Lover Man

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼ CD 1
Nr.TitelBewertungLänge
1Mean to Me
cover recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:41
2Lover Man
cover recording of:
Lover Man (am 1945-05-11)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:23
3Interlude (A Night in Tunisia)
2:31
4East of the Sun (and West of the Moon)
cover recording of:
East of the Sun (and West of the Moon)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
2:52
5Ain’t Misbehavin’
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (am 1950-05-18)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
3:01
6Can’t Get Out of This Mood
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Solo-Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Solo-Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Solo-Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
recording of:
Can’t Get Out of This Mood (am 1950-05-18)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
cover recording of:
Can’t Get Out of This Mood
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
2:50
7What More Can a Women Do
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1945-05-25)
Gitarre:
Bill DeArango (am 1945-05-25)
Klavier:
Nat Jaffe (am 1945-05-25)
Kontrabass:
Curley Russell (am 1945-05-25)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1945-05-25)
Tenorsaxophon:
Flip Phillips (am 1945-05-25)
Trompete:
Dizzy Gillespie (am 1945-05-25)
vocals:
Dizzy Gillespie und Sarah Vaughan (am 1945-05-25)
Orchester:
Dizzy Gillespie Sextet (am 1945-05-25)
cover recording of:
What More Can a Woman Do? (am 1945-05-25)
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
3:03
8No Smoke Blues
recording of:
No Smoke Blues
Verfasser(in):
Leonard Feather
2:27
9Come Rain or Come Shine
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-E-Gitarre:
Mundell Lowe
Solo-Tenorsaxophon:
Budd Johnson
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Come Rain or Come Shine (am 1950-05-19)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:25
10Signing Off
2:39
11September Song
vocals:
Sarah Vaughan
cover recording of:
Knickerbocker Holiday: September Song
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
3:06
12What a Difference a Day Made
vocals:
Sarah Vaughan (am 1947-12-29)
cover recording of:
What a Diff’rence a Day Made (am 1947-12-29)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
2:49
13I’d Rather Have a Memory Than a Dream
recording of:
I'd Rather Have a Memory Than a Dream
Verfasser(in):
Leonard Feather und Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:43
14I’m Scared
recording of:
I’m Scared
Verfasser(in):
Raymond Leveen und Lou Singer (pianist)
2:34
15You Go to My Head
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
3:02
16I Cried for You
cover recording of:
I Cried for You
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
2:26
17Black Coffee
Sologesang:
Sarah Vaughan (am 1949-01-20)
Orchester:
Joe Lipman & His Orchestra (am 1949-01-20)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
recording of:
Black Coffee (1948 song) (am 1949-01-20)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
53:18
18Summertime
vocals:
Sarah Vaughan (am 1949-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-12-21)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:16
19Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1950-05-19)
Produzent(in):
George Treadwell
Bass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Solo-Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
Orchester:
George Treadwell & His All Stars und with George Treadwell and his All Stars (am 1950-05-19)
cover recording of:
Nice Work If You Can Get It (am 1950-05-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:36
20It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 18)
Teil von:
State Fair
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
3:12
21Perdido
cover recording of:
Perdido (with lyrics)
Texter:
Ervin Drake (Songwriter) (in 1944) und Hans J. Lengsfelder (in 1944)
Komponist(in):
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Version von:
Perdido (original instrumental version)
2:30

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Veröffentlichung

ASIN:DE: B00005NU5Y [Info]