Messiah

~ Release by Handel; King's College Choir (see all versions of this release, 1 available)

Annotation

Note http://messiah-guide.com/cleobury.html. This is a 1993 recording, not the same as the live 1993 one with similar forces .

Annotation last modified on 2019-03-08 17:44 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messiah: All they that see him, laugh him to scorn
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:49
2Messiah: He trusted in god that he would deliver him
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:25
3Messiah: Thy rebuke hath broken his heart
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:51
4Messiah: Behold, and see if there be any sorrow
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:27
5Messiah: He was cut out of the land of the living
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
6Messiah: But thou didst not leave his soul in hell
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
7Messiah: Lift up your heads, o ye gates
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:18
8Messiah: Unto which of the angels said he at any time
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:21
9Messiah: Let all the angels of God worship him
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:36
10Messiah: Thou art gone up on high
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
contralto vocals:
Hilary Summers (contralto) (from 1989-03-14 until 1989-03-16, from 1992-12-16 until 1992-12-18)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:14
11Messiah: The lord gave the word
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:13
12Messiah: How beautiful are the feet of them
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
13Messiah: Their sound is gone out into all lands
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
14Messiah: Why do the nations so furiously rage
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
bass vocals:
Alastair Miles (operatic bass) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
15Messiah: Let us break their bonds asunder
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:54
16Messiah: He that dwelleth in heaven
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:11
17Messiah: Thou shalt break them with a rod of iron
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:09
18Messiah: Hallelujah
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:05
19Messiah: I know that my redeemer liveth
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:57
20Messiah: Since by man came death
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:02
21Messiah: Behold, I tell you a mystery
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
bass vocals:
Alastair Miles (operatic bass) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:36
22Messiah: The trumpet shall sound
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
bass vocals:
Alastair Miles (operatic bass) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:44
23Messiah: Then shall be brought to pass
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
contralto vocals:
Hilary Summers (contralto) (from 1989-03-14 until 1989-03-16, from 1992-12-16 until 1992-12-18)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:18
24Messiah: O death, where is thy sting?
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
contralto vocals:
Hilary Summers (contralto) (from 1989-03-14 until 1989-03-16, from 1992-12-16 until 1992-12-18)
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:09
25Messiah: But thanks be to God
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:21
26Messiah: If God be for us
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:19
27Messiah: Worthy is the lamb that was slain
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:36
28Messiah: Amen
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:51