The Dark Knight (special edition)

~ Release by Hans Zimmer & James Newton Howard (see all versions of this release, 14 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Why So Serious?
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Why So Serious? (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer59:14
2I'm Not a Hero
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
I’m Not a Hero (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer56:35
3Harvey Two-Face
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Harvey Two-Face (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard46:17
4Aggressive Expansion
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Aggressive Expansion (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer54:36
5Always a Catch
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Always a Catch (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard51:40
6Blood on My Hands
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Blood on My Hands (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard42:17
7A Little Push
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
A Little Push (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard42:43
8Like a Dog Chasing Cars
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Like a Dog Chasing Cars (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer55:03
9I Am the Batman
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
I Am the Batman (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard42:00
10And I Thought My Jokes Were Bad
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
And I Thought My Jokes Were Bad (The Dark Knight)
composer:
Lorne Balfe (Scottish score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & Lorne Balfe52:29
11Agent of Chaos
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Agent of Chaos (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & James Newton Howard56:55
12Introduce a Little Anarchy
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Introduce a Little Anarchy (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer & Lorne Balfe4.53:43
13Watch the World Burn
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Watch the World Burn (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
James Newton Howard53:48
14A Dark Knight
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
A Dark Knight (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
Hans Zimmer516:15