The Complete EMI Recordings 1946–1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶ CD 1: Opera Arias (1947)
▶ CD 2: Choruses / Rosenkavalier And Salome Excerpts.
▶ CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
▶ CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 7: Salome (Wiener Philharmoniker)
▶ CD 8: Salome (Wiener Philharmoniker)
▶ CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶ CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶ CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶ CD 15: Missa Solemnis in D major
▶ CD 16: Missa Solemnis in D major, Mozart, Strauss
▶ CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft’s School, Philharmonia Orchestra)
▶ CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶ CD 22: Arias and Orchestral Music – 1954
▶ CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶ CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶ CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶ CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft’s School)
▶ CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶ CD 32: Fidelio (Berliner Philharmoniker)
▶ CD 33: Fidelio (Berliner Philharmoniker)
▶ CD 34: Missa Solemnis in D major
▶ CD 35: Ein deutsches Requiem, Op. 45
▶ CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶ CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶ CD 41: Don Carlo (1884 4 Act Version)
▶ CD 42: Don Carlo (1884 4 Act Version)
▶ CD 43: Don Carlo (1884 4 Act Version)
▶ CD 44: Otello (Berliner Philharmoniker)
▶ CD 45: Otello (Berliner Philharmoniker)
▼ CD 46: Il Trovatore (Berliner Philharmoniker)
#TitleArtistRatingLength
1Il Trovatore: Act I, Scene I. "All'erta! All'erta!"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:54
2Il Trovatore: Act I, Scene I. "Di due figle vivea padre beato"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:44
3Il Trovatore: Act I, Scene I. "Abbietta zingara, fosca vegliarda!"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:51
4Il Trovatore: Act I, Scene I. "Brevi e tristi giorni visse"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:58
5Il Trovatore: Act I, Scene I. "Sull'orlo dei tetti"
producer:
Michel Glotz
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:26
6Il Trovatore: Act I, Scene II. "Che più t'arresti?"
producer:
Michel Glotz
mezzo-soprano vocals [Ines]:
Maria Venuti (soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:33
7Il Trovatore: Act I, Scene II. "Tacea la notte"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi4:04
8Il Trovatore: Act I, Scene II. "Quanto narrasti di turbamento"
producer:
Michel Glotz
mezzo-soprano vocals [Ines]:
Maria Venuti (soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:49
9Il Trovatore: Act I, Scene II. "Di tale amor"
producer:
Michel Glotz
mezzo-soprano vocals [Ines]:
Maria Venuti (soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:49
10Il Trovatore: Act I, Scene II. "Tace la notte!"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:09
11Il Trovatore: Act I, Scene II. "Il Trovator! lo Fermo!" ... "Deserto sulla terra"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:35
12Il Trovatore: Act I, Scene II. "Anima mia!" ... "Piu dell'usato"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:53
13Il Trovatore: Act I, Scene II. "Di geloso amor sprezzato"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:47
14Il Trovatore: Act II, Scene I. "Vedi le fosche notturne"
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:57
15Il Trovatore: Act II, Scene I. "Stride la vampa!"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:56
16Il Trovatore: Act II, Scene I. "Mesta è la tua canzon!"
producer:
Michel Glotz
bass vocals [un vecchio zingaro]:
Martin Egel (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:05
17Il Trovatore: Act II, Scene I. "Soli or siamo"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:56
18Il Trovatore: Act II, Scene I. "Condotta ell'era in ceppi"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:27
19Il Trovatore: Act II, Scene I. "Non son tuo figlio!"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:24
20Il Trovatore: Act II, Scene I. "Mal reggendo all'aspro assalto"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:21
21Il Trovatore: Act II, Scene I. "L'usato messo Ruiz invia!" ... "Mi vendica!"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:23
22Il Trovatore: Act II, Scene I. "Perigliarti ancor languente"
producer:
Michel Glotz
mezzo-soprano vocals [Azucena]:
Elena Obraztsova (mezzo-soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:19
23Il Trovatore: Act II, Scene II. "Tuuto è deserto"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:36
24Il Trovatore: Act II, Scene II. "Il balen del suo sorriso"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:36
25Il Trovatore: Act II, Scene II. "Qual suono! Oh ciel"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:44
26Il Trovatore: Act II, Scene II. "Per me ora fatale"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:53
27Il Trovatore: Act II, Scene II. "Ah! se l'error t'ingombra"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:09
28Il Trovatore: Act II, Scene II. "Perché piangete" ... "O dolci amiche"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
mezzo-soprano vocals [Ines]:
Maria Venuti (soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:29
29Il Trovatore: Act II, Scene II. "E deggio e posso crederlo?"
producer:
Michel Glotz
baritone vocals [Conte Luna]:
Piero Cappuccilli (baritone) (in 1977-09)
bass vocals [Ferrando]:
Ruggero Raimondi (bass-baritone) (in 1977-09)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1977-09)
mezzo-soprano vocals [Ines]:
Maria Venuti (soprano) (in 1977-09)
soprano vocals [Leonora]:
Leontyne Price (soprano) (in 1977-09)
tenor vocals [Manrico]:
Franco Bonisolli (tenor) (in 1977-09)
tenor vocals [Ruiz]:
Horst Nitsche (in 1977-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1977-09)
conductor:
Herbert von Karajan (conductor) (in 1977-09)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1977-09)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (in 1977-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:46
▶ CD 47: Il Trovatore (Berliner Philharmoniker)
▶ CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶ CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶ CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶ CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶ CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶ CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶ CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶ CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶ CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶ CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶ CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶ CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie‐Orchester Berlin)
▶ CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶ CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶ CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)