Madama Butterfly

~ Release by Giacomo Puccini; Renata Tebaldi, Giuseppe Campora, Nell Rankin, Giovanni Inghilleri, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede (see all versions of this release, 2 available)

Annotation

Recorded in 1951

Annotation last modified on 2014-09-19 16:55 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Madama Butterfly: Atto I. “…E soffitto e pareti…” (Pinkerton)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:10
2Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:14
3Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:29
4Madama Butterfly: Atto I. “America for ever” (Pinkerton)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:25
5Madama Butterfly: Atto I. “Ier l’altro il Consolato” (Sharpless)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:44
6Madama Butterfly: Atto I. “Ecco. Son giunte al sommo del pendìo” (Goro)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:41
7Madama Butterfly: Atto I. “Gran ventura” (Butterfly)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:41
8Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:14
9Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:28
10Madama Butterfly: Atto I. “Ieri son salita tutta sola in segreto alla Missione” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:00
11Madama Butterfly: Atto I. “Tutti zitti!” (Goro)
bass vocals [Il Commissario Imperiale]:
Michele Calvino (Italian bass-baritone) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:45
12Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche)
bass vocals [Bonzo]:
Fernando Corena (operatic bass) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini0:29
13Madama Butterfly: Atto I. “Cio‐cio‐san! Cio‐cio‐san!” (Il Bonzo)
bass vocals [Bonzo]:
Fernando Corena (operatic bass) (in 1951)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto I. “O Kami! O Kami!” … “Cio‐Cio‐San! Abbominazione!” (Bonzo, Goro, Pinkerton, parenti, amiche) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:43
14Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:03
15Madama Butterfly: Atto I. “Viene la sera” (Pinkerton)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini6:36
16Madama Butterfly: Atto I. “Vogliatemi bene” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:00
17Madama Butterfly: Atto II, parte 1. “E Izaghi ed Izanami” (Suzuki)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini7:12
18Madama Butterfly: Atto II, parte 1. “Un bel dì vedremo” (Butterfly)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:49
19Madama Butterfly: Atto II, parte 1. “C’è. Entrate” (Goro)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
baritone vocals [Yamadori]:
Melchiorre Luise (bass-baritone) (in 1951)
mezzo-soprano vocals [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:55
20Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
baritone vocals [Yamadori]:
Melchiorre Luise (bass-baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini0:53
21Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
baritone vocals [Yamadori]:
Melchiorre Luise (bass-baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
tenor vocals [Goro]:
Piero de Palma (tenor) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:58
22Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless)
baritone vocals [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
soprano vocals [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1951)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:15
▶ CD 2