Now That’s What I Call Music! 1988

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1With a Little Help From My Friends
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Wet Wet Wet2:39
2A Little Respect
engineer:
Bob Kraushaar
producer:
Stephen Hague
recording of:
A Little Respect
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure43:28
3Always on My Mind
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987, in 1991)
part of:
New York Post: 100 Greatest Covers (2007) (number: 42)
cover recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:53
4The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz2.653:59
5Theme From S-Express
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:55
6The Race
producer:
Yello (Swiss electronica duo)
recording of:
The Race
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Bavaria Sonor Musikverlag, Datasound AG and Warner Bros. Music (publisher; do NOT use as release label)
Yello3.653:18
7Pink Cadillac
cover recording of:
Pink Cadillac
lyricist and composer:
Bruce Springsteen (from 1981 until 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:28
8Get Outta My Dreams, Get Into My Car
recording of:
Get Outta My Dreams, Get Into My Car
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
Billy Ocean2.354:42
9Tell It to My Heart
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
Taylor Dayne3:36
10The Twist (Yo, Twist!)
producer:
Albert Cabrera and Tony Moran
keyboard:
Mac Quayle (US composer)
saxophone:
The NYC Kid
background vocals:
Craig Derry, Cindy Mizelle and Norma Jean Wright
lead vocals and other vocals [stupid def vocals]:
Chubby Checker
performer:
Chubby Checker
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1988)
produced for:
Latin Rascals Productions Inc.
recording of:
The Twist (Fat Boys version)
lyricist:
Hank Ballard and Jim "Jimbo" Glenn
composer:
Hank Ballard
is based on:
The Twist
Fat Boys2.354:06
11I Should Be So Lucky
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka "Mixmaster")
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present)
music videos:
I Should Be So Lucky by Kylie Minogue
recording of:
I Should Be So Lucky
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (from 1988 to present)
Kylie Minogue43:24
12I Want You Back
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:43
13I Think We're Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:46
14You Came
programming and producer:
Tony Swain (songwriter, producer) and Ricky Wilde
guitar:
Steve Byrd and Ricky Wilde
keyboard:
Tony Swain (songwriter, producer) and Ricky Wilde
background vocals:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2001)
recording of:
You Came
writer:
Kim Wilde and Ricky Wilde
Kim Wilde3.753:29
15Push It
part of:
Grammy Award: Best Rap Performance nominees (number: 1989), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 374) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 440)
recording of:
Push It
writer:
Hurby Azor and Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. and Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:28
16Big Fun
engineer and producer:
Kevin Saunderson
vocals:
Paris Grey
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recorded at:
KMS Studios in Detroit, Michigan, United States
recording of:
Big Fun
writer:
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) and Kevin Saunderson
publisher:
Drive On Publishing and Renaissance Infinity Music
Inner City23:21
17Tribute (Right On)
recording of:
Tribute (Right On)
writer:
The Pasadenas and Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) and Island Music Ltd. (in 1988)
The Pasadenas4:20
18Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:52
19Come Into My Life
recording of:
Come Into My Life
lyricist and composer:
Joyce Sims
publisher:
Beach House Music, Chelsea Music Publishing, Smokin' Amigos and Tawanne Lamont Music
Joyce Sims33:48
20Kiss
producer:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
lead vocals:
Tom Jones (Welsh pop singer)
performer:
Art of Noise
arranger:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
phonographic copyright (℗) by:
China Records (UK label founded by Derek Green) (in 1988)
samples:
Close (to the Edit) by Art of Noise, Dragnet by Art of Noise, Moments in Love by Art of Noise, Paranoimia (7″ mix) by The Art of Noise with Max Headroom (titular character from "Max Headroom") and Peter Gunn by The Art of Noise featuring Duane Eddy
cover recording of:
Kiss
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Tom Jones & Art of Noise33:31
▶ CD 2

Credits

Release group

part of:Now That’s What I Call Music! 10th Anniversary Series (UK) (number: 1988) (order: 6)