La Gaïté Offenbach

~ Release by Jacques Offenbach; Régine Crespin, Joan Sutherland, Plácido Domingo (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1La Fille du tambour-major : Ouverture
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La Fille du tambour-major : Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
La Fille du tambour-major
Richard Bonynge6:48
2Robinson Crusoé : Conduisez-moi vers celui que j’adore
soprano vocals:
Joan Sutherland (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Robinson Crusoë: Acte II, 2ème tableau,, scène 14C: Valse d’Edwige “Conduisez‐moi vers celui que j’adore”
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Eugène Cormon and Hector Crémieux
part of:
Robinson Crusoé
Richard Bonynge, Dame Joan Sutherland4:17
3La Périchole : Ah ! Quel dînerRégine Crespin, Alain Lombard2:16
4La Périchole : Tu n’es pas beau … Je t’adore
vocals:
Régine Crespin (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Alain Lombard (conductor)
recording of:
La Périchole: Acte III, Premier tableau. No 17b Couplets de l'aveu « Tu n'es pas beau, tu n'es pas riche … »
composer:
Jacques Offenbach (German-French composer, cellist and impresario) (in 1874)
librettist:
Ludovic Halévy (French librettist) (in 1874) and Henri Meilhac (in 1874)
part of:
La Périchole: Acte III
Régine Crespin, Alain Lombard3:31
5Le Papillon : Acte 1 - Scéne 2 - II: Valse des rayons
recording engineer:
John Dunkerley (engineer) (from 1972-01-24 until 1972-01-26)
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (from 1972-01-24 until 1972-01-26)
conductor:
Richard Bonynge (conductor and pianist) (from 1972-01-24 until 1972-01-26)
balance engineer:
Kenneth Wilkinson (engineer) (from 1972-01-24 until 1972-01-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-01-24 until 1972-01-26)
recording of:
Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons (from 1972-01-24 until 1972-01-26)
composer:
Jacques Offenbach (German-French composer, cellist and impresario) (in 1860)
part of:
Le Papillon
Richard Bonynge4:37
6Le Papillon : Acte 2 - Scène 1 - I
recording engineer:
John Dunkerley (engineer) (from 1972-01-24 until 1972-01-26)
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (from 1972-01-24 until 1972-01-26)
conductor:
Richard Bonynge (conductor and pianist) (from 1972-01-24 until 1972-01-26)
balance engineer:
Kenneth Wilkinson (engineer) (from 1972-01-24 until 1972-01-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-01-24 until 1972-01-26)
recording of:
Le Papillon Act 2: Scene 1, Part 1 (from 1972-01-24 until 1972-01-26)
composer:
Jacques Offenbach (German-French composer, cellist and impresario) (in 1860)
part of:
Le Papillon
Richard Bonynge1:54
7Le Papillon : Acte 2 - Scène 1 - II
recording engineer:
John Dunkerley (engineer) (from 1972-01-24 until 1972-01-26)
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (from 1972-01-24 until 1972-01-26)
conductor:
Richard Bonynge (conductor and pianist) (from 1972-01-24 until 1972-01-26)
balance engineer:
Kenneth Wilkinson (engineer) (from 1972-01-24 until 1972-01-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-01-24 until 1972-01-26)
recording of:
Le Papillon Act 2: Scene 1, Part 2 (from 1972-01-24 until 1972-01-26)
composer:
Jacques Offenbach (German-French composer, cellist and impresario) (in 1860)
part of:
Le Papillon
Richard Bonynge7:24
8Orphée aux enfers : Ouverture
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1960-05)
conductor:
Ernest Ansermet (conductor) (in 1960-05)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1960-05)
recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (in 1960-05)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Ernest Ansermet9:10
9Les Contes d’Hoffmann : Belle nuit, ô nuit d’amour (Barcarolle)
choir vocals:
Choir of Pro Arte Lausanne, Choir of Radio Suisse Romande and Chorale du Brassus
mezzo-soprano vocals [Nicklausse]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals [Giulietta]:
Joan Sutherland (soprano)
orchestra:
Orchestra de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Dame Joan Sutherland, Huguette Tourangeau, Richard Bonynge4:12
10Les Contes d’Hoffmann : Les Oiseaux dans la charmille
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Suisse Romande (in 1972-06), Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
soprano vocals [Olympia]:
Joan Sutherland (soprano) (in 1972-06)
tenor vocals [Spalanzani]:
Jacques Charon (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Dame Joan Sutherland, Jacques Charon, Richard Bonynge5:07
11Les Contes d’Hoffmann : Va pour Kleinzach …
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
additional tenor vocals [Nathanael]:
Pedro di Proenza (in 1972-06)
choir vocals:
Chœur de la Suisse Romande (in 1972-06), Choeur du Brassus (in 1972-06) and Chœur Pro Arte de Lausanne (in 1972-06)
tenor vocals [Hoffmann]:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
chorus master:
André Charlet (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Plácido Domingo, Richard Bonynge5:30