I Love the 70s: Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1She's Always a Woman
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone
acoustic guitar:
Steve Burgh (in 1977) and Hugh McCracken (in 1977)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
flute:
Richie Cannata (in 1977)
piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
music videos:
She’s Always a Woman by Billy Joel (American singer-songwriter and pianist)
recording of:
She’s Always a Woman (in 1977)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel3.93:22
2At Seventeen
engineer:
Larry Alexander (producer/engineer), Brooks Arthur and Russ Payne
producer:
Brooks Arthur
acoustic guitar:
Al Gorgoni, Janis Ian and Dave Snider (guitarist)
classical guitar:
Sal DiTroia and Janis Ian
double bass:
Richard Davis (American jazz bassist)
drums (drum set) and percussion:
Barry Lazarowitz
flugelhorn:
Burt Collins
valve trombone:
Alan Raph
lead vocals:
Janis Ian
horn arranger:
Janis Ian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
At Seventeen
lyricist and composer:
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. and Mine Music Ltd.
Janis Ian4.254:43
3Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music Co.
Dan Fogelberg3.53:17
4Dog & Butterfly
producer:
Mike Fisher (producer), Mike Flicker and Heart (rock band, Ann and Nancy Wilson)
recording of:
Dog & Butterfly
writer:
Sue Ennis, Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
Know Music and Strange Euphoria Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart5:03
5Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc. and Kirshner CBS Music Publishing
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas4.053:28
6I Go Crazy
producer:
Phil Benton and Paul Davis (American singer)
vocals:
Paul Davis (American singer)
phonographic copyright (℗) by:
Bang Records (Bert Berns label) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recording of:
I Go Crazy
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC and Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:55
7After the Love Has Gone
producer:
Maurice White (Earth, Wind & Fire)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
writer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music Inc., Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.354:26
8Never Let Her Slip Away
assistant engineer:
George Ybara
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Andrew Gold and Brock Walsh (singer, producer, songwriter)
percussion:
Andrew Gold (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
synthesizer:
Andrew Gold (in 1978)
background vocals:
Andrew Gold (in 1978), John David Souther (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at and mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:28
9You Take My Breath Away
recording of:
You Take My Breath Away
lyricist:
Bruce Hart (US songwriter)
composer:
Stephen Lawrence (composer)
publisher:
SJL Music Co.
Rex Smith53:13
10The Closer I Get to You
executive producer:
Ahmet Ertegun (US American Songwriter, producer)
producer:
Joe Ferla, Roberta Flack and Gene McDaniels
vocals:
Donny Hathaway
recording of:
The Closer I Get to You
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Ensign Music Corporation and Scarab Publıshıng Corporatıon
Roberta Flack & Donny Hathaway4:42
11We're All Alone
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
acoustic guitar:
Louie Shelton (in 1975-09)
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
We’re All Alone (in 1975-09)
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs24:13
12Love and Other Bruises
producer:
Peter Dawkins and Jimmy Horowitz
arranger:
Jimmy Horowitz
phonographic copyright (℗) by:
Australian Record Company Ltd. (in 1976), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1976), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1976) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
arranged for and produced for:
Gaff Music Inc.
recording of:
Love and Other Bruises
lyricist and composer:
Graham Russell (Air Supply)
publisher:
EMI Songs Australia Pty. Ltd.
Air Supply3:42
13Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:27
14Falling
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 79)
LeBlanc and Carr3:13
15The Water Is Wide
recording engineer:
Greg Ladanyi and Jim Nipar
assistant engineer:
Ernie Sheesly (engineer)
producer:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
mixer:
Greg Ladanyi
accordion:
Garth Hudson
acoustic guitar:
Karla Bonoff (singer-songwriter) and James Taylor (singer-songwriter and guitarist)
bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
background vocals:
John David Souther and James Taylor (singer-songwriter and guitarist)
lead vocals:
Karla Bonoff (singer-songwriter)
arranger:
Karla Bonoff (singer-songwriter), Frank Hamilton (folk musician) and Pete Seeger
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
recorded at and mixed at:
The Sound Factory (1969–1980) in Los Angeles, California, United States
recording of:
The Water Is Wide (arr. Karla Bonoff & Frank Hamilton)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Karla Bonoff (singer-songwriter) and Frank Hamilton (folk musician)
publisher:
Seagrape Music and 大洋音楽 (Taiyō Music)
arrangement of:
The Water Is Wide (18th Century shanty)
Karla Bonoff4:57
16Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:06
17(What a) Wonderful World
assistant engineer:
Steve Brandon
engineer:
Baker Bigsby, Paul Christiansen (engineer) and Fred Meijer (Irish engineer)
producer:
Phil Ramone
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
bass guitar:
Tony Levin (US rock bassist/Chapman Stick)
cymbal [cymbals]:
Craig Krampf
drums (drum set):
Rick Shlosser (drummer) and Stephen Gadd (drummer)
electric guitar:
Hugh McCracken
electric piano:
Richard Tee
handclaps:
Thomas La Tondre
percussion:
Ralph MacDonald
background vocals:
Jay Clayton (American avant-garde jazz vocalist and educator), Fred Farell, Carol Flamm, Ed Hasselbrink, Shelley Hirsch, Alexandra Stavrou and The Voice Group
choir vocals:
The Oklahoma Baptist University Chorale
vocals:
Art Garfunkel, Paul Simon (of Simon & Garfunkel) and James Taylor (singer-songwriter and guitarist)
additional chorus master:
Richard Greenberg
chorus master:
James D. Woodward (one‐time dean of Oklahoma Baptist University)
strings arranger:
Christopher Dedrick
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 until 1978)
cover recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Art Garfunkel3:24
18Ain't No Way to Treat a Lady
cover recording of:
Ain't No Way to Treat a Lady
lyricist and composer:
Harriet Schock
Helen Reddy3:26
19I Write the Songs
Brian Johnston4:05
20I'd Like to Teach the World to Sing (In Perfect Harmony)
producer:
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
writer:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis and Roger Greenaway
publisher:
PolyGram Music Publishing
version of:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:22

Credits

Release

distributed by:Sony Music Asia