NOW 100 Hits: Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Digisleeve packaging

Annotation last modified on 2019-09-30 19:26 UTC.

Tracklist

▶ CD 1
▶ CD 2
▼ CD 3
#TitleArtistRatingLength
1Oh, Pretty Woman (Pretty Woman)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.252:57
2Green Onions (Quadrophenia)
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s2:53
3Stuck in the Middle With You (Reservoir Dogs)
recording engineer:
Geoff Emerick (British recording engineer) and John Mills (recording/mix engineer)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes
electric bass guitar:
Tony Williams (bass)
guitar:
Paul Pilnick and Gerry Rafferty
keyboard:
Joe Egan (Scottish singer-songwriter)
vocals:
Joe Egan (Scottish singer-songwriter) and Gerry Rafferty
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:25
4Everybody’s Talkin’ (Midnight Cowboy)
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Harry Nilsson42:50
5We Have All the Time in the World (On Her Majesty’s Secret Service)
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:15
6For the Love of a Princess (Braveheart)
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer) and Shawn Murphy (producer/engineer)
assistant editor:
Christine Cholvin and Joe E. Rand (editor)
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
For the Love of a Princess (Braveheart)
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner & London Symphony Orchestra4.54:05
7Jaws (Jaws)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
arranger:
Peter Smith (Orchestrator, arranger)
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
Main Theme (Jaws)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
The City of Prague Philharmonic Orchestra2:14
8Love Song for a Vampire (Bram Stoker’s Dracula)
recording of:
Love Song for a Vampire
composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
Universal Music Publishing International MGB Ltd.
part of:
Bram Stoker’s Dracula
Annie Lennox4:19
9Thank You (Sliding Doors)
recording engineer:
Goetz
programming:
Rollo (Rollo Armstrong of Faithless)
producer:
Dido (English singer‐songwriter) and Rollo (Rollo Armstrong of Faithless)
mixer:
Phill Brown (UK engineer)
guitar:
Paul Herman
keyboard and piano:
Mark Bates (member of the band Dusted)
percussion:
Mal Hyde-Smith
recorder and lead vocals:
Dido (English singer‐songwriter)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1999)
remaster of:
Thank You by Dido (English singer‐songwriter)
recording of:
Thank You (Dido)
writer:
Dido (English singer‐songwriter) and Paul Herman
publisher:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.153:38
10Pure Shores (The Beach)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints4:09
11Elastic Heart (The Hunger Games: Catching Fire)
additional recording engineer:
Rob Kleiner
membranophone programming:
Diplo (DJ and music producer) and Andrew Swanson
additional engineer:
Alex Pasco
engineer:
Diplo (DJ and music producer), Greg Kurstin and Andrew Swanson
co-producer:
Greg Kurstin
executive producer:
Sia (Australian singer‐songwriter)
producer:
Diplo (DJ and music producer)
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass, guitar, mellotron, membranophone and piano:
Greg Kurstin
phonographic copyright (℗) by:
Monkey Puzzle Records (imprint of Monkey Puzzle Records Ltd.) (in 2015)
recorded at:
Hot Closet Studios in Los Angeles, California, United States
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
engineered at:
Echo Studio in Los Feliz, Los Angeles, California, United States and Mad Decent in Atwater, California, United States
recording of:
Elastic Heart
writer:
Sia Furler (Sia, Australian singer‐songwriter), Andrew Swanson and Thomas Wesley Pentz (aka Diplo)
Sia4.854:17
12The Living Daylights (The Living Daylights)
recording of:
The Living Daylights
writer:
Pal Waaktaar
additional composer:
John Barry (English score composer)
publisher:
ATV Music and BMG Music
part of:
James Bond themes
a‐ha34:47
13Fame (Fame)
recording of:
Fame
lyricist:
Dean Pitchford
composer:
Michael Gore
publisher:
EMI Affiliated Catalog Inc.
part of:
The 53rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 53)
Irene Cara53:49
14Soul Bossa Nova (Austin Powers)
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones and His Orchestra42:46
15Harlem Shuffle (Baby Driver)
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:46
16Loco in Acapulco (Buster)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
The Four Tops3:29
17La Bamba (La Bamba)
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
miscellaneous support:
Ritchie Valens (task: adapted by)
additional lyricist:
Ritchie Valens
writer:
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation and EMI Longitude Music
version of:
La bamba
Los Lobos4.252:53
18Love Is in the Air (Ballroom mix) (Strictly Ballroom)
recording of:
Love Is in the Air
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
John Paul Young4:14
19You Never Can Tell (Pulp Fiction)
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (Legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:41
20Jailhouse Rock (Jailhouse Rock)
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.552:28
▶ CD 4
▶ CD 5

Credits

Release group

part of:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (order: 7)