Classic Cocker

~ Release by Joe Cocker (see all versions of this release, 3 available)

Tracklist

CD 1
#TitleRatingLength
1Feelin' Alright
producer:
Denny Cordell
mixer:
Tony Visconti
bass:
Carol Kaye
guitar:
David Cohen (British guitarist)
maracas and tumbi:
Laudir de Oliveira
membranophone:
Paul Humphries (drums)
piano:
Artie Butler
background vocals:
Merry Clayton, Brenda Holloway and Patrice Holloway
cover recording of:
Feelin’ Alright
lyricist and composer:
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
34:06
2Come Together
producer:
Teese Gohl, Elliot Goldenthal (American score composer) and T Bone Burnett (musician, songwriter and producer)
mixer:
Mike Piersante (recording engineer & mixer)
vocals:
Joe Cocker
cover recording of:
Come Together
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
is based on:
You Can’t Catch Me
4:19
3When the Night Comes
recording of:
When the Night Comes
written in:
Los Angeles, California, United States (in 1987-04) and Vancouver, British Columbia, Canada (in 1987-04)
writer:
Diane Warren (US songwriter), Bryan Adams (Canadian singer/songwriter) (in 1987-04) and Jim Vallance (in 1987-04)
4:43
4You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
3.84:12
5The Letter
part of:
Billboard Year‐End Hot 100 Singles (1970) (number: 80)
cover recording of:
The Letter
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
4:09
6Unchain My Heart
additional producer:
Chris Lord‐Alge
producer:
Charlie Midnight
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Phil Grande
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist) and Paul Litteral
keyboard:
Jeff Levine
membranophone:
David Beal
tenor saxophone:
Clarence Clemons
background vocals:
Tawatha Agee, Benny Diggs and Vaneese Thomas
lead vocals:
Joe Cocker
remixer:
Chris Lord‐Alge
horn arranger:
Uptown Horns (US horn section, formed in 1980)
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:06
7With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
phonographic copyright (℗) by:
Straight Ahead Productions Ltd. (in 1968)
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
3.855:10
8Summer in the City
producer:
Roger Davies (producer) and Chris Lord‐Alge
bass:
Bob Feit
electronic organ and synthesizer:
C.J. Vanston
guitar:
Tim Pierce (US session guitarist)
membranophone:
Jack Bruno (drummer)
percussion:
Lenny Castro
saxophone:
Don Sheldon (clarinetist, flutist, alto saxophonist and jazz vocalist)
trombone:
Alen Iles
trumpet:
Rick Baptist and Wayne Bergeron
Wurlitzer electric piano:
Chris Stainton
background vocals:
Carmen Twillie, Julia Waters and Maxine Waters
horn arranger and strings arranger:
C.J. Vanston
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) and Trio Music Co., Inc.
cover recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) and Trio Music Co., Inc.
4.43:53
9Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
3.23:54
10Have a Little Faith in Me
cover recording of:
Have a Little Faith in Me
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
4:39
11Many Rivers to Cross13:44
12You Are So Beautiful
assistant engineer:
David Gallo (engineer) and David Roberts (engineer)
engineer:
Guy Charbonneau
producer:
Michael Lang (Producer)
mixer:
Chris Lord‐Alge
bass:
Dave McDaniel (bass)
piano:
Nicky Hopkins (pianist and organist)
lead vocals:
Joe Cocker
phonographic copyright (℗) by:
A&M Records (in 1973)
recorded at:
Memorial Auditorium in Lowell, Massachusetts, United States (on 1989-10-05)
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
3.952:39
13Could You Be Loved
producer:
Roger Davies (producer), Chris Lord‐Alge and C.J. Vanston
cover recording of:
Could You Be Loved
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
5:47
14Delta Lady12:51
15Hitchcock Railway
phonographic copyright (℗) by:
Cube Records Ltd. (in 1970)
cover recording of:
Hitchcock Railway
lyricist and composer:
Don Dunn and Tony McCashen
publisher:
Screen Gems-EMI
34:38
16She Came in Through the Bathroom Window
assistant engineer:
David Gallo (engineer) and David Roberts (engineer)
engineer:
Guy Charbonneau
producer:
Michael Lang (Producer)
mixer:
Chris Lord‐Alge
lead vocals:
Joe Cocker
cover recording of:
She Came In Through the Bathroom Window
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
32:40

Credits