| # | Title | Artist | Rating | Length |
|---|
| 1 | I'm Gonna Make It | Janice Tyrone | | 2:12 |
| 2 | Respect- recording engineer:
- Tom Dowd
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:29 |
| 3 | You Did Me Wrong (You Used Me for a Good Thing) | Priscilla Price | | 3:36 |
| 4 | I'll Get Along | Ann Peebles | | 2:12 |
| 5 | Your Good Thing (Is About to End) | Mable John | | 2:59 |
| 6 | Dirty Man | Laura Lee | | 2:58 |
| 7 | Seven Days | The Apollas | | 2:37 |
| 8 | You're the Dog | Irma Thomas | | 3:04 |
| 9 | Wedlock Is a Padlock | Laura Lee | | 3:11 |
| 10 | Soul Girl | Jeanne and the Darlings | | 2:32 |
| 11 | Women's Love Rights | Laura Lee | | 3:15 |
| 12 | The Day I Found Myself | Honey Cone | | 3:11 |
| 13 | Your Turn to Cry | Bettye LaVette | | 3:17 |
| 14 | Girls Can't Do What the Guys Do | Betty Wright | | 2:08 |
| 15 | Think (About It) | Lyn Collins | 3.75 | 3:26 |
| 16 | Where Would You Be Today | Ilana | | 3:20 |
| 17 | Needle in a Haystack | The Velvelettes | | 2:33 |
| 18 | Do Right Woman, Do Right Man- recording engineer:
- Rick Hall
- producer:
- Jerry Wexler
- bass guitar:
- Tommy Cogbill (on 1967-01-24)
- drums (drum set):
- Roger Hawkins (on 1967-01-24)
- guitar:
- Jimmy Johnson (on 1967-01-24)
- organ:
- Spooner Oldham (on 1967-01-24)
- piano:
- Aretha Franklin (from 1967-01-24 until 1967-01)
- background vocals:
- Carolyn Franklin (on 1967-01-24), Erma Franklin (on 1967-01-24) and Cissy Houston (on 1967-01-24)
- vocals:
- Aretha Franklin (from 1967-01-24 until 1967-01)
- conductor:
- Tom Dowd (on 1967-01-24)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (in 1967-01) and Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 473)
- recording of:
- Do Right Woman, Do Right Man (from 1967-01-24 until 1967-01)
- writer:
- Chips Moman and Dan Penn
- publisher:
- Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Aretha Franklin | 5 | 3:15 |
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