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Annotation

8d10d80b 11 150 54161 100947 120678 135721 169603 206372 219318 241169 253627 278364 4314

Annotation last modified on 2011-06-06 09:28 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Canon and Gigue, for 3 Violins & Continuo in D Major, T. 337: Canon
orchestra:
Stuttgart Chamber Orchestra
conductor:
Bernhard Güller (German conductor)
recording of:
Canon and Gigue in D major, T. 337: I. Canon (Canon and Gigue in D major, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 337
Johann Pachelbel4:48
2Orchestral Suite No. 3 in D major, BWV 1068: Air
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Bernhard Güller (German conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1994 to present)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:59
3Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum
producer:
Friedrich Welz (engineer/producer) and John Willan (producer)
baritone vocals:
Manfred Ackermann (baritone)
choir vocals:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) and Bavarian Radio Chorus (Bavarian Radio Choir) (in 1976-07)
soprano vocals:
Edda Moser (soprano) (in 1976-07)
tenor vocals:
Wolfgang Isenhardt (tenor)
treble vocals:
Thomas Schulze
orchestra:
Bavarian Radio Symphony Orchestra (in 1976-07)
conductor:
Gerhard Wilhelm (choir master) and Eugen Jochum (conductor) (in 1976-07)
balance engineer:
Neville Boyling (engineer) (in 1976-07) and Martin Wöhr (in 1976-07)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:12
4Thaïs, opera in 3 acts: Meditation
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Christian Rainer (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (, in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:20
5Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46: The Morning
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice, Slovak State Philharmonic, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:55
6Cantata No. 147, 'Herz und Mund und Tat und Leben,' BWV 147 (BC A174): Choral. Jesu bleibet meine Freude
organ:
Wolfgang Rübsam (organist)
trumpet:
Wolfgang Basch
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:36
7The Swan (from 'Carnival of the Animals'), original (for 2 pianos & ensemble) and arrangements
orchestra:
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:
Gerhard Becker (conductor)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns3:10
8Divertimento (Feldparthie) for 2 oboes, 2 horns, 3 bassoons & serpent in B flat major ('Chorale St. Antoni'), H. 2/46: 2. Chorale St.
wind instruments:
Stuttgart Quintet of Wind Instruments (Stuttgart Wind Quintet)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
recording of:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
composer:
Joseph Haydn (composer)
part of:
Divertimento in B-flat major, Hob. II:46
Joseph Haydn2:42
9Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2: 2. Allegretto
piano:
Josef Bulva (pianist)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight": II. Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight")
Ludwig van Beethoven2:43
10Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Georges Bizet4:12
11Nabucco, opera (Nabucodonosor): Prisoner's Choir
choir vocals:
Hor Beogradske Opere (Choir of the Belgrad National Opera)
conductor:
Marko Munih (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:20
12Minuet in A major, arrangement (after String Quintet in E major, Op.11/5 [aka Op. 13/5], G. 275)
orchestra:
Stuttgart Chamber Orchestra
conductor:
Bernhard Güller (German conductor)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:50
13Kinderszenen No. 7 ('Träumerei'), for piano, Op. 15/7
piano:
Silvia Čápová (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann3:14
14Violin Concerto in D major, Op. 77: 2. Adagio
orchestra:
Tiroler Symphonieorchester Innsbruck
conductor:
Robert Wagner (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:59
15Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): 2. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:37
16Les Patineurs Valse ('Skater's Waltz'), Op. 183
orchestra:
Berlin Symphony Orchestra (Konzerthausorchester Berlin, Berliner Sinfonie-Orchester prior to 2006) and Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
conductor:
Gerhard Becker (conductor)
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183)
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel8:40
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Release

ASIN:US: B0012RLXB0 [info]