Bigger, Better, Faster, More! (front cover has image of a train)

~ Release by 4 Non Blondes (see all versions of this release, 20 available)

Annotation

Identifying This Release

There is at least one other very similar version of this album (see its annotations for even more identifying information):

This release has (at least) the following characteristics:

  • The front cover of the jewel case has an image of a train.
  • The front cover of the jewel case has the album’s title written in yellow.
  • The front cover of the jewel case has the artist’s name written in red.

Barcodes, Catalogue Numbers

  • The back cover of the jewel case has the price “YS” printed alongside the catalogue number.
  • Other price code on back inlay: “FRANCE CA 851”.

Matrix Info

Matrix: 756792112-2 WME
Matrix Inner Hub: [Warner Music Logo] 21
DiscID: hSLro2usS2lpVlDV2sVdApb4rY0-

Annotation last modified on 2022-05-18 17:27 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Train
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
harmonica:
Judy Rudin (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Train (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Stuck in the Throat
43:44
2Superfly
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Superfly (in 1992)
writer:
Linda Perry (rock singer‐songwriter & producer) and Katrina Sirdofsky
publisher:
Stuck in the Throat
3.854:38
3What’s Up
recording engineer:
David Tickle and Mark Hensley
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46) and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony/ATV Harmony, Sony/ATV Harmony UK and Stuck in the Throat
3.754:56
4Pleasantly Blue
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Pleasantly Blue (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Stuck in the Throat
3.652:28
5Morphine & Chocolate
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
keyboard:
David Rickets (of David & David) (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Morphine & Chocolate (in 1992)
lyricist and composer:
Shaunna Hall
publisher:
Lejonhjarta Music
34:44
6Spaceman
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
accordion:
Suzie Katayama (in 1992)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992), Roger Rocha (in 1992) and Shaunna Hall (in 1992)
mellotron:
Rory Kaplan (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Spaceman (in 1992)
writer:
Shaunna Hall and Linda Perry (rock singer‐songwriter & producer)
publisher:
Lejonhjarta Music and Stuck in the Throat
4.653:40
7Old Mr. Heffer
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Old Mr. Heffer (in 1992)
writer:
Wanda Day, Shaunna Hall, Christa Hillhouse and Linda Perry (rock singer‐songwriter & producer)
publisher:
Lejonhjarta Music and Stuck in the Throat
3.352:17
8Calling All the People
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Calling All the People (in 1992)
writer:
Wanda Day, Shaunna Hall, Christa Hillhouse, Linda Perry (rock singer‐songwriter & producer) and Dawn Richardson
publisher:
Bad Love Seizure, Lejonhjarta Music and Stuck in the Throat
3.353:18
9Dear Mr. President
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992), Roger Rocha (in 1992) and Shaunna Hall (in 1992)
piano:
Laurent Tardy (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Dear Mr. President (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Stuck in the Throat
4.354:43
10Drifting
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
cello:
Suzie Katayama (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
Drifting (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Stuck in the Throat
3.653:31
11No Place Like Home
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Laurent Tardy and Paul Dieter (American sound engineer and producer.)
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
No Place Like Home (in 1992)
writer:
Wanda Day, Shaunna Hall, Christa Hillhouse and Linda Perry (rock singer‐songwriter & producer)
publisher:
Lejonhjarta Music and Stuck in the Throat
2.653:09

Credits

Release

manufactured in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:Interscope Records (part of UMG Recordings, Inc.) (in 1992)
Discogs:https://www.discogs.com/release/2461490 [info]
ASIN:DE: B00004SE9B [info]