Body & Soul: The Complete Victor Recordings 1939–1956

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Meet Doctor Foo
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
recording of:
Meet Doctor Foo (on 1939-10-11)
composer:
Coleman Hawkins
2:33
2Fine Dinner
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
instrumental recording of:
Fine Dinner (instrumental) (on 1939-10-11)
composer:
Coleman Hawkins
2:33
3She’s Funny That Way
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
instrumental recording of:
She’s Funny That Way (on 1939-10-11)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:14
4Body and Soul (1939)
recording of:
Body and Soul (on 1939-07-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:01
5When Day Is Done
recording of:
When Day Is Done
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
3:15
6The Sheik of Araby
recording of:
The Sheik of Araby
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
2:57
7My Blue Heaven
recording of:
My Blue Heaven
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:46
8Bouncing with Bean
recording of:
Bouncing With Bean
composer:
Coleman Hawkins
3:03
9Say It Isn’t So
recording of:
Say It Isn’t So
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
2:52
10Spotlite
alto saxophone:
Pete Brown (Swing altoist active 40s-60s) (on 1946-02-27)
double bass:
Al McKibbon (on 1946-02-27)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1946-02-27)
guitar:
Mary Osborne (Jazz guitarist) (on 1946-02-27)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-02-27)
tenor saxophone:
Allen Eager (on 1946-02-27) and Coleman Hawkins (on 1946-02-27)
trumpet:
Charlie Shavers (on 1946-02-27)
3:06
11Indiana Winter
baritone saxophone:
Harry Carney (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04)
trumpet:
Buck Clayton (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
2:30
12Indian Summer
baritone saxophone:
Harry Carney (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04)
trumpet:
Buck Clayton (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
instrumental recording of:
Indian Summer (on 1946-12-04)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (composer) (in 1919)
publisher:
Harms, Inc.
3:14
13Blow Me Down
baritone saxophone:
Harry Carney (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04)
trumpet:
Buck Clayton (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
2:56
14Buckin’ the Blues
baritone saxophone:
Harry Carney (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04)
trumpet:
Buck Clayton (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
recording of:
Buckin' the Blues (on 1946-12-04)
composer:
Leonard Feather
3:01
15Dixieland Stomp
baritone saxophone:
Harry Carney (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04)
trumpet:
Buck Clayton (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
2:36
16How Did She Look
double bass:
Jack Lesberg (on 1947-12-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-10)
guitar:
Chuck Wayne (on 1947-12-10)
tenor saxophone:
Coleman Hawkins (on 1947-12-10)
vocals:
Leslie Scott (on 1947-12-10)
recording of:
How Did He Look? (on 1947-12-10)
lyricist:
Gladys Shelley
composer:
Abner Silver
publisher:
Spiral Record Corp.
3:04
17Under a Blanket of Blue
double bass:
Jack Lesberg (on 1947-12-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-10)
guitar:
Chuck Wayne (on 1947-12-10)
tenor saxophone:
Coleman Hawkins (on 1947-12-10)
vocals:
Leslie Scott (on 1947-12-10)
recording of:
Under a Blanket of Blue (on 1947-12-10)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
3:02
18Never in a Million Years
double bass:
Jack Lesberg (on 1947-12-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-10)
guitar:
Chuck Wayne (on 1947-12-10)
tenor saxophone:
Coleman Hawkins (on 1947-12-10)
vocals:
Leslie Scott (on 1947-12-10)
recording of:
Never in a Million Years (on 1947-12-10)
lyricist:
Mack Gordon
writer:
Mack Gordon and Harry Revel (British-born American composer)
composer:
Harry Revel (British-born American composer)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Red Cape Songs
3:04
19You Were Meant for Me
double bass:
Jack Lesberg (on 1947-12-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-10)
guitar:
Chuck Wayne (on 1947-12-10)
tenor saxophone:
Coleman Hawkins (on 1947-12-10)
vocals:
Leslie Scott (on 1947-12-10)
recording of:
You Were Meant for Me (from “Singin’ in the Rain”) (on 1947-12-10)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
2:53
20April in Paris
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
instrumental recording of:
April in Paris (on 1947-12-11)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:08
21How Strange
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recording of:
How Strange (on 1947-12-11)
lyricist:
Gus Kahn
additional composer:
Earl Brent and Herbert Stothart (composer)
composer:
[traditional] (special purpose artist) and B. A. Prozorovsky
publisher:
EMI Feist Catalog Inc.
3:04
22Half Step Down Please
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recording of:
Half Step Down Please (on 1947-12-11)
composer:
Tadd Dameron
3:01
23Angel Face
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recording of:
Angel Face (on 1947-12-11)
composer:
Hank Jones (piano)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:14
24Jumpin’ Jane
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recording of:
Jumping for Jane (on 1947-12-11)
writer:
Leonard Feather
3:09
25I Love You
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1947-12-11)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:51
26Picasso
tenor saxophone:
Coleman Hawkins (from 1948-07 until 1948-08)
recording of:
Picasso (from 1948-07 until 1948-08)
composer:
Coleman Hawkins
3:16
▶ CD 2