Ultra-Lounge: Cocktails With Cole Porter

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Just One of Those Things
cover recording of:
Just One of Those Things (on 1957-07-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Nat King Cole2:15
2Its De‐Lovely
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-09) and Bud Shank (on 1956-02-09)
baritone saxophone:
Chuck Gentry (on 1956-02-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-09) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
trumpet:
Pete Candoli (on 1956-02-09), Harry “Sweets” Edison (on 1956-02-09), Maynard Ferguson (on 1956-02-09) and Conrad Gozzo (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1956-02-09 until 1956)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
It’s De‐Lovely (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Ella Fitzgerald2:44
3True Love
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Dean Martin2:33
4Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Tony Bennett2:22
5Easy to Love
cover recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Sammy Davis Jr.2:26
6C’est magnifque
Kay Starr2:20
7Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Steve Lawrence2:15
8My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig
drums (drum set):
Colin Bailey (drummer)
piano:
Russ Freeman (pianist)
vocals:
Julie London
arranger:
Russ Freeman (pianist)
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Julie London2:43
9Ridin’ High
cover recording of:
Ridin’ High
lyricist and composer:
Cole Porter (composer) (in 1936)
Peggy Lee2:11
10High Society Calypso
recording of:
High Society Calypso (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Chappell Music Ltd.
part of:
High Society (1956 film)
Louis Armstrong2:15
11What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Keely Smith1:55
12I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can (1960 musical film)
part of:
Can‐Can
part of:
High Society (stage musical)
Kay Starr2:47
13You’d Be So Nice to Come Home To
producer:
Brad Benedict
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975)
remixer:
Bob Norberg
cover recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Nancy Wilson2:37
14I Happen to Like New York
recorded in:
London (Greater London), England, United Kingdom (on 1960-08-03)
vocals:
Judy Garland (on 1960-08-03)
conductor:
Norrie Paramor (on 1960-08-03)
recording of:
I Happen to Like New York (The New Yorkers musical) (on 1960-08-03)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Judy Garland2:58
15I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Louis Prima & Keely Smith2:39
16Looking at You
Liza Minnelli2:41
17Always True to You in My Fashion
bongos:
Armando Peraza (on 1959-04-29)
double bass:
Carl Pruitt (Double bass player) (on 1959-04-29)
guitar:
Toots Thielemans (on 1959-04-29)
piano:
George Shearing (British jazz pianist) (on 1959-04-29)
vibraphone:
Ray Alexander (on 1959-04-29)
vocals:
Peggy Lee (jazz vocalist) (on 1959-04-29)
cover recording of:
Always True to You in My Fashion (on 1959-04-29)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
Peggy Lee and George Shearing1:58
18Let’s Do It
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Duke Ellington & Ella Fitzgerald4:21
19Miss Otis Regrets
recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1934)
Nat King Cole4:32
20Ev’ry Time We Say Goodbye
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:25