Complete Recordings on Deutsche Grammophon & Decca

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Annotation

The new recordings on this all need to be merged: I believe there is no or very little new material in this box. I'm just submitting it now because I'm scared my browser will crash and I'll lose all this work.

EDIT 10/23 Looks like recordings are all in shape now!

Annotation last modified on 2024-10-23 17:06 UTC.

Tracklist

▶ CD 1: Beethoven - Symphonies 1 & 3
▶ CD 2: Beethoven - Symphonies 2 & 4
▶ CD 3: Beethoven - Symphonies 5 & 6
▶ CD 4: Beethoven - Symphonies 7 & 8
▶ CD 5: Beethoven - Symphony no. 9
▶ CD 6: Beethoven - Overtures
▶ CD 7: Beethoven - Piano Concertos Nos. 3 & 4
▶ CD 8: Beethoven - Piano Concerto No. 5 "Emperor"
▶ CD 9: Beethoven - String Quartets Opp. 131 & 135
▶ CD 10: Beethoven - Missa Solemnis
▶ CD 11: Beethoven - Fidelio disc 1
▶ CD 12: Beethoven - Fidelio disc 2
▶ CD 13: Beethoven - Leonore 3 & Piano concerto no. 4
▶ CD 14: Beethoven - Symphony no. 5
▶ CD 15: Beethoven - Symphony no. 9
▶ CD 16: Bernstein's Final Concert
▶ CD 17: Bernstein - Symphony no. 1 "Jeremiah" / Chichester Psalms / Song of Songs
▶ CD 18: Bernstein - Symphony no. 2 "Age of Anxiety" & Symphony no. 3 "Kaddish"
▶ CD 19: Bernstein - Serenade / Fancy Free
▶ CD 20: Bernstein - Dybbuk suites 1 & 2
▶ CD 21: Bernstein - Songfest
▶ CD 22: Bernstein - Divertimento for Orchestra / A Musical Toast / Slava! / On the Town : 3 Dance Episodes / Facsimile
▶ CD 23: Bernstein - Halil; Three Meditations From "Mass"; Symphonic Suite From "On The Waterfront"; Prelude, Fugue & Riffs
▶ CD 24: Gershwin: Rhapsody in Blue / Bernstein - West Side Story Symphonic Dances
▶ CD 25: Del Tredici - Tattoo / Rorem - Violin Concerto / Bernstein - Concerto for Orchestra
▶ CD 26: Bernstein - Candide disc 1
▶ CD 27: Bernstein - Candide disc 2
▼ CD 28: Bernstein - West Side Story
#TitleRatingLength
1West Side Story: Act I: 1. Prologue
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Prologue (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story
4:07
2West Side Story: Act I: 2. Jet Song (Riff, Jets)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
vocals:
Stephen Bogardus (on 1984-09-07), David Livingston (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Jet Song (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
3:13
3West Side Story: Act I: 3. Something's Coming (Tony)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Something’s Coming (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
2:35
4West Side Story: Act I: 4. The Dance at the Gym | Blues
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Blues (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
1:46
5West Side Story: Act I: Promenade
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Promenade (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
0:27
6West Side Story: Act I: Mambo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Mambo (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
2:23
7West Side Story: Act I: Cha-Cha
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Cha-Cha (on 1984-09-07)
composer:
Leonard Bernstein
quotes music from:
West Side Story: Maria (Tony)
part of:
West Side Story: The Dance at the Gym
0:53
8West Side Story: Act I: Meeting Scene (Tony, Maria)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
spoken vocals [Maria]:
Nina Bernstein (on 1984-09-07)
spoken vocals [Tony]:
Alexander Bernstein (actor/composer) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Meeting Scene (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
1:27
9West Side Story: Act I: Jump
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Jump (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
0:51
10West Side Story: Act I: 5. Maria (Tony) (Tony, Maria)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Maria (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
2:58
11West Side Story: Act I: 6. Balcony Scene (Tonight) (Tony, Maria)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
spoken vocals [Maria]:
Nina Bernstein (on 1984-09-07)
spoken vocals [Tony]:
Alexander Bernstein (actor/composer) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight (Maria, Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
7:33
12West Side Story: Act I: 7. America (Anita, Rosalia, Girls)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: America (Anita, Shark Girls) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
4:49
13West Side Story: Act I: 8. Cool (Riff, Jets)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Cool (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
4:40
14West Side Story: Act I: 9. One Hand, One Heart (Tony, Maria)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: One Hand, One Heart (Tony, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
5:40
15West Side Story: Act I: 10. Tonight (Ensemble) (Riff, Bernardo, Anta, Tony, Martia, Sharks, Jets)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
vocals:
Richard Harrell (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
3:43
16West Side Story: Act I: 11. The Rumble
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Rumble (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story
3:03
17West Side Story: Act II: 12. I Feel Pretty (Maria, Girls)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
soprano vocals [Consuela]:
Stella Zambalis (spinto soprano) (on 1984-09-07)
soprano vocals [Francisca]:
Angelina Réaux (US soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Feel Pretty (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:25
18West Side Story: Act II: 13. Ballet Sequence (Beg.) | (Tony, Maria)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Intro to Ballet (Tony and Maria) (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: Ballet Sequence
1:06
19West Side Story: Act II: Transition to Scherzo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Transition to Scherzo (instrumental) (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: Ballet Sequence
0:29
20West Side Story: Act II: Scherzo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Scherzo (instrumental) (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: Ballet Sequence
1:31
21West Side Story: Act II: Somewhere (A Girl)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:37
22West Side Story: Act II: Procession and Nightmare (Entire Company)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks) (on 1984-09-07)
composer:
Leonard Bernstein
quotes lyrics from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
part of:
West Side Story: Ballet Sequence
3:14
23West Side Story: Act II: 14. Gee, Officer Krupke (Jets)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
vocals:
Stephen Bogardus (on 1984-09-07), Todd Lester (on 1984-09-07), David Livingston (on 1984-09-07), Marty Nelson (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Gee, Officer Krupke! (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
4:20
24West Side Story: Act II: 15. A Boy Like That (Anita, Maria)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: A Boy Like That (Anita, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
2:06
25West Side Story: Act II: I Have A Love (Maria, Anita)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Have a Love (Maria, Anita) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:30
26West Side Story: Act II: 16. Taunting Scene
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Taunting Scene (on 1984-09-07)
composer:
Leonard Bernstein
quotes music from:
West Side Story: The Dance at the Gym: Mambo
quotes music from:
West Side Story: America (Anita, Shark Girls)
part of:
West Side Story
1:25
27West Side Story: Act II: 17. Finale (Maria, Tony)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Finale (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
part of:
West Side Story
2:36
▶ CD 29: Bernstein - A Quiet Place disc 1
▶ CD 30: Bernstein - A Quiet Place disc 2
▶ CD 31: Bizet - Carmen disc 1
▶ CD 32: Bizet - Carmen disc 2
▶ CD 33: Brahms - Symphony no. 1
▶ CD 34: Brahms - Symphony no. 2
▶ CD 35: Brahms - Symphony no. 3
▶ CD 36: Brahms - Symphony no. 4
▶ CD 37: Brahms - Piano concerto no. 1
▶ CD 38: Brahms - Piano concerto no. 2
▶ CD 39: Brahms - Violin Concerto / Double Concerto
▶ CD 40: Bruckner - Symphony no. 9
▶ CD 41: Copland - Appalachian Spring Suite / Schuman - American Festival Overture / Barber - Adagio for Strings / Bernstein - Candide Overture
▶ CD 42: Copland - Symphony no. 3 / Quiet City
▶ CD 43: Copland - El Salón México / Concerto for Clarinet and String Orchestra / Music for the Theatre / Connotations for Orchestra
▶ CD 44: Debussy - Images / Prélude ... faune / La Mer
▶ CD 45: Dvořák - Symphony no. 9 / Slavonic Dances
▶ CD 46: Dvořák - Cello concerto / Bloch - Schelomo
▶ CD 47: Elgar - Enigma Variations / Pomp and Circumstances Marches / Crown of India
▶ CD 48: Franck - Symphony in D minor / Saint-Saëns - Le Rouet d'Omphale / Roussel - Symphony no. 3
▶ CD 49: Harris - Symphony no. 3 / William Schuman - Symphony no. 3
▶ CD 50: Haydn - Symphonies nos. 88 & 92
▶ CD 51: Haydn - Symphony no. 94 "Surprise" / Sinfonia concertante
▶ CD 52: Haydn - The Creation disc 1
▶ CD 53: Haydn - The Creation disc 2
▶ CD 54: Haydn - Symphony no. 102 / Mass in Time of War
▶ CD 55: Hindemith - Mathis der Maler / Concert Music for String Orchestra and Brass / Symphonic Metamorphoses
▶ CD 56: Ives - Symphony no. 2 / The Unanswered Question / etc.
▶ CD 57: Liszt - Faust Symphony
▶ CD 58: Boito - Mefistofele
▶ CD 59: Mahler - Symphony no. 1
▶ CD 60: Mahler -Symphony no. 2 disc 1
▶ CD 61: Mahler -Symphony no. 2 disc 2
▶ CD 62: Mahler - Symphony no. 3 disc 1
▶ CD 63: Mahler - Symphony no. 3 disc 2
▶ CD 64: Mahler - Symphony no. 4
▶ CD 65: Mahler - Symphony no. 5
▶ CD 66: Mahler - Symphony no. 6 disc 1
▶ CD 67: Mahler - Symphony no. 6 disc 2
▶ CD 68: Mahler - Symphony no. 7 disc 1
▶ CD 69: Mahler - Symphony no. 7 disc 2
▶ CD 70: Mahler - Symphony no. 10 (Adagio) / Symphony no. 8 disc 1
▶ CD 71: Mahler - Symphony no. 8 disc 2
▶ CD 72: Mahler - Symphony no. 9 disc 1 (Concertgebouworkest)
▶ CD 73: Mahler - Symphony no. 9 disc 2 (Concertgebouworkest)
▶ CD 74: Mahler - Symphony no. 9 (Berliner Philharmoniker)
▶ CD 75: Mahler - Das Lied von der Erde
▶ CD 76: Mahler - Des Knaben Wunderhorn
▶ CD 77: Mahler - Orchestral Songs
▶ CD 78: Mendelssohn - Hebrides Overture / Symphony no. 3
▶ CD 79: Mendelssohn - Symphony no. 4 & 5
▶ CD 80: Mozart - Symphony nos. 25 & 29 / Clarinet Concerto
▶ CD 81: Mozart - Symphony nos. 35 & 41
▶ CD 82: Mozart - Symphony nos. 36 & 38
▶ CD 83: Mozart - Symphony nos. 39 & 40
▶ CD 84: Mozart - Piano concerto no. 15 & Symphony no. 36
▶ CD 85: Mozart - Piano concerto no. 17 / Ravel - G major Piano concerto
▶ CD 86: Mozart - Ave verum corpus / Exsultate, jubilate / Great Mass in C minor
▶ CD 87: Mozart - Requiem
▶ CD 88: Puccini - La Boheme disc 1
▶ CD 89: Puccini - La Boheme disc 2
▶ CD 90: Schubert - Symphony nos. 8 & 5
▶ CD 91: Schubert - Symphony no. 9
▶ CD 92: Schumann - Symphony nos. 1 & 4
▶ CD 93: Schumann - Symphony no. 2 / Cello concerto
▶ CD 94: Schumann - Symphony no. 3 / Piano concerto
▶ CD 95: Shostakovich - Symphony nos. 1 & 7 disc 1
▶ CD 96: Shostakovich - Symphony no. 7 disc 2
▶ CD 97: Shostakovich - Symphony nos. 6 & 9
▶ CD 98: Sibelius - Symphony no. 1
▶ CD 99: Sibelius - Symphony no. 2
▶ CD 100: Sibelius - Symphony nos. 5 & 7
▶ CD 101: Strauss
▶ CD 102: Stravinsky - Firebird / Pulcinella
▶ CD 103: Stravinsky - Petrouchka / Scenes de Ballet
▶ CD 104: Stravinsky - Rite of Spring
▶ CD 105: Stravinsky - Symphonies
▶ CD 106: Stravinsky - Les Noces / Mass
▶ CD 107: Tchaikovsky - Symphony no. 4 / Francesca da Rimini
▶ CD 108: Tchaikovsky - Symphony no. 5 / Romeo and Juliet
▶ CD 109: Tchaikovsky - Symphony no. 6
▶ CD 110: Tchaikovsky - Romeo and Juliet / Francesca da Rimini
▶ CD 111: Tchaikovsky - Hamlet / Slavonic March / Capriccio Italien / 1812 Overture
▶ CD 112: Wagner - Tristan und Isolde disc 1
▶ CD 113: Wagner - Tristan und Isolde disc 2
▶ CD 114: Wagner - Tristan und Isolde disc 3
▶ CD 115: Wagner - Tristan und Isolde disc 4
▶ CD 116: Beethoven - Symphony no. 3 & Analysis pt. 1
▶ CD 117: Beethoven - Symphony no. 3 Analysis pt. 2 / Dvorak - Symphony no. 9 & Analysis
▶ CD 118: Schumann - Symphony no. 2 & Analysis
▶ CD 119: Brahms - Symphony no. 4 & Analysis
▶ CD 120: Tchaikovsky - Symphony no. 6 & Analysis
▶ CD 121: Bernstein - Fancy Free & On the Town selections
▶ DVD-Video 122
▶ Blu-ray 123

Credits

Release group

includes:Carmen (1972 studio cast) by Georges Bizet (composer); Marilyn Horne (American operatic mezzo-soprano), James McCracken (tenor), Adriana Maliponte (soprano), Tom Krause (bass-baritone), Manhattan Opera Chorus, Metropolitan Opera Orchestra, Leonard Bernstein
La Mer / Images / Prélude à l'après-midi d'un faune by Debussy (composer); Orchestra dell'Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Leonard Bernstein
West Side Story (1984 studio cast) by Leonard Bernstein; Kiri Te Kanawa (soprano), José Carreras (Spanish tenor), Tatiana Troyanos (mezzo-soprano), Kurt Ollmann (baritone), Marilyn Horne (American operatic mezzo-soprano)