| # | Title | Artist | Rating | Length |
|---|
| 1 | (I’ve Had) The Time of My Life- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, EMI April Music Inc., Marcu Music Company, Inc., Sony Music Publishing (Japan) Inc. , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 , フジパシフィックミュージック , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 60)
| Bill Medley & Jennifer Warnes | 3.85 | 4:49 |
| 2 | Respect- recording engineer:
- Tom Dowd
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:25 |
| 3 | The Animal Song- additional programming:
- Dan Shea
- drum machine and keyboard programming:
- Walter Afanasieff
- drum machine programming:
- Walter Afanasieff and Daniel Jones
- programming:
- Daniel Jones and Adam Rossi
- assistant engineer:
- Kent Matcke
- engineer:
- David Frazer (lead vocals, background vocals, guitar) and David Gleeson
- co-producer:
- Darren Hayes and Daniel Jones
- producer:
- Walter Afanasieff
- mixer:
- Chris Lord‐Alge
- electric guitar and guitar [guitars]:
- Michael Landau
- keyboard [keyboards]:
- Daniel Jones
- keyboard and synthesizer:
- Walter Afanasieff and Daniel Jones
- background vocals, background vocals and lead vocals and lead vocals:
- Darren Hayes
- arranger:
- Walter Afanasieff, Darren Hayes and Daniel Jones
- vocals arranger:
- Walter Afanasieff and Darren Hayes
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (from 1999 to present)
- additionally recorded at:
- Andora Studios in Hollywood, Los Angeles, California, United States (guitar)
- recorded at:
- Andora Studios in Hollywood, Los Angeles, California, United States and Wallyworld in San Rafael, California, United States
- mixed at:
- Wallyworld Studios in San Rafael, California, United States
- recording of:
- The Animal Song
- writer:
- Darren Hayes and Daniel Jones
- publisher:
- Rough Cut Music Pty. Ltd., Warner Brothers Publishing , Warner/Chappell Music Ltd. and WB Music Corp.
| Savage Garden | 4.65 | 4:38 |
| 4 | Kuutamolla (Se ei mee pois) | Laura Närhi | | 4:04 |
| 5 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Famous Music Corporation , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Kenny Loggins | 4.15 | 3:47 |
| 6 | Milla | Anssi Kela | | 4:28 |
| 7 | Ghostbusters | Ray Parker Jr. | 4 | 4:05 |
| 8 | Ain’t No Sunshine | Bill Withers | 4.5 | 2:03 |
| 9 | Waiting for a Star to Fall | Boy Meets Girl | 3.25 | 4:32 |
| 10 | Moving On Up (M People master edit) | M People | 2.65 | 3:34 |
| 11 | Drop Dead Gorgeous (radio edit) | Republica | 3 | 3:31 |
| 12 | Kaikki muuttuu | Jani Wickholm | | 4:19 |
| 13 | Merenkulkija | Disco | | 3:53 |
| 14 | San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | 3.75 | 2:58 |
| 15 | Rainy Day Women #12 & 35 | Bob Dylan | 3.65 | 4:34 |
| 16 | Everybody’s Talkin’ | Harry Nilsson | 4 | 2:46 |
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