| # | Title | Artist | Rating | Length |
|---|
| 1 | Naughty Girl- engineer:
- Carlos Bedoya
- producer:
- Scott Storch
- assistant mixer:
- Greg Price and Luz Vasquez
- mixer:
- Tony Maserati
- lead vocals:
- Beyoncé
- performer:
- Beyoncé
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 2003)
- recorded at:
- South Beach Studios in Miami Beach, Florida, United States
- mixed at and engineered at:
- The Hit Factory in Manhattan, New York, New York, United States
- samples:
- Love to Love You Baby by Donna Summer
- recording of:
- Naughty Girl
- writer:
- Pete Bellotte , Angela Beyince, Beyoncé Giselle Knowles, Giorgio Moroder, Scott Storch , Donna Summer and Robert Waller
- publisher:
- Angela Beyince Music, Beyoncé Publishing, Black Owned Musik, Hitco South, TVT Music, Inc. and WB Music Corp.
- is based on:
- Love to Love You Baby
| Beyoncé | 3.75 | 3:23 |
| 2 | Yeah- assistant recording engineer:
- Sean Tallman
- recording engineer:
- Donnie Scantz , The Trak Starz and Mark Vinten
- miscellaneous support:
- Delicia Hassan
- artist & repertoire support:
- Shakir Stewart
- producer:
- Sean Garrett and Jonathan “Lil’ Jon” Smith
- mixer:
- John Frye and Jonathan “Lil’ Jon” Smith
- additional keyboard [keyboards]:
- L-Roc
- bass:
- LaMarquis Jefferson
- additional background vocals:
- Sean Garrett and Lil’ Jon
- background vocals:
- Usher
- guest performer:
- Lil Jon and Ludacris
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 2003, in 2004)
- produced for:
- BME Enterprises
- recorded at:
- Circle House Studios in North Miami, Florida, United States, Larrabee Sound West in West Hollywood, California, United States and Rondor Studios in Los Angeles, California, United States
- mixed at:
- Stankonia Recording in Atlanta, Georgia, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 17), Billboard: The 500 Best Pop Songs (number: 31) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 290)
- recording of:
- Yeah!
- writer:
- Chris Bridges , Sean Garrett, James Phillips , LaMarquis Jefferson , Jonathan Smith , Robert McDowell and Patrick J. Que Smith
- publisher:
- Air Control Publishing, Basajama Music, Christopher Garrett’s Publishing, Christopher Matthew Music, EMI-April Music, Inc., Ground Control Publishing, Hitco Music, Hitco South, Lil’ Jon 00017 Music, Ludacris Music Publishing Inc., Me & Marq Music, Music of Windswept, Songs of Windswept, Swole Music and TVT Music
| Usher | 3.65 | 4:19 |
| 3 | Helhoi | Tragedy | | 5:42 |
| 4 | Wa Lou | Outlandish | | 4:36 |
| 5 | Locked Up | Akon | | 3:46 |
| 6 | Porto Rico | Casual | | 4:48 |
| 7 | Let's Get Retarded- engineer:
- Dylan Dresdow (lead vocals [vocals]) and will.i.am
- producer:
- will.i.am
- mixer:
- Tony Maserati
- bass guitar [bass]:
- Mike Fratantuno
- drums (drum set):
- Terence Yoshiaki
- guitar:
- George Pajon, Jr.
- background vocals:
- Dante Santiago and Noelle Scaggs
- vocals:
- apl.de.ap, Fergie , Taboo and will.i.am
- phonographic copyright (℗) by:
- Interscope Geffen (A&M) Records (in 2003) and UMG Recordings, Inc. (in 2004)
- recorded at:
- The Stewchia in Los Feliz, Los Angeles, California, United States
- recording of:
- Let’s Get Retarded (from 2002-01-29 until 2002-09-17)
- writer:
- Allan Pineda, Mike Fratantuno, Jaime Gomez , George Pajon, Jr., Will Adams and Terence Yoshiaki
- publisher:
- apl.de.ap Publishing LLC, BMG Sapphire Songs, Cherry Lane Music Co., Cherry River Music, El Cubano Music, EMI Blackwood Music Inc., Hisako Songs, i.am.composing, llc, Jeepney Music Publishing, Nawasha Networks Publishing, South Hudson Music, Tuono Music and will.i.am Music Inc.
| The Black Eyed Peas | 4.5 | 3:38 |
| 8 | Hot | The Beatnuts | | 3:26 |
| 9 | My Place | Nelly | 4 | 5:35 |
| 10 | Get No Better | Cassidy | | 3:55 |
| 11 | Dangerous | Cormega | | 4:04 |
| 12 | Show | E‐40 | | 3:34 |
| 13 | I Don't Wanna Know | Mario Winans | | 4:11 |
| 14 | I'm Going Back | Jadakiss | | 3:34 |
| 15 | That Girl | Marques Houston | | 3:39 |
| 16 | Wonderful (feat. R. Kelly & Ashanti) | Ja Rule | | 4:30 |
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