Serse, HWV 40

~ Release by George Frideric Handel; Les Arts Florissants, William Christie (see all versions of this release, 2 available)

Annotation

Copyright: A Warner Classics/Erato release, © 2004 Parlophone Records Limited
A Warner Classics/Erato release, ℗ 2004 Parlophone Records Limited

Annotation last modified on 2025-01-30 15:07 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Serse, HWV 40: Overture
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Overtura (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
George Frideric Handel4:48
2Serse, HWV 40: Act 1, Scene 1: Accompagnato. "Frondi tenere" (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:43
3Serse, HWV 40: Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:24
4Serse, HWV 40: Act 1, Scene 2: Recitativo. "Siam giunti, Elviro" (Elviro, Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Siam giunti, Elviro” (Arsamene, Elviro) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:25
5Serse, HWV 40: Act 1, Scene 2: Sinfonia - Recitativo. "Sento un soave concento" (Arsamene, Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 3. Sinfonia e Recitativo “Sento un soave concento” (Arsamene, Elviro, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:58
6Serse, HWV 40: Act 1, Scene 2: Arioso e Recitativo. "O voi che penate!" - "Un Serse mirate" (Romilda, Arsamene, Elviro, Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 4. Arioso e Recitativo “O voi, che penate!” (Romilda, Elviro, Arsamene, Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:08
7Serse, HWV 40: Act 1, Scene 3: Recitativo. "Arsamene. Mio Sire?" (Serse, Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Mio Sire!” (Serse, Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:18
8Serse, HWV 40: Act 1, Scene 3: Aria. "Và godendo vezzoso e bello" (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 5. Aria “Va godendo vezzoso e bello” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:52
9Serse, HWV 40: Act 1, Scene 3: Recitativo. "Quel canto a un bel amor" (Serse, Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Quel canto a un bel amor” (Serse, Arsemene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:17
10Serse, HWV 40: Act 1, Scene 3: Aria. "Io le dirò che l'amo" - "Tu le dirai che l'ami" (Serse, Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 6. Aria “lo le diro che l'amo” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
live recording of:
Serse, HWV 40: Atto I. Aria “Tu le dirai che l'ami” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:20
11Serse, HWV 40: Act 1, Scene 4: Recitativo. "Arsamene! Romilda, oh Dei!" (Romilda, Arsamene, Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Romilda” (Romilda, Arsamene, Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:06
12Serse, HWV 40: Act 1, Scene 4: Aria. "Sì, sì, mio ben, sì, sì" (Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 7. Aria “Si, si, mio ben, si, si” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:22
13Serse, HWV 40: Act 1, Scene 4: Recitativo. "Presto, Signor" (Elviro, Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live partial recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:05
14Serse, HWV 40: Act 1, Scene 5: Recitativo. "Come, qui, Principessa" (Serse, Romilda, Arsamene, Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live partial recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:08
15Serse, HWV 40: Act 1, Scene 5: Aria. "Meglio in voi col mio partire" (Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 8. Aria “Meglio in voi col mio partire” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:21
16Serse, HWV 40: Act 1, Scene 6: Recitativo. "Bellissima Romilda" (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Bellissima Romilda” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:28
17Serse, HWV 40: Act 1, Scene 6: Aria. "Di tacere e di schernirmi" (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 9. Aria “Di tacere e di schernirmi” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:56
18Serse, HWV 40: Act 1, Scene 7: Recitativo. "Aspide sono" (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Aspide sono, a' detti tuoi d'amore” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:13
19Serse, HWV 40: Act 1, Scene 7: Aria. "Nè men con l'ombre" (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 10. Aria “Né men con l'ombre d'infidelta” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:01
20Serse, HWV 40: Act 1, Scene 8: Aria. "Se cangio spoglia" (Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 11. Aria “Se cangio spolgia, non cangio core” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:50
21Serse, HWV 40: Act 1, Scene 9: Recitativo. "Pugnammo, amici" (Ariodate, Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Pugnammo, amici” (Ariodate, Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:18
22Serse, HWV 40: Act 1, Scene 10: Coro. "Già la tromba, che chiamo" (Chorus)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:38
23Serse, HWV 40: Act 1, Scene 10: Recitativo. "Ecco Serse, o che volto" (Amastre, Serse, Ariodate)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Ecco Serse, o che volto, o che splendore!” (Amastre, Serse, Ariodate) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:54
24Serse, HWV 40: Act 1, Scene 10: Aria. "Soggetto al mio volere" (Ariodate)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 13. Aria “Soggetto al mio volere“ (Ariodate) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:50
25Serse, HWV 40: Act 1, Scene 10: Coro. "Già la tromba, che chiamo" (Chorus) [Reprise]
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:39
26Serse, HWV 40: Act 1, Scene 11: Recitativo. "Queste vittorie, io credo" (Serse, Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Queste vittorie, io credo” (Serse, Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:32
27Serse, HWV 40: Act 1, Scene 11: Aria. "Più che penso alle fiamme" (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 14. Aria “Piu che penso alle fiamme del core” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel6:28
28Serse, HWV 40: Act 1, Scene 12: Recitativo. "Eccoti il foglio, Elviro" (Arsamene, Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Eccoti Il foglio, Elviro” (Arsamene, Elviro) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:38
29Serse, HWV 40: Act 1, Scene 12: Arietta. "Signor, Signor, lasciate far a me" (Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 15. Arietta “Signor, signor, lasciate far a me” (Elviro) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:32
30Serse, HWV 40: Act 1, Scene 12: Aria. "Non so se sia la speme" (Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 16. Aria “Non so, se sia la speme” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:03
31Serse, HWV 40: Act 1, Scene 13: Recitativo. "Tradir di reggia sposa" (Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Tradir si reggia sposa la fe promessa?” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:17
32Serse, HWV 40: Act 1, Scene 13: Aria. "Saprà delle mie offese" (Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 17. Aria “Sapra delle mie offese ben vendicarsi il cor” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:23
33Serse, HWV 40: Act 1, Scene 14: Recitativo. "Al fin sarete sposa" (Atalanta, Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Al fin sarete sposa al vostro Serse” (Atalanta, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:05
34Serse, HWV 40: Act 1, Scene 14: Aria. "Se l'idol mio rapir mi vuoi" (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 18. Aria “Se l'idol mio rapir mi vuoi, cangia desio” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:04
35Serse, HWV 40: Act 1, Scene 15: Recitativo. "Per rapir quel tesoro" (Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Per rapir quel tesoro” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:16
36Serse, HWV 40: Act 1, Scene 15: Aria. "Un cenno leggiadretto" (Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:59
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