6:24 |
| 4 | Dinorah: “Ombra leggiera” | Giacomo Meyerbeer | | 5:47 |
| 5 | Romeo et Juliette : « Ah! Je veux vivre » | Charles‐François Gounod | | 3:41 |
| 6 | Samson et Dalila : « Printemps qui commence » | Camille Saint‐Saëns | | 5:15 |
| 7 | Samson et Dalila : « Mon cœur s'ouvre à ta voix » | Camille Saint‐Saëns | | 5:20 |
| 8 | Orphée et Eurydice : « J'ai perdu mon Eurydice » | Christoph Willibald Gluck | | 4:28 |
| 9 | Le Cid : « Pleurez, mes yeux ! » | Jules Massenet | | 6:07 |
| 10 | Manon : « Adieu, notre petite table » | Jules Massenet | | 3:22 |
| 11 | Louise : « Depuis le jour » | Marc‐Antoine Charpentier | | 4:46 |
| 12 | La vestale: “O Nume tutelar” | Gaspare Spontini | | 2:35 |
| 13 | La sonnambula: “Ah! non credea mirarti” | Vincenzo Bellini | | 5:06 |
| 14 | Le nozze di Figaro: “Porgi, amor” | Wolfgang Amadeus Mozart | | 4:17 |
| 15 | Otello: “Ave Maria” | Giuseppe Verdi | | 4:33 |
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