Symphonies Nos. 8 & 10

~ Release by Gustav Mahler; Giuseppe Sinopoli; Philharmonia Orchestra (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Symphony No. 8 in E-flat major: Part 2: Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:49
2Symphony No. 8 in E-flat major: Part 2: Più mosso. (Allegro moderato)
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:34
3Symphony No. 8 in E-flat major: Part 2: Wieder langsam "Waldung, sie schwankt heran"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:07
4Symphony No. 8 in E-flat major: Part 2: Moderato "Ewiger Wonnebrand"
producer:
Wolfgang Stengel
solo baritone vocals [Pater Ecstaticus]:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
5Symphony No. 8 in E-flat major: Part 2: Allegro "Wie Felsenabgrund mir zu Füßen"
producer:
Wolfgang Stengel
solo bass vocals [Pater Profundus]:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
6Symphony No. 8 in E-flat major: Part 2: Allegro deciso "Gerettet ist das edle Glied" - "Hände verschlinget euch"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:53
7Symphony No. 8 in E-flat major: Part 2: Molto leggiero "Jene Rosen aus den Händen"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
8Symphony No. 8 in E-flat major: Part 2: Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:24
9Symphony No. 8 in E-flat major: Part 2: Im Anfang noch etwas gehalten "Ich spür' soeben" - "Hier ist die Aussicht frei"
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:10
10Symphony No. 8 in E-flat major: Part 2: Sempre l'istesso tempo "Höchste Herrscherin der Welt"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:07
11Symphony No. 8 in E-flat major: Part 2: Äußerst langsam. Adagissimo "Dir, der Unberührbaren" - "Du schwebst zu Höhen"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:29
12Symphony No. 8 in E-flat major: Part 2: Fließend "Bei der Liebe" - "Bei dem Bronn" - "Bei dem hochgeweihten Orte"
producer:
Wolfgang Stengel
solo alto vocals [Maria Aegyptiaca]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo alto vocals [Mulier Samaritana]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Magna Peccatrix]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:21
13Symphony No. 8 in E-flat major: Part 2: Una poenitentium "Neige, neige du Ohnegleiche"
producer:
Wolfgang Stengel
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:58
14Symphony No. 8 in E-flat major: Part 2: Unmerklich frischer "Er überwächst uns schon"
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:46
15Symphony No. 8 in E-flat major: Part 2: Una poenitentium "Vom edlen Geisterchor" - "Komm! Hebe dich" - "Blicket auf zum Retterblick"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:03
16Symphony No. 8 in E-flat major: Part 2: Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis"
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:21