Don Carlos (white back tray card)

~ Release by Verdi; Plácido Domingo, Montserrat Caballé, Ruggero Raimondi, Shirley Verrett, Sherrill Milnes, Giovanni Foiani, Simon Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (see all versions of this release, 7 available)

Tracklist

▶ CD 1
▶ CD 2
▼ CD 3
#TitleArtistRatingLength
1Don Carlo: Atto IV, scena 1. ”Il Grand'Inquisitor”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, Scena I, No. 11. Scena: "Il Grand'Inquisitor!" (Lerma, L'Inquisitore, Filippo) by Ryland Davies (tenor), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 11. Scena: "Nell'ispano suol mai l'eresia dominò" (L'Inquisitore, Filippo) by Giovanni Foiani (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 11. Scena: "Mio padre, che tra noi la pace alberghi ancor" (L'Inquisitore, Filippo) by Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:07
2Don Carlo: Atto IV, scena 1. ”Giustizia, giustizia, Sire!”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:02
3Don Carlo: Atto IV, scena 1. ”Ardita troppo voi favellate!”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:59
4Don Carlo: Atto IV, scena 1. ”Ah! sii maledetto, sospetto fatale”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:35
5Don Carlo: Atto IV, scena 1. ”Pietà! Pietà! perdon!”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:48
6Don Carlo: Atto IV, scena 1. ”O don fatale, o don crudel”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto IV, scena 1. N°13. Scena ed aria: "Ah più non vedrò la Regina! O don fatale, o don crudel" (Eboli) by Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena I, No. 13. Scena ed aria: "O mia Regina, io t'immolai" (Eboli) by Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:02
7Don Carlo: Atto IV, scena 2. ”Son io, mio Carlo”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:32
8Don Carlo: Atto IV, scena 2. ”Per me giunto è il dì supremo - Oh Carlo ascolta, la madre...”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Per me giunto è il dì supremo" (Rodrigo) by Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Che parli tu di morte?" (Carlo, Rodrigo) by Plácido Domingo (tenor), Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "O Carlo, ascolta, la madre t'aspetta" (Rodrigo) by Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:43
9Don Carlo: Atto IV, scena 2. ”Io morrò ma lieto in core”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:39
10Don Carlo: Atto IV, scena 2. ”Mio Carlo, a te la spada io rendo”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
tenor vocals [Lerma]:
Ryland Davies (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:30
11Don Carlo: Atto V. ”Tu che le vanità”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
compilation of:
Don Carlo: Atto V, No. 15. Scena ed aria: Introduzione by Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Addio! Addio, bei sogni d'ôr" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) by Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi11:02
12Don Carlo: Atto V. ”È dessa!... Un detto, un sol”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "È dessa!" - "Un detto, un sol" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V. Scena, duetto d'addio e finale: "Vago sogno m'arrise!" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:07
13Don Carlo: Atto V. ”Ma lassù ci vedremo”
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
compilation of:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "Ma lassù ci vedremo" (Carlo, Elisabetta) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) and Don Carlo: Atto V. Scena, duetto d'addio e finale: "Sì, per sempre!" (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) by Montserrat Caballé (soprano), Plácido Domingo (tenor), Simon Estes (bass-baritone), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
partial recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:02